On this day in 1939, Raymond Chandler’s The Big Sleep was published. Chandler was fifty-one, an ex-oil company executive who had taken up writing at the age of forty-five, after being fired for alcohol-inspired absenteeism. Over the previous five years he had published enough crime stories in the pulp magazines to survive, but this was his first novel, the first of seven featuring the ever-inimitable and much-copied Philip Marlowe. Marlowe’s first words, to the first of so many women — here Carmen Sternwood, with tawny hair, slate-gray eyes and “predatory teeth, as white as fresh orange pith” — give notice:
“Tall, aren’t you?” she said.
“I didn’t mean to be.”
Her eyes rounded. She was puzzled. She was thinking. I could see, even on that short acquaintance, that thinking was always going to be a bother to her.
Ray Chandler’s Philip Marlowe added wisecracking and ruefully reflective worldly wisdom to the hard-boiled school of detective fiction, establishing a new American type which has remained popular ever since, his model being successfully exploited by a host of deliberate imitators from Ross MacDonald to Robert Parker.
Chandler left explicit instructions in his 1950 essay “The Simple Art of Murder.”
[D]own these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective in this kind of story must be such a man. He is the hero, he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor, by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world. I do not care much about his private life; he is neither a eunuch nor a satyr; I think he might seduce a duchess and I am quite sure he would not spoil a virgin; if he is a man of honor in one thing, he is that in all things. He is a relatively poor man, or he would not be a detective at all. He is a common man or he could not go among common people. He has a sense of character, or he would not know his job. He will take no man’s money dishonestly and no man’s insolence without a due and dispassionate revenge. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him. He talks as the man of his age talks, that is, with rude wit, a lively sense of the grotesque, a disgust for sham, and a contempt for pettiness. The story is his adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure. He has a range of awareness that startles you, but it belongs to him by right, because it belongs to the world he lives in.
If there were enough like him, I think the world would be a very safe place to live in, and yet not too dull to be worth living in.