Achilles is Now Black
Achillles, BBC, Culture Wars, France, Racial Politics, The Iliad
Arnaud Florac at Boulevard Voltaire
La BBC a tourné une série sur la guerre de Troie et va la diffuser sur Netflix. Pas très original. Du coup, la chaîne publique britannique s’est rattrapée sur le casting : Achille sera joué par un Noir, en l’occurrence l’acteur David Gyasi. Je crois qu’au tournant de cette année, nous en sommes rendus au stade de l’allégorie. Tout y est. …
Ainsi donc, en 2018, retenez bien : Achille est noir, avoir un enfant est l’affaire de deux mamans ou de deux papas, les réfugiés syriens sont nés à Kaboul, le féminisme s’arrête à l’entrée du XVIIIe arrondissement, coucher avec une fille de 11 ans n’est pas si grave mais draguer sa voisine fait de vous un porc. Je ne crois pas que Huxley, Orwell, Dick ou Bradbury y croiraient. Ça marche trop bien, trop vite. Pas besoin de brûler les livres comme dans Fahrenheit 451 : plus personne ne les lit (à part les futurs classiques : Papi débranche sa perf ou Maman couche avec la boulangère). Pas besoin d’organiser les deux minutes de la haine, comme dans 1984 : il y a Twitter, qui fait ça très bien. « Le mensonge, c’est la vérité » : pas compliqué à faire avaler, dans un monde comme celui-ci.
“The BBC has filmed a series on the Trojan War and will broadcast it on Netflix. Not very original. Suddenly, the British public channel has gone all up-to-date on its casting: Achilles will be played by a black, in this case the actor David Gyasi. I believe that at this New Year, we have reached the stage of allegory. Everything is there. …
So, in 2018, note well: Achilles is black, having a child is the business of two moms or two dads, Syrian refugees were born in Kabul, feminism stops at the entrance of the eighteenth arrondissement, sleeping with an 11 year old girl is not so awful but flirting with her neighbor makes you a pig. I do not think Huxley, Orwell, Dick or Bradbury would believe it. Things change so far, so fast. No need to burn the books as in Fahrenheit 451: no one reads them (except for such future classics as: ‘Papa disconnects his IV’ or ‘Mom sleeps with the baker’). No need to organize the two minutes of hate, as in 1984: there is Twitter, which does it very well. ‘The lie is the truth’: not complicated to swallow, in a world like this.”
Note: In the Iliad, Achilles has blonde hair («ξανθῆς δὲ κόμης ἕλε ΠηλεÎωνα» = “she (Athena) grabbed Achilles by his blonde hair”; Iliad, 1.197). That’s probably the most persistent characteristic given for him and is repeated numerous times. The word “xanthÄ“” (ξανθή) can be translated as “yellow”, “fair”, “golden”, “blonde”.
Epic Deprivation
"Ying xiong" (2002), Beowulf, Epic, J.R.R. Tolkien, John Milton, The Iliad
John C. Wright sounds like C.S. Lewis when he argues the importance of the epic to humanity, and contends that Epic Deprivation Syndrome has a lot to do with the deficiencies of the contemporary age.
The moderns are hallow without knowing they are hollow: the world is not descending into paganism. It has reached something darker and worse. The postmodern is craven and smug and doomed where the ancient pagan was noble, melancholy, and doomed, because the modern world is hollow and small, but he postmodern men are too hollow and too small to notice.
Read the whole thing.
Hat tip to Karen L. Myers.