“I want to put a ding in the universe.” – 1981 (probably)
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Stay hungry, stay foolish (his mantra, adopted from the final Whole Earth Catalog)
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Gamasutra reports that those corporate fascists over at Apple actually had the nerve to refuse to sell the game app Phone Story, by the sanctimonious Bolshie game design firm Molleindustria, via the iPhone App store, just because the app featured a series of left-wing smears directed specifically at smartphones, consumer products, and Apple.

One can picture the equivalent of Jeffrey Lebowski whining: Whatever happened to free speech, man?

[U]ntil now, few have been willing to turn the lens on this boom and examine what mass-market gadget lust is costing us ethically. Though we’ve since heard of suicides at Foxconn, deplorable working conditions and hazards to the environment involved in the manufacture of the latest hot smartphones, game developers were mostly silent—until now.

It seems natural that provocative serious games developer Molleindustria was the one to take the step. The studio, which has taken on forces like the Catholic church, McDonald’s and big oil with games like Operation Pedopriest, McDonald’s Video Game and Oiligarchy, never pulls its punches as it uses games to sharply deconstruct the social and economic constructs most people take for granted.

Its latest title, Phone Story, uses a series of minigames with voice-over narration to shed light on the human cost and high environmental impact of smartphone development. In one minigame, while the narrator explains that most electronic devices require the mining of coltan, a conflict mineral in Congo whose demand spurs war and child labor, the player must use the touch screen to guide armed soldiers to bark at exhausted child miners in order to meet the goal in time.

In another, the voice-over explains the suicides at electronics manufacturers in China, and the facile solution of “prevention nets”—while the player must catch tumbling workers using a stretched trampoline.

Of course, Phone Story is more interesting for the fact that players must interact with these messages while holding one of the devices discussed. Imagine being served hamburgers on a tour of a slaughterhouse. And all of the developer proceeds—70 percent of total App Store revenues, as per usual—will be pledged to organizations fighting corporate abuses, starting with Students and Scholars Against Corporate Misbehavior, which supports workers in abusive conditions internationally, including at Foxconn.

Or they would be, if Phone Story had been allowed to stay on the App Store. Apple yanked it just a few hours after the game was officially announced, citing four code violations: 15.2, which prohibits depictions of child abuse, and 16.1, which prohibits apps depicting “objectionable or crude” content. The other two, 21.1 and 21.2, pertain to Phone Story’s charitable bent—and they don’t seem to quite apply, intended instead for games that allow their users to make donations within a game, rather than a pledge by the developer to donate revenues.

Molleindustria makes an iPhone game to criticize the iPhone platform, and that Apple’s chosen to silence it is an interesting punctuation mark on the developer’s statement.

Gamasutra reached out to Molleindustria’s Paolo Pedercini about iPhone Story, who credits the game’s idea to recent international affairs graduate Michael Pineschi, to whom he spoke through creative activism group YesLab. At the time, Pedercini already had some unusual ideas in the works for projects that could act as commentary on gadget fetishism.

“One of them was a multi-touchable virtual-pet vagina, monologuing about technological lust and willful submission to consumerism,” he reflects. “Unfortunately, the flesh engine didn’t work as I hoped so I went for a straightforward educational game.”

But the intent was always to develop a game as commentary on the hardware industry. “Most of the adults in the Western world are somewhat aware that most of our objects are manufactured far away, in conditions that we would consider barbaric,” Pedercini says.

“A lot of tech-aware people heard about the story of the Foxconn suicides or about the issue of electronic waste,” he continues. “But with Phone Story, we wanted to connect all these aspects and present them in the larger frame of technological consumerism.”

He specifically wanted to highlight the goal that “must-have” consumer electronics culture plays in perpetuating these high-impact cycles; one of the levels of Phone Story tasks the players with tossing brand-new boxed phones to swarming would-be buyers rushing a storefront. In his view, the marketing machine that makes people believe they absolutely need an upgraded hardware device on the day it comes out is what causes extremism in the supply chain.

“We don’t want people to stop buying smartphones,” he notes, “but maybe we can make a little contribution in terms of shifting the perception of technological lust from cool to not-that-cool. This happened before with fur coats, diamonds, cigarettes and SUVs—I can’t see why it can’t happen with iPads.”

Pedercini says it was essential to use the platform itself to stage a critique of that platform. “Almost like the device itself was speaking to the user,” he suggests. “The idea was to make a sort of reminder that you can keep with you, like a way-less-permanent tattoo or a bumper sticker, something that you carry around and maybe show off as a conversation-starter.”

But although Apple’s immediate removal of Phone Story makes for an interesting conversation point, Pedercini says he never intended it to happen this way: “I’m very familiar with the App Store policy, and the game is designed to be compliant with it,” he asserts.

“If you check the guidelines, Phone Story doesn’t really violate any rule except for the generic ‘excessively objectionable and crude content’ and maybe the ‘depiction of abuse of children’. Yes, there’s dark humor and violence but it’s cartoonish and stylized – way more mellow than a lot of other games on the App Store.”

“What makes these depictions disturbing is the connection the player makes with the real-world situation,” adds Pedercini. “Of course, the goal was to sneak an embarrassingly ugly gnome into Apple’s walled garden, but not to provoke the rejection. If it was just a matter of provocation I would have gone way further.

If you’re a communist and have to have this App, you can buy it, and the rope you need to hang capitalists, via Android Market.

Hat tip to Karen L. Myers.

Blogging is the kind of ivory tower intellectual activity resembling college that seems to take place at one level of remove from ordinary reality. Bloggers don’t really typically think of themselves as possible subjects of police raids and lawsuits by giant corporations.

And that is, doubtless, why Gizmodo thought that purchasing an iPhone prototype lost in a Redwood City bar and reviewing the prototype would not be a major problem as long as they offered to give the prototype back to Apple in the end.

Clearly, they did not reckon with the rather old-fashioned kind of influence large employer corporations have over certain California counties. (Who even knew that the San Mateo county sheriff’s office possessed a “Rapid Enforcement Allied Computer Team?”)

I recall thinking myself that, yes, Gizmodo can just give back the prototype, and Apple cannot really prove damages from Gizmodo’s story, so the whole incident will simply fade away, but that theory failed to take into account Apple’s corporate cult of secrecy and and the propensity of Apple management (Steve Jobs) to be vindictive.

CNET:

Police have seized computers and servers belonging to an editor of Gizmodo in an investigation that appears to stem from the gadget blog’s purchase of a lost Apple iPhone prototype.

Deputies from the San Mateo County Sheriff’s office obtained a warrant on Friday and searched Jason Chen’s Fremont, Calif., home later that evening, Gizmodo acknowledged on Monday.

In an article on Friday, CNET was the first to report on the criminal investigation into the circumstances surrounding the iPhone prototype and Gizmodo’s acquisition of it, including that Apple had contacted local police. A San Mateo County judge signed the search warrant, which said a felony crime was being investigated, a few hours later.

“When I got home, I noticed the garage door was half-open,” according to an account by Chen. “And when I tried to open it, officers came out and said they had a warrant to search my house and any vehicles on the property ‘in my control.’ They then made me place my hands behind my head and searched me to make sure I had no weapons or sharp objects on me.”

Lucy Dalglish, executive director of the Reporters Committee for Freedom of the Press told CNET on Monday: “This is such an incredibly clear violation of state and federal law it takes my breath away. The only thing left for the authorities to do is return everything immediately and issue one of hell of an apology.”

Dalglish said that the San Mateo County search warrant violated the federal Privacy Protection Act, which broadly immunizes news organizations from searches—unless, in some cases, the journalists themselves committed the crime. The 1980 federal law requires police to use subpoenas to obtain information instead of search warrants, she said.

Editors at Gizmodo, part of Gawker Media’s blog network, last week said they paid $5,000 for what they believed to be a prototype of a future iPhone 4G. The story said the phone was accidentally left at a bar in Redwood City, Calif., last month by an Apple software engineer and found by someone who contacted Gizmodo, which had previously indicated that it was willing to pay significant sums for unreleased Apple products.

CNET has not been able to confirm whether the investigation is targeting Gizmodo, the source who reportedly found the iPhone in a bar, or both. Apple has acknowledged that the lost device is its property. Calls to law enforcement sources on Monday were not immediately returned.

Gizmodo said on Monday:

Last Friday night, California’s Rapid Enforcement Allied Computer Team entered editor Jason Chen’s home without him present, seizing four computers and two servers. They did so using a warrant by Judge of Superior Court of San Mateo. According to Gaby Darbyshire, COO of Gawker Media LLC, the search warrant to remove these computers was invalid under section 1524(g) of the California Penal Code.

Darbyshire was referring to the portion of California law that prevents judges from signing warrants that target writers for newspapers, magazines, or “other periodical publications.”

In 2006, a California appeals court ruled that the definition of “periodical publication” protects Web logs. “We can think of no reason to doubt that the operator of a public Web site is a ‘publisher’ for purposes of this language…News-oriented Web sites… are surely ‘like’ a newspaper or magazine for these purposes,” the court concluded.

The federal newsroom search law known as the Privacy Protection Act is broader. It says that even journalists suspected of committing a crime are immune from searches—if, that is, the crime they’re suspected of committing relates to the “receipt” or “possession” of illegal materials. (Two exceptions to this are national security and child pornography.)

The police hauled away three Apple laptops, a Samsung digital camera, a Seagate 500 GB external hard drive, USB flash drives, a HP MediaSmart server, a 32GB Apple iPad, an 16GB iPhone, and an IBM ThinkPad, according to documents that Gizmodo posted.

Poor Gray Powell, a 27 year old software engineer working at Apple, inadvertently left his prototype of the next iPhone on a bar stool at Gourmet Haus Staudt, a German beer garden in Redwood City.

Steve Jobs is probably going to roast Gray over a slow fire, because that next generation iPhone was picked up by a guy sitting nearby, who tinkered with it and found a new iPhone camouflaged in an old iPhone package. After a few weeks, he sold it to Gizmodo (who paid $4000, some say $10K).

Gizmodo got its money’s worth, having a great deal of fun analyzing what’s different technically and in the design of the new prototype (and scoring off Apple’s notorious secrecy policy concerning new products).

They awarded the prototype excellent reviews. The new design was sturdier and more attractive, and the new model has a bigger battery and spectacularly sharper resolution.

Now, we get to sit back and see what Apple does to Gizmodo.

Bruno Ganz’s portrayal of everyone’s favorite demented dictator chewing the carpet in Oliver Hirschbiegal’s “Der Untergang” (2004) is becoming a reliable vehicle for parody subtitling.

This time Der Fuehrer is displeased with some of the limitations of the Ipad.

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Personally, I thought the recent version depicting news of Scott Brown defeating Martha Coakley reaching the bunker was a good deal funnier.

Charlie Booker, at the Guardian, knows that Windows sucks, but explains that he still hates Mac and Mac users more.

Recently I sat in a room trying to write something on a Sony Vaio PC laptop which seemed to be running a special slow-motion edition of Windows Vista specifically designed to infuriate human beings as much as possible. Trying to get it to do anything was like issuing instructions to a depressed employee over a sluggish satellite feed. When I clicked on an application it spent a small eternity contemplating the philosophical implications of opening it, begrudgingly complying with my request several months later. It drove me up the wall. I called it a bastard and worse. At one point I punched a table. ...

I know Windows is awful. Everyone knows Windows is awful. Windows is like the faint smell of piss in a subway: it’s there, and there’s nothing you can do about it. OK, OK: I know other operating systems are available. But their advocates seem even creepier, snootier and more insistent than Mac owners. The harder they try to convince me, the more I’m repelled. To them, I’m a sheep. And they’re right. I’m a helpless, stupid, lazy sheep. I’m also a masochist. And that’s why I continue to use Windows – horrible Windows – even though I hate every second of it. It’s grim, it’s slow, everything’s badly designed and nothing really works properly: using Windows is like living in a communist bloc nation circa 1981. And I wouldn’t change it for the world, because I’m an abject bloody idiot and I hate myself, and this is what I deserve: to be sentenced to Windows for life.

That’s why Windows works for me. But I’d never recommend it to anybody else, ever. This puts me in line with roughly everybody else in the world. No one has ever earnestly turned to a fellow human being and said, “Hey, have you considered Windows?” Not in the real world at any rate.

Until now. Microsoft, hellbent on tackling the conspicuous lack of word-of-mouth recommendation, is encouraging people – real people – to host “Windows 7 launch parties” to celebrate the 22 October release of, er, Windows 7. The idea is that you invite a group of friends – your real friends – to your home – your real home – and entertain them with a series of Windows 7 tutorials.

Win 7 Launch Party video: A very serious contender for lamest (interminable at 6:14) video ever made.

Read the whole thing.

[A]ll of these greater philosophical underpinnings that people attach to PC vs. Mac are just self-aggrandizing nonsense. Buying the computer from company A doesn’t, as a matter of fact, say anything about you, just like buying a computer from company B doesn’t say anything about your counterparts. As I have said many, many times, there are good things about Apples and good things about PCs. If it makes sense to you to buy an Apple, go with god. And many Apple owners do just that, buy a product, use it and enjoy it. I’ve considered getting an Apple laptop in the past and may in the future. But it amazes me, absolutely amazes me, the number of Apple owners who lack the clarity or self-awareness to realize that purchasing a commodity from a enormous, soulless corporation that is also owned by several million other people doesn’t make you a unique and beautiful snowflake. Apple has a better PR campaign, better advertising and a more gullible, credulous customer base. That’s it. It’s got nothing to do with individuality or noncomformity. I know many people are probably saying that this is a completely banal thing to say but I am consistently astounded by otherwise smart people who will tell you different.

Hat tip to Andrew Sullivan.

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I’m not sure Apple shouldn’t offer to pay to run it themselves, demonstrating as it does that Microsoft’s clueless obliviousness runs all the way to the top.

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Napster, founded in 1999, was a pioneer in what would be called peer-to-peer file sharing. What made the company so popular with users was that it specialized in the new MP3 music files, it had an appealing user interface, and best of all, the music was free.

It was the last that drove established music artists and record companies nearly insane. It began with the lawsuit by Metallica, followed soon after by Dr. Dre, then Madonna, and culminated in 2001 when A&M Records was granted a preliminary injunction stopping Napster from allowing downloads of any of its artists.

By then, Napster officially had more than 26 million users, but may in fact have had twice that many. Just as important, Napster—and those imitators that tried to copy its success by working the corners of the law—had set off a social revolution. By the time the music industry began to contain the damage, tens of millions of songs had already been downloaded, and a generation of college and high-school kids had come to expect the free exchange of free music.

What the music industry did next was a case study in bad strategy, bad marketing and bad public relations. Not only did the industry crush Napster and any other company that followed in its path, but it also criminalized its own customers. We all got to watch as federal agents arrested college kids, music lovers and even a poor little girl living in the ghetto.

Needless to say, this program of applied troglodytics only managed to drive music downloading further underground, turn America’s children into small-time crooks, and make popular musicians and their record companies—those famous celebrants of maverick and transgressive behavior—look like the worst kind of freedom-crushing rich plutocrats. ...

For the next two years, until 2003, the music industry pursued the single dumbest strategy possible in the digital age: It tried to stop the progress of technology and deny users access to a new and more powerful industry standard. Instead, the major record labels dithered, unable to settle upon a single download standard, distribution system or pricing scheme. Instead, they devoted their energy to attempting to undermine each other. ...

Then in rode Steve Jobs to the rescue.

When Apple Computer first introduced the iPod in 2001 it had given tacit approval to illegal downloading with its notorious “Rip, Mix, Burn” advertising campaign. But as the iPod quickly became one of the most successful consumer electronics products in history—100 million units sold as of Sunday—it became obvious that the company couldn’t depend on content either from the underground or from a fractious, delusional music industry.

Thus, the Apple iTunes Music Store, which opened online four years ago this month. Only a technologist with the Hollywood cachet of Steve Jobs could have ever gotten the major players of the music industry together and, better yet, convinced them to agree to a single download and pricing standard. In doing so, Mr. Jobs very likely saved the music industry, which was on the brink of seeing its entire revenue model destroyed by the black market. Instead, at 99 cents per song, iTunes gave music lovers a means to escape illegality at a reasonable price.

Needless to say, it has worked brilliantly. With more than 2.5 billion songs sold by iTunes, Apple, with 80% of all music download revenues as well as nearly 75% of the devices sold to play those tunes, has deservedly been a huge beneficiary of this agreement. But the music industry, by being forced to actually accept a new industry standard and an attendant pricing structure, has arguably benefited even more.

But to get the music moguls around the table Steve Jobs had to make a Faustian bargain. The paranoid record execs, fearful of illegal copies, demanded that every iTune sold had to be freighted with Digital Rights Management (DRM) anti-piracy software. In practice, this meant that iTunes music could only be played on Apple iPods.

The need for absolute proprietary control over both hardware and software has always been Mr. Jobs’s Achilles heel. Twenty years ago that philosophy cost Apple Computer a similar dominance in personal computers against an army of competitors working under a common, “open” system. So one can imagine Apple’s CEO readily accepting the music industry’s demand for DRM, knowing that it would give Apple instant ownership of the online music business. ...

By all appearances, the Big Four, which control 70% of the world’s music, were unmoved by Mr. Jobs’s appeal. And then, last week, a breakthrough: Apple announced that it had reached agreement with Britain’s EMI to sell the latter’s music archives (which includes the Beatles) without DRM. Thirty cents more, but twice the sound quality—the first mass-market improvement in music fidelity since the death of the LP. A fair exchange. Good for EMI.

Is this a turning point in the story of digital music? Will the other Big Three follow suit? One can only hope so. The music moguls trusted Steve Jobs once and he saved them. It’s time for them to trust him again.

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The original Superbowl Apple ad.

Includes the great Apple 1984 commercial, which was shown only once.

Preston Galla of PC Word has 15 reasons to switch to Vista.

But Mike Elgan of Computerworld has some compelling arguments as to why you should wait to get Vista already installed on your next PC, or just switch to a MAC.

Those new Intel-powered MacBooks apparently run rather hot. One owner demonstrates just how hot by cooking his egg on it.

He fulfills his promise in this 4:48 minute video.

link

Apple has always said it was a hardware company, not a software company. Now with the cash cow iPod line, it can afford to drop expensive OS development and just make jazzy, high-margin Windows computers to finally get beyond that five-percent market share and compete directly with Dell, HP and the stodgy Chinese makers.

“We went over to Steve’s house, and he was sitting under a tree with no shoes on reading How to make a Nuclear Bomb,” McNealy said.

From: jason@kottke.org
Subject: Powerbook support
Date: January 10, 2006 4:55:31 PM ET
To: Apple Tech Support

Hello,

I purchased a new Powerbook three weeks ago. It was working fine until a few hours ago when you announced the new Intel-powered MacBook Pro at MacWorld and I started to cry. “Four to fives times faster,” I sobbed, “a built-in iSight, and a brighter, wider screen.”

My display, while not as bright or large as the new MacBook Pro display, illuminated my wet cheeks and red, swollen eyes as my tears rained down on the backlit keyboard. An acrid smell rose up from inside the smooth metal machine as my salty tears joined with the electronics, joyfully releasing the electrons from their assigned silicon pathways to freely arc into forbidden areas of the computer and elsewhere, including, somewhat painfully, my hands.

Is this covered under my warranty and if so, can you send me a new MacBook Pro as a replacement, please? Thank you for your time,

-jason

link

Jarod Lanier (above) writes about Technology the way certain of my college friends used to talk about these kinds of things after a couple of hash brownies. This specific (brilliant, crossing the barriers of a variety of separate and distinct topics, wildly original and speculative, and a trifle daft) form of discourse was referred to in our circles as space-ranging. Criticized by his interlocutors for his prolixity, for the profusion of his ideas, for their chaotic disorganization, and for indulging in the characteristic intellectual overreach of the seriously stoned, one Early Concentration Philosophy classmate of mine, had on a particular occasion declared memorably in his own defense: “I am a Space Ranger!”

As the rings of Saturn fade distantly in the view-finder, Lanier remarks:

As it happens, I dislike UNIX and its kin because it is based on the premise that people should interact with computers through a “command line.” First the person does something, usually either by typing or clicking with a pointing device. And then, after an unspecified period of time, the computer does something, and then the cycle is repeated. That is how the Web works, and how everything works these days, because everything is based on those damned Linux servers. Even video games, which have a gloss of continuous movement, are based on an underlying logic that reflects the command line.

Human cognition has been finely tuned in the deep time of evolution for continuous interaction with the world. Demoting the importance of timing is therefore a way of demoting all of human cognition and physicality except for the most abstract and least ambiguous aspects of language, the one thing we can do which is partially tolerant of timing uncertainty. It is only barely possible, but endlessly glitchy and compromising, to build Virtual Reality or other intimate conceptions of digital instrumentation (meaning those connected with the human sensory motor loop rather than abstractions mediated by language) using architectures like UNIX or Linux. But the horrible, limiting ideas of command line systems are now locked-in. We may never know what might have been. Software is like the movie “Groundhog Day,” in which each day is the same. The passage of time is trivialized.

I have a strong suspicion that Lanier’s use of Agora, and variations thereon, as his preferred term for one kind of marketplace and another, stems from the influence of the late Samuel Edward Konkin III (1947-2004), founder of a unique strain of California counter-cultural Libertarianism which he called Agorism, whose theories were promulgated via Sam’s own Agorist Institute. Potlatch metaphors were also a characterististic trope of Konkinian Libertarianism. One can hear the echo of Sam Konkin’s sunny optimism in the following analysis:

Perhaps it will turn out that India and China are vulnerable. Google and other Antigoras will increasingly lower the billing rates of help desks. Robots will probably start to work well just as China’s population is aging dramatically, in about twenty years. China and India might suddenly be out of work! Now we enter the endgame feared by the Luddites, in which technology becomes so efficient that there aren’t any more jobs for people.

But in this particular scenario, let’s say it also turns out to be true that even a person making a marginal income at the periphery of one of the Antigoras can survive, because the efficiencies make survival cheap. It’s 2025 in Cambodia, for instance, and you only make the equivalent of a buck a day, without health insurance, but the local Wal-Mart is cheaper every day and you can get a robot-designed robot to cut out your cancer for a quarter, so who cares? This is nothing but an extrapolation of the principle Wal-Mart is already demonstrating, according to some observers. Efficiencies concentrate wealth, and make the poor poorer by some relative measures, but their expenses are also brought down by the efficiencies.

Adventures in Troubleshooting offers advice on understanding Mac Geeks, who will be making their annual hajj to San Francisco to hear the Prophet Jobs deliver his latest revelation. Not everyone understands, or appreciates, the one-button mouse approach to computing, but some do contend that “everything is just prettier on a Mac.” AIT goes even further:

Apple makes technology cool. They make computing cool. This is why they hold such high esteem with many geeks. They make what we do into something that can get us laid…. Girls love Rebels. Steve Jobs could have so many many many more chicks than Bill.