François Mitterrand’s Last Meal
Cuisine, France, François Mitterrand, Ortolans
François Mitterrand, 1916-1996
One of the items I was reading yesterday in connection with the death of Anthony Bourdain referenced this must-read Esquire article on the last meal of French President François Mitterrand, dying of cancer in 1996. They were right: this is a great read.
He planned his annual pilgrimage to Egypt—with his mistress and their daughter—to see the Pyramids, the monumental tombs of the pharaohs, and the eroded Sphinx. Thats what his countrymen called him, the Sphinx, for no one really knew for sure who he was—aesthete or whoremonger, Catholic or athiest, fascist or socialist, anti-Semite or humanist, likable or despicable. And then there was his aloof imperial power. Later, his supporters simply called him Dieu—God.
He had come here for this final dialogue with the pharaohs—to mingle with their ghosts and look one last time upon their tombs. The cancer was moving to his head now, and each day that passed brought him closer to his own vanishing, a crystal point of pain that would subsume all the other pains. It would be so much easier … but then no. He made a phone call back to France. He asked that the rest of his family and friends be summoned to Latche and that a meal be prepared for New Year’s Eve. He gave a precise account of what would be eaten at the table, a feast for thirty people, for he had decided that afterward, he would not eat again.
“I am fed up with myself,” he told a friend.
And so we’ve come to a table set with a white cloth. An armada of floating wine goblets, the blinding weaponry of knives and forks and spoons. Two windows, shaded purple, stung by bullets of cold rain, lashed by the hurricane winds of an ocean storm.
The chef is a dark-haired man, fiftyish, with a bowling-ball belly. He stands in front of orange flames in his great stone chimney hung with stewpots, finely orchestrating each octave of taste, occasionally sipping his broths and various chorded concoctions with a miffed expression. In breaking the law to serve us ortolan, he gruffly claims that it is his duty, as a Frenchman, to serve the food of his region. He thinks the law against serving ortolan is stupid. And yet he had to call forty of his friends in search of the bird, for there were none to be found and almost everyone feared getting caught, risking fines and possible imprisonment.
But then another man, his forty-first friend, arrived an hour ago with three live ortolans in a small pouch—worth up to a hundred dollars each and each no bigger than a thumb. They’re brown-backed, with pinkish bellies, part of the yellowhammer family, and when they fly, they tend to keep low to the ground and, when the wind is high, swoop crazily for lack of weight. In all the world, they’re really caught only in the pine forests of the southwestern Landes region of France, by about twenty families who lay in wait for the birds each fall as they fly from Europe to Africa. Once caught—they’re literally snatched out of the air in traps called matoles—they;re locked away in a dark room and fattened on millet; to achieve the same effect, French kings and Roman emperors once blinded the bird with a knife so, lost in the darkness, it would eat twenty-four hours a day.
And so, a short time ago, these three ortolans—our three ortolans—were dunked and drowned in a glass of Armagnac and then plucked of their feathers. Now they lie delicately on their backs in three cassoulets, wings and legs tucked to their tiny, bloated bodies, skin the color of pale autumn corn, their eyes small, purple bruises and—here’s the thing—wide open.
When we’re invited back to the kitchen, that’s what I notice, the open eyes on these already-peppered, palsied birds and the gold glow of their skin. The kitchen staff crowds around, craning to see, and when we ask one of the dishwashers if he’s ever tried ortolan, he looks scandalized, then looks back at the birds. “I’m too young, and now it’s against the law,” he says longingly. “But someday, when I can afford one . . .” Meanwhile, Sara has gone silent, looks pale looking at the birds.
Back at the chimney, the chef reiterates the menu for Mitterrand’s last meal, including the last course, as he puts it, “the birdies.” Perhaps he reads our uncertainty, a simultaneous flicker of doubt that passes over our respective faces. “It takes a culture of very good to appreciate the very good,” the chef says, nosing the clear juices of the capon rotating in the fire. “And ortolan is beyond even the very good.”