The inimitable George Leonard Herter

Back in the 1950s and the 1960s, the annual two-inch thick telephone directory-sized Herter’s catalogue, arriving from far off, exotic Waseca, Minnesota was, for sportsmen, and for small boy aspiring sportsmen, not just a standard source of fishing tackle, camping, handloading, fly tying, trapping, and taxidermy supplies, the Herter’s catalogue was a long term reading treasure providing fodder for countless hours of theoretical expedition planning and equipment acquisition and maintenance.

Paul Collins, in a recent New York Times Book Review, pays tribute to the long-extinct Herter’s catalogue and its colorful and eccentric author. George Leonard Herter’s infamous “Bull Cook and Authentic Historical Recipes and Practices” providing the recipes for the Virgin Mary’s favorite creamed spinach, Joan of Arc’s pate de fois gras, and Stonewall Jackson’s barbecued ribs (among many others) is his personal favorite example of Herteriana.

Starting in 1937 from atop his father’s dry-goods shop in Waseca, Minn., Herter over the next four decades built a mail-order sporting goods juggernaut. The arrival of the Herter’s catalog was like Christmas with bullets. Need a bird’s-eye maple gunstock? Check. How about a Herter’s Famous Raccoon Death Cry Call? Just two dollars. Fiberglass canoes? Got you covered. The catalog, which the former Waseca printer Wayne Brown recalls started as three-ring binder supplements, grew so popular — about 400,000 or 500,000 copies per run, he estimates — that Brown Printing became one of the country’s largest commercial printers.

“Herter wrote all the copy for the catalogs,” Brown said in an e-mail message, and each item was described in loving, haranguing, Barnum-esque detail. No Herter item was merely good: it was World Famous, Patented, Special, “made with infinite care by our most expert old craftsmen,” or — my favorite — “actually made far better than is necessary.” The corollary was that his competitor’s products were worthless — or, as he put it, “like they were made by indifferent schoolgirls.”

But as good as much of his gear was, talk about Herter always comes around to one thing: his books. His enchantingly bombastic catalogs included listings for more than a dozen of his self-published works, bound in metallic silver and gold covers, and bearing titles like “How to Get Out of the Rat Race and Live on $10 a Month.”

My understanding is that Herter was put out of business in the 1970s over Jungle Cock. The eyed neck feathers of the Grey Jungle Fowl, Gallus Sonneratti, have long been an essential ingredient in the construction of artificial flies for fishing. The eyed feathers serve as eyes on streamer fly imitations of minnows, and as crucial decorative elements in the visually elaborate salmon fly attractor patterns originated in the Victorian era.

Federal enforcement of a ban on the trade in feathers of endangered species took no cognizance of material stockpiles dating to periods long before the ban, and George Leonard Herter was a classic American individualist and a hard core sportsman who simply could not bow to irrational regulation. The reports I heard were that federal lawsuits and seizures, based on one small particular type of feather entirely legally owned and acquired in the first place, ruined the famous company and broke its proprietor’s heart. He never even tried to revive his business.

Had it survived, just imagine how enormous a business Herter’s would be today! Herter’s would be today’s Cabela’s and more.
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Hat tip to Karen L. Myers.

Clara Moskowitz describes how Hollywood updates message Sci Fi cinema. In the end, audiences will find that Keanu Reeves is no Michael Rennie.

If aliens ever visit Earth, they’ll be coming to reprimand us for bad behavior.

That’s the premise of the 1951 classic sci-fi film “The Day the Earth Stood Still,” as well as the brand-new Fox remake of the same name, in theaters Friday. In the intervening 50 years, humanity hasn’t gotten any better, the filmmakers seem to conclude—we’ve just switched to new transgressions.

In the mid 20th century our most pressing concern about ourselves was the threat of humans annihilating each other with nuclear weapons. The original film follows Klaatu, a human-looking alien who comes to Earth with his bodyguard robot Gort, to warn people to cease and desist with the nukes before we contaminate the rest of the Galaxy with them.

The new version of the film focuses on a more contemporary preoccupation: the threat of climate change and environmental degradation. The new Klaatu, played by Keanu Reeves, couldn’t care less if we blew ourselves to bits, but would we mind not taking out the rest of the species on Earth, as well as our rare habitable planet, with us? ..

..It falls to astrobiologist Helen Benson (Jennifer Connelly) and her stepson Jacob (Jayden Smith, son of Will Smith) to convince Klaatu that humans aren’t beyond redemption, that we really can change our gas-guzzling, trash-dumping ways.

“In re-imagining this picture, we had an opportunity to capture a real kind of angst that people are living with today, a very present concern that the way we are living may have disastrous consequences for the planet,” (deep-thinker Keanu) Reeves said. “I feel like this movie is responding to those anxieties. It’s holding a mirror up to our relationship with nature and asking us to look at our impact on the planet, for the survival of our species and others.”

In a sign of its own commitment to change, Fox designated “The Day the Earth Stood Still”as its first “green” production. Though some trees were doubtless harmed in the making of this film, the studio endeavored to produce the picture with the smallest possible environmental impact. That meant less paper printing of photo stills for the art department, the use of recyclable materials and biodegradable products to create sets and props, and lumber from sustainably-managed forests.

The studio even enforced an “idle-free mandate,” whereby any member of the crew sitting in a production vehicle for more than three minutes had to cut the engine rather than idle while waiting.

In another grand gesture, Fox plans to transmit the entire film into space on Friday via dish antenna through the Orlando, Fla.-based Deep Space Communications Network firm. In what the studio is calling “the world’s first galactic motion picture release,” the movie will be broadcast in the direction of the closest star system, Alpha Centauri, where eager aliens waiting with popcorn could view it by 2012, when the signal arrives.

Some might suggest that physically transmitting the complete set of distribution prints into deep space would be even better.

0:21 video

Everyone else is getting a bailout from Bushobama, why not Scrooge & Marley? The firm’s dramatic salary raises, benefit expansions, and a sudden wave of charitable contributions beginning just after the holidays last year have placed a serious strain on profitability just at the time mortgage securities came into question and world financial markets collapsed.

DOTPenn.com:

Officials from the Bush administration and members of president-elect Barack Obama’s economic team are finishing up a proposal to bail out the world’s biggest counting house, Scrooge & Marley.

Once a financial powerhouse with a sterling balance sheet, the firm has reportedly fallen into wasteful spending practices, heaping money on extra lumps of coal for the employee’s personal heater and providing a luxurious medical plan for the family of Scrooge & Marley’s number two man, Bob Cratchit.

Scrooge & Marley’s CEO and co-founder, Ebeneezer Scrooge, who oversaw a phenomenal runnup in the company’s worth, has seen his personal wealth and influence diminish following recent dismal business practices.

Derwood Umple, a financial analyst for CNBC’s Dickensian desk, said that while rents have lapsed, Scrooge also reportedly bet heavily in global sub-prime markets.

“He has several properties in the seedier sections of town,” Umple said. “Word on the street says his management practices have been minimal, at best, and he is either unable or unwilling to collect on loans and rents.”

In addition, Umple said federal authorities had been looking at Scrooge & Marley’s charitable contributions.

“It’s obviously a tax-reduction scam,” said Umple. “He was tossing money at every request from chubby charity men while government prisons and work houses have fallen into considerable state of disrepair.”

The top hat-wearing CEO hasn’t missed too much on the party scene, though. He was seen attending a holiday party at his nephew’s home shortly before the bailout announcement and making quite merry, paparazzi suggested.

Over its century and a quarter of existence, Mark Twain’s Adventures of Huckleberry Finn has been generally recognized as one of the special pinnacles of the American canon, yet at the same time the book has retained a unique capacity to provoke the alarm and indignation of the godly by its failures in decorum.

Long ago, the problems were coarse language and unseemly racial fraternization. Today, it’s politically incorrect language, the dreaded N word, and a vital portrait of a racially unequal society and unequal characters which provokes the wrath of the Philistines.

Can such a corrupting and subversive book possibly be permitted to appear on reading lists in respectable American schools?

The Manchester, Connecticut school system bravely wrestled with the thorny problem, and devised a bold answer. Huck Finn could stay, but teachers must first attend special seminars instructing them in exactly how to frame and properly civilize the unruly text.

Personally, I think that Huck ought to jump back on the raft and sail off down the Connecticut River for the territories.

Eyewitness News 3

In the case of John Edwards, as in the case of John Kerry before him, as in the affair of Bill Clinton and Monica Lewinsky still earlier, the mainstream media refrained from investigating or reporting unpleasant stories about their favored political leaders until widespread dissemination by alternative sources made the stories impossible to overlook.

Tom Maguire observes that Jerome Corsi, who wrote the book (Unfit for Command) which helped the Swift Boat Veterans for Truth sink John Kerry’s presidential hopes, has a new very recent book, The Obama Nation , currently ranking 7th in sales on Amazon. I’ve ordered a copy myself.

Tom mentions that Glenn Reynolds has been wondering what skeletons has Obama got in his personal closet that the media has so far been unwilling to investigate. The Corsi book is likely to point to a few, and that means the serious scrutiny of Barack Obama’s personal history, career, finances, and associations has only just begun.
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For example, one of Tom Maguire’s commenters reports that the relationship between the Obamas and 1960s radicals William Ayres and Bernardine Dohrn was clearly rather more intimate than Obama himself represented in his “”a guy who lives in my neighborhood, who’s a professor of English in Chicago” dismissive description. He says that, to his personal knowledge, the Ayres babysat the Obama children.

A candidate with his own presidential seal is prone to decide he also needs his own personal salute.

And, sure enough, US News & World Report recently found, Barack Obama’s gotten himself one of those, too.

But, maybe, just maybe, Obama needs to re-think these little personal touches. They provoke mockery, and worse, they prompt cynical people, like Gateway Pundit, to investigate possible sources of plagiarism.

Nancy Pelosi’s new book, Know Your Power, has been less than well-received.

It’s ranking 1576 this morning on the Amazon best-seller list, and 23 of 34 reviews give it one star (Amazon’s most negative rating).

Lone Pony reports that Nancy Pelosi has leaned on Amazon, forcing the on-line bookseller to remove more than 200 negative reviews. How lame is that?

Via Pam Geller.

Originally Posted: Wed, 9 Jul 11:00 CDT

Autographed Copy of Plato’s Republic
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PostingID: 748263604

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Hat tip to Matthew MacLean.

A reader tells Megan McArdle that she’s every nerd’s dream girl because she actually likes Science Fiction, which got the gender wars rolling, and provoked discussion of girls & SF. Poor Megan has had to respond defensively.

I guess some people just date the wrong girls. My wife, as we near Social Security age, is only beginning to recover from a really drastic life-time SF reading habit. 30 years ago, we used to store her SF books on top of a row of book cases, about 15’ long with 4 or 5’ of space above. The stacked up SF filled the space, creating a visually interesting and thought provoking assemblage which came to be regarded by a number of people as a satisfying example of found art. We often speculated on having the whole thing set in lucite. Particularly after one of the occasional book avalanches occurred.

I expect Karen would read more SF even now, if there was more SF and less weak and imitative fantasy out there.

Nobody in our household likes Doctor Who, I’m afraid.

Mr. Valiant-for-truth (illustration by Frederick Barnard)

from John Bunyan’s The Pilgrim’s Progress from This World, to That Which Is to Come; Delivered under the Similitude of a Dream., Second Part, 1684:

Then they went on; and just at the place where Little-Faith formerly was robbed, there stood a man with his sword drawn, and his face all over with blood. Then said Mr. Great-Heart, Who art thou? The man made answer, saying, I am one whose name is Valiant-for-truth. I am a pilgrim, and am going to the Celestial City. Now, as I was in my way, there were three men that did beset me, and propounded unto me these three things: 1. Whether I would become one of them. 2. Or go back from whence I came. 3. Or die upon the place. Prov. 1:11-14. To the first I answered, I had been a true man for a long season, and therefore it could not be expected that I should now cast in my lot with thieves. Then they demanded what I would say to the second. So I told them that the place from whence I came, had I not found incommodity there, I had not forsaken it at all; but finding it altogether unsuitable to me, and very unprofitable for me, I forsook it for this way. Then they asked me what I said to the third. And I told them my life cost far more dear than that I should lightly give it away. Besides, you have nothing to do thus to put things to my choice; wherefore at your peril be it if you meddle. Then these three, to wit, Wild-head, Inconsiderate, and Pragmatic, drew upon me, and I also drew upon them. So we fell to it, one against three, for the space of above three hours. They have left upon me, as you see, some of the marks of their valor, and have also carried away with them some of mine. They are but just now gone; I suppose they might, as the saying is, hear your horse dash, and so they betook themselves to flight.

GREAT. But here was great odds, three against one.

VALIANT. ’Tis true; but little and more are nothing to him that has the truth on his side: “Though an host should encamp against me,” said one, [Psa. 27:3], “my heart shall not fear: though war should rise against me, in this will I be confident,” etc. Besides, said he, I have read in some records, that one man has fought an army: and how many did Samson slay with the jawbone of an ass!

GREAT. Then said the guide, Why did you not cry out, that some might have come in for your succor?

VALIANT. So I did to my King, who I knew could hear me, and afford invisible help, and that was sufficient for me.

GREAT. Then said Great-Heart to Mr. Valiant-for-truth, Thou hast worthily behaved thyself; let me see thy sword. So he showed it him.

When he had taken it in his hand, and looked thereon awhile, he said, Ha, it is a right Jerusalem blade.

VALIANT. It is so. Let a man have one of these blades, with a hand to wield it, and skill to use it, and he may venture upon an angel with it. He need not fear its holding, if he can but tell how to lay on. Its edge will never blunt. It will cut flesh and bones, and soul, and spirit, and all. [Heb. 4:12.]

GREAT. But you fought a great while; I wonder you was not weary.

VALIANT. I fought till my sword did cleave to my hand; and then they were joined together as if a sword grew out of my arm; and when the blood ran through my fingers, then I fought with most courage.

GREAT. Thou hast done well; thou hast resisted unto blood, striving against sin. Thou shalt abide by us, come in and go out with us; for we are thy companions. Then they took him and washed his wounds, and gave him of what they had, to refresh him: and so they went together. Now, as they went on, because Mr. Great-Heart was delighted in him, (for he loved one greatly that he found to be a man of his hands.) ...
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Then it came to pass a while after, that there was a post in the town that inquired for Mr. Honest. So he came to the house where he was, and delivered to his hand these lines: Thou art commanded to be ready against this day seven-night, to present thyself before thy Lord at his Father’s house. And for a token that my message is true, “All the daughters of music shall be brought low.” Eccles. 12:4. Then Mr. Honest called for his friends, and said unto them, I die, but shall make no will. As for my honesty, it shall go with me; let him that comes after be told of this. When the day that he was to be gone was come, he addressed himself to go over the river. Now the river at that time over-flowed its banks in some places; but Mr. Honest, in his lifetime, had spoken to one Good-conscience to meet him there, the which he also did, and lent him his hand, and so helped him over. The last words of Mr. Honest were, Grace reigns! So he left the world.

After this it was noised abroad that Mr. Valiant-for-truth was taken with a summons by the same post as the other, and had this for a token that the summons was true, “That his pitcher was broken at the fountain.” Eccl. 12:6. When he understood it, he called for his friends, and told them of it. Then said he, I am going to my Father’s; and though with great difficulty I have got hither, yet now I do not repent me of all the trouble I have been at to arrive where I am. My sword I give to him that shall succeed me in my pilgrimage, and my courage and skill to him that can get it. My marks and scars I carry with me, to be a witness for me that I have fought His battles who will now be my rewarder. When the day that he must go hence was come, many accompanied him to the river-side, into which as he went, he said, “Death, where is thy sting?” And as he went down deeper, he said, “Grave, where is thy victory?” [1 Cor. 15:55.] So he passed over, and all the trumpets sounded for him on the other side.

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Mr. Valiant-for-truth’s hymn (19th century revision) 2:05 video

Ian Fleming (aetatis 56) would just have turned 100

In the Chronicle of Higher Education, Michael Dirda writes:

A couple of years ago, I happened to be giving a talk to the graduating seniors at a Catholic girls’ school. During the question period, one young woman asked, “If you could be any character in literature, who would you choose?” Given that I write about books for a (hardscrabble) living, I could see that she expected me to name some obvious literary heavyweight, such as Odysseus, Prince Genji, or Huckleberry Finn — all of whom flashed through my mind as good answers. Instead I paused for a moment, put on my most sardonic look, and huskily whispered into the microphone, “Bond, James Bond.” It brought down the house.

Of course, people thought I was kidding. And, of course, I wasn’t.

Ian Fleming centenary website

Imperial War Museum: For Your Eyes Only Exhibition
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Hat tip to Karen L. Myers.

video ad for Wireless DVD Projector ($2900, ouch!) & Wireless Webcam with light saber IP phone (only $400) in the form of (miniature) R2-D2 droids.

Hat tip to Karen L. Myers.

International Association of Time Travelers: Members’ Forum Subforum: Europe – Twentieth Century – Second World War
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The Telegraph offers a list of 50 detective story authors with a recommended title from each.

Missing from the list? I’d suggest including:

Nicholas Freeling was an Englishman and resident of the Continent, who brought keen intelligence and a serious and humane philosophical perspective to the detective genre. His best work was probably the series of novels revolving around criminal investigations conducted by Dutch Inspector Van der Valk. Most readers felt that Van der Valk’s death in the line of duty—Aupres de ma blonde aka A Long Silence (1972)—was a mistake, and Freeling’s replacement, French detective Henri Castaing, made for less compelling reading.

Read: Love in Amersterdam aka Death in Amsterdam (1962)

Robert van Gulik was a Dutch diplomat and orientalist, who translated an 18th century Chinese detective story about the adventures of a Tang Dynasty Imperial official. Inspired by the original, Gulik proceeded to produce his own series of further adventures of Judge Dee, running to 16 volumes of individual novels and short stories or thereabouts. The Judge Dee mysteries offer a fascinating picture of a distant time and place, viewed specifically from a Confucian perspective.

Read: The Chinese Bell Murders (1958)

And how could they possibly have missed?

John D. McDonald, a Harvard MBA, tried his hand at fiction while serving in WWII, and after his discharge settled down to produce a well-crafted series of hardboiled crime thrillers in the manner of James M. Cain. 1950s paperback racks were filled with McDonald’s pulpy novels, each with its cover featuring a buxom broad in provocative déshabillé. In the early 1960s, McDonald the professional sat down and carefully designed the ultimate series hero, one of the detective genre’s all-time great protagonists, Florida “salvage consultant,” thinking man’s action hero, and rueful philosopher Travis McGee.

Read: The Deep Blue Goodbye (1964)

Admiral William Adama

Annalee Newitz proposes a better model for leadership than mere business executives.

Who knew that Yale University Press has produced a Broadway Masters series of biographies of musical theater composers, featuring already published volumes on Richard Rogers, Jerome Kern, Sigmund Romberg, and (shudder!) Andrew Lloyd Webber? Not me certainly, Broadway musicals were never my favorite art form.

Mark Steyn reviews, this week in the Wall Street Journal, the latest composer to join Sir Andrew in Yale’s pantheon of demigods, and explains that Frank Loesser, composer of How To Succeed in Business and Guys and Dolls, was really responsible for 9/11.

A few decades back, a young middle-class Egyptian spending some time in the U.S. had the misfortune to be invited to a dance one weekend and was horrified at what he witnessed:

“The room convulsed with the feverish music from the gramophone. Dancing naked legs filled the hall, arms draped around the waists, chests met chests, lips met lips . . .”

Where was this den of debauchery? Studio 54 in the 1970s? Haight-Ashbury in the summer of love? No, the throbbing pulsating sewer of sin was Greeley, Colo., in 1949. As it happens, Greeley, Colo., in 1949 was a dry town. The dance was a church social. And the feverish music was “Baby, It’s Cold Outside,” written by Frank Loesser and sung by Esther Williams and Ricardo Montalban in the film “Neptune’s Daughter.” Revolted by the experience, Sayyid Qutb decided that America (and modernity in general) was an abomination, returned to Egypt, became the leading intellectual muscle in the Muslim Brotherhood, and set off a chain that led from Qutb to Zawahiri to bin Laden to the Hindu Kush to the Balkans to 9/11.

3:15 video of Ricardo Montalban and Esther Williams performing the song which shocked Qtub.

George McDonald Fraser, author of the Flashman novels, a series of comic historical novels typically revolving around one of the best-known military disasters of the Victorian era and featuring as their hero a later-in-life version of the cad and bully Flashman from Tom Brown’s Schooldays, has died at age 82 of cancer.

Fraser had resided on Man as a political (and tax) exile from socialist Britain for many years.

He served during WWII in the Border Regiment and, after being commissioned an officer, in the Gordon Highlanders. Upon leaving the Army, he worked as a journalist for the Glasgow Herald. In 1969, he published the first of the Flashman novels which soon became a lucrative success.

As the London Times observes:

He had hit on a deceptively simple idea that proved to be a bestselling formula at the end of the Swinging Sixties. The public still wanted to sit down with a good rip-roaring yarn — but did not want heroes. So why not make the central character a cad? A cad the reading public already knew about — Harry Flashman, the bounder of Tom Brown’s Schooldays?

What happened to Flashman after the good Doctor Arnold expelled him from Rugby? Fraser decided that he must have gone into the Army. Bully, liar and coward he may still have been, but the Victorian military authorities did not mind. Or perhaps they were simply too stupid to notice, as he whored and cheated his way around the British Empire. The resulting stories became one of the great tongue-in-cheek achievements of popular fiction.

The standing joke between Fraser and his readers was that these were genuine memoirs: they had been discovered, “wrapped in oilskin” and stuffed into a tea chest, during a house sale at Ashby, Leicestershire, in 1965. They described how, after a long, eventful life, loved by the ladies and lauded by the Establishment — Flashman was a brigadier-general, a VC, a Knight of the Bath, a Chevalier of the Legion d’Honneur and, amusingly, holder of the San Serafino Order of Purity and Truth — the old scoundrel mused in old age about how he had got away with it: “The ideal time to be a hero,” he wrote, “is when the battle is over and the other fellows are dead, God rest ’em, and you take the credit.”

It was all rollicking nonsense; but it had a sterling quality that went to the heart of many sophisticated readers who like to relax with a rubbishy book provided it is well written rubbish.

The Guardian identifies another basis of the series’ success.

Fraser was intending amusing travesty, but, underneath it all, the author really believed in Britishness. When the chips are down (when sepoys, for example, are murdering women and children in the Indian Mutiny) Flashman is a gallant and decent fellow (and no racist). Flashy, not unflashy Tom, embodies what made the empire work.

The Flashman novels spoke eloquently to the British reader. They articulated that mixture of cynicism, shame, and pride that contemporary Britons felt about Victorian values and Great Britain.

Lee Siegel reviewing Peter Gay’s Modernism—The Lure of Heresy From Baudelaire to Beckett and Beyond.

if the French provided the most extreme assaults on Western rationality — Rimbaud’s “disorientation of the senses,” André Breton’s celebration of primal instincts stored in the unconscious, André Gide’s enthusiasm for the “motiveless” crime, Antonin Artaud’s “Theater of Cruelty,” Maurice Blanchot’s declaration of the death of the author — the reason was simple. ... In France, civilization is invincible and eternal. Its immutable stability makes opposition to it all the more cheerfully ferocious. You can hurl the most incredible rhetorical and intellectual violence against French custom and convention and still have time for some conversation in the cafe, un peu de vin, a delicious dinner and, of course, l’amour. And in the morning, you extricate yourself from such sophisticated coddling — the result of centuries of art and artifice — and rush back to the theoretical barricades.

The Telegraph reports this interesting development.

Outlawed by Stalin in 1929, P G Wodehouse – or Pyelem G Vudhaus as he is known – has undergone a remarkable revival since the ban on his books was lifted in 1990.

There can be few fans as dedicated, however, as Mr Kuzmenko.

As president and founder of the Russian Wodehouse Society he has attracted over 3,000 members, some from as far away as Cheliabinsk and Omsk, thousands of miles to the east. His monthly Wodehouse dinners at the Cleopatra and elsewhere are always sold out.

The actors Stephen Fry and Hugh Laurie have played their part. Ever since their acclaimed television portrayal of Jeeves and Wooster was dubbed into Russian, young fans have started flocking to the club.

Wodehouse translations have mushroomed and even a souring of Anglo-Russian relations has done little to dim the enthusiasm for this quintessentially English author.

“If you look around on the metro you can see lots of people reading Wodehouse,” said Tatyana Komoryeva, a 25-year-old accountant. “All the bookshops, even the small ones, are guaranteed to sell at least some of his books.”

That there is a Wodehouse fellowship at all, though, is largely thanks to Natalya Trauberg. A self-taught English speaker, the 79-year-old former dissident risked transportation to the gulags under Stalin for translating the theological works of C S Lewis and G K Chesterton in samizdat.

Although she came across an English copy of Damsel in Distress in 1946 (only Russian translations were banned), Mrs Trauberg was too frightened to attempt a translation until 1989. Her first attempt, the Blandings short story Birth of a Salesman, was also produced in samizdat – not for political reasons but because publishers doubted that there would be any public interest.

“From 1929 to 1990 very few, if any, Russians knew anything of Wodehouse,” she said. “It was a big gamble.” As the popularity of the books spread and the publishers changed their mind, a forerunner of the Russian Wodehouse Society was formed, with each member taking their name from a Wodehouse character.

Mrs Trauberg became the Princess of Matchingham, the scheming Sir Gregory Parsloe-Parsloe’s pig.

It might seem odd that Russians find such an affinity with tales of young upper-class twits stealing policemen’s helmets and elderly upper-class twits stealing each other’s pigs. After all, Wodehouse – who died in 1975 – only really touches on matters Russian in The Clicking of Cuthbert when a Soviet author recounts how an assassination attempt caused Lenin to miss a two-inch putt whilst playing golf with Trotsky.

For Mrs Trauberg, however, Russia’s love affair with the author is far from surprising. As decades of repression has given way to a new era of cut-throat commercialism, Wodehouse represents a madcap innocence that many Russians yearn to emulate.

“Russians need freedom and laughter very much,” she said. “They had none for so long. Wodehouse encapsulates this spirit of freedom.

“He also saves souls. His books are all about innocence and joy and purity.

“The reader is lifted into an English paradise, which many Russians believe is the best paradise of all.”

Wilkinson’s Auctioneers in Doncaster will be selling in tomorrow’s auction a book believed to be bound in the skin of FatherHenry Garnet, a Jesuit priest convicted of high treason in connection with his knowledge of Guy Fawkes’ conspiracy to blow up the Houses of Parliament and assassinate King James I. Garnet was executed by hanging May 3, 1606.

Blood-stained straw from Garnet’s execution came into the hands of Catholic sympathisers who reported that it had congealed into a portrait of the deceased Jesuit. This relic was preserved by the Jesuit Order at Liège until the time of the French Revolution. The story of the image of Garnet’s face in blood-stained straw was, at some point, also associated with this volume allegedly bound in his skin.

BBC news.

Lot 181 A Rare & Macabre Early 17th Century Anthropodermic Bound Book in carrying box. The book entitiled; ‘A True and Perfect Relation of The Whole Proceedings against the Late most barbarous Traitors, Garnet a Jesuit and his Confederats’; Printed London 1606 by Robert Barker, printer to the King and believed to be bound in human skin, possibly that of the aforementioned Jesuit Priest; Father Henry Garnet. The box having a rectangular handle to the centre with the corners having clusters of brass stud flowers, and the front having an iron clasp and lockplate, 11 ins x 7½ ins x 5 ins (28 cms x 19 cms x 13 cms).

Another Anthropodermic binding, posted 07 Jan 06.

Tom Maguire, the Blogosphere’s specialist in Plamegame coverage, already has his copy of Valerie Plame Wilson’s book, and is commenting on his first pass through the pages.

Earlier posting.

Get out your handkerchiefs. Valerie Plame Wilson’s book, telling how her villainous elected opponents tried hijacking control of the US foreign policy from her friends in the State Department and the CIA, and had the effrontery to question the bona fides of her husband’s testimony on Iraqi uranium deals with Niger, appears today.

Mrs. Wilson herself will be promoting sales by blogging on the Huntington Post, sharing Oprahesque accounts of her adventures at the Agency, her courage in facing post-partum depression, and her struggles with the anxieties produced by the sudden arrival of celebrity and book-contract-induced wealth.

The aptly-named leftwing Crooks-and-Liars blog has a couple of video excerpts (here) from Mrs. Wilson’s 60 minutes interview with Katie Couric, which are worth watching. Couric simply accepts Valerie Wilson’s assertion of her alleged covertness, but during the second excerpt she actually asks a few questions featuring a modicum of skepticism. C&L’s Logan Murphy is moved to indignation by Couric’s failure to deliver a 100% loyal interview.
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Also Valerie Plame’s buddy, Intel Community leftist Larry Johnson, offers a hair-raising (and characteristically foul-mouthed) story of poor Valerie, a mother with two pre-school children, abandoned to the mercies of Al-Qaeda by the Bush Administration and the CIA.

What am I talking about? In 2004 the FBI received intelligence that Al Qaeda hit teams were enroute to the United States to kill Dick Cheney, Karl Rove, and Valerie Plame. The FBI informed Valerie of this threat. This was just more “good” news piled on the fact that her intelligence career was in shambles, that intelligence assets she had recruited/managed were destroyed, and that she was unable to rebut publicly false and malicious smears of her character and reputation by a bunch of partisan Republican hacks. As the mother of two pre-school children, her first thoughts were about protecting her kids. She took the threat seriously and asked for help.

When the White House learned of these threats they sprung into action. They beefed up Secret Service protection for Vice President Cheney and provided security protection to Karl Rove. But they declined to do anything for Valerie. That was a CIA problem.

Valerie contacted the office of Security at CIA and requested assistance. They told her too fucking bad and to go pound sand. They did not use those exact words, but they told her she was on her own. ...

So if you have wondered why Joe and Val are a little pissed off, this might help shed some additional light on the matter. Not only did the Bush Administration out a covert intelligence officer working on the most sensitive national security issues in a time of war, but when that officer faced a direct threat to her life and her family’s safety because of that public exposure, they did not do a goddamn thing to help. I don’t know about you, but that fries my ass.

Since Mrs. Wilson appeared on 60 minutes very recently, demonstrably she was not, in fact, assassinated by Al Qaeda. The absence of reports of any attack suggests that Al Qaeda never actually tried. And, why should they? Mr. & Mrs. Wilson have been of great service to them, and have done great harm to the US cause. I would expect Al Qaeda to want to give both of them a medal, not to desire to harm them.

An editorial from a 25th Century edition of National Review has mysteriously made its way to the desk of the editors of the current journal of opinion. It warns about the errors of “Pelosians” and “Picardians” in dealing with the Romulan threat.

The Romulans are arming Cardasia to the gills while we stand idly by watching the Bajorans get slaughtered. The Pelosians, always eager to protect tribbles wherever they happen to sprout up, turn a blind eye to the fate of actual sentient humanoids and allies. Based on the most dubious science, they are willing to place a speed limit on warp drive, but images of actual Bajorans stacked like cordwood move them not a nanometer. We have had our disagreements with Klingons and Ferengi, but we can look on with nothing but admiration as they fulfill their promises and contracts with the Bajorans while we spend our days here on Earth debating whether the entirely defunct Organian Peace Treaty applies to non-signatories of that irrelevant piece of parchment. It’s enough to make one declare “Beam me up, Scotty. There’s no sign of intelligent life here.”

When Paramount Pictures needed books for Professor Indiana Jones’s library, they went to the last survivor of New York City’s old book row: the legendary Strand Bookstore. As Austin Kelley reports in the New Yorker, the Strand is quite accustomed to such requests, and in fact has been offering “books-by-the-foot” (.3048 meters) decorating services since since 1986.

Customers can choose from eighteen basic library styles, for purchase or rental. “Bargain books,” a random selection of hardbacks, is the cheapest, at ten dollars per foot of shelf space. For thirty dollars, clients can customize the color. For seventy-five, they can get a “leather-looking” library, which, as the Strand’s Web site puts it, “is often mistaken for leather.”

For Indiana Jones and the Kingdom of the Crystal Skull (2008), the Strand carefully selected books on appropriate subjects, including paleontology, marine biology, and pre-Columbian society, all in editions published prior to 1957.

Read the whole thing.

James Oliver Rigney, Jr. was born in Charleston, South Carolina.

He served two tours in Vietnam 1968-1970, receiving multiple awards of both the Distinguished Flying Cross and the Bronze Star. After serving in the US Army, he attended the Military College of South Carolina (The Citadel) earning a degree in Physics.

Under the pen name Robert Jordan, he wrote an eleven volume fantasy series, incorporating a host of memorable characters, titled The Wheel of Time.

In this reader’s opinion, Robert Jordan was the most interesting and successful entrant into the genre of the numerous authors inspired by the works of J.R.R. Tolkein.

Even today as we approach the 50th anniversary of the publication of Atlas Shrugged on October 12, 1957, the New York Times acknowledges, Ayn Rand’s libertarian masterpiece is selling strongly.

Reviewing Jon Keller’s The Bluest State in the Wall Street Journal, Guy Darst shares some amusing quotations on the endemic political pathologies of the Bay State.

Massachusetts does not suffer alone from its notorious affection for liberalism, it is the incubator for “Massachusetts viruses” that infect the national Democratic Party. The viruses come in many forms: “addiction to tax revenues and a raging edifice complex couched in disrespect to wage earners; phony identity politics without real results for women and minorities; reflexive anti-Americanism in foreign affairs; vain indulgence in obnoxious political correctness; self-serving featherbedding; NIMBYism; authoritarian distortion of the balance of governmental power, all simmered in a broth of hypocritical paternalism.” ...

Edifice complex? The state spent almost $15 billion building a highway tunnel under the city of Boston only to discover hundreds of leaks. The genius “Big Dig” builders used what might as well have been library paste to anchor the ceiling of an approach tunnel; four concrete panels weighing three tons each fell last summer, killing a female motorist.

Featherbedding? Back when the tunnel project was expected to cost half as much, a third of the costs were earmarked for “mitigation” endeavors, essentially payoffs intended to pacify unhappy neighborhoods and other malcontents demanding some reward for not opposing the project.

Reflexive anti-Americanism? Last year, FBI agents scrambling to track down what appeared to be a terrorist threat against Brandeis University were denied access to computer terminals at the public library in Newton, a Boston suburb. The librarians demanded to see a warrant; the urgent investigation was delayed for nine hours while one was obtained.

Obnoxious political correctness? The school superintendent in Amherst put the kibosh on “West Side Story” as the annual high-school senior musical after a handful of complaints claiming that the work was racist in its portrayal of Puerto Ricans. (In fact, this modern-day Romeo-and-Juliet story is the most beautiful anti-racism work in American musical theater.) “Political correctness,” writes Mr. Keller, “is the signature cultural statement of the ruling elites, undermining their moral authority and driving a wedge between them and the working class far more effectively than any right-wing demagogue could hope for.”