In François Truffaut’s film Jules et Jim (1962), the lives of two Bohemian male friends, one French, one Austrian (played by Henri Serre and Oskar Werner), in pre-WWI Paris are changed forever by their making the acquaintance of the fascinating and mercurial Catherine (Jeanne Moreau). Catherine is a kind of Anima, a force of Nature, a far stronger and more interesting personality than either of the pair, and she easily dominates one after another in turn, until Jim attempts to rebel. Catherine then responds by luring Jim into an automobile, and driving (with him in the car) straight off a bridge.
The democrat party is a lot like Jules and Jim: ineffectual and harmless in itself, but fundamentally allied to, and (in a way) in love with an activist radical left, which it cannot do without, cannot possibly control, and which (like Catherine) is not very nice underneath it all, and (like Catherine) dangerously mad.
Much of the democrat base is made up of people (like Catherine), who carry around a personal bottle of vitriol (“for lying eyes”), who are capable of turning mercilessly upon those closest to themselves (even those whom they have very recently supported for Vice President).
And (like Catherine), too, the democrat base’s madness has every likelihood of always, and inevitably, ending in (electoral) suicide.
One pictures Hillary Clinton walking out of the cemetery after installing the ashes of Joe Lieberman’s democrat party career in the niche, marching off sadly (like Jules). But, in this case, though Catherine may have committed suicide, she cannot herself die, and will get to commit suicide again and again.