In a sad coincidence, the great Italian director Michaelangelo Antonioni also passed away on Monday, mere hours after Ingmar Bergman, in Rome.
Though best known for the playful photographic detective story Blowup (1966), a perfect fashion-piece mirroring the sensibilities of the then emerging long-hair, drugs, and Rock n’ Roll era, Antonioni’s reputation may rest more firmly on his grim trilogy of alienation and ennui L’Avventura (1960), La Notte (1961) and L’Eclisse (1962).
Antonioni films were typically less immediately pleasurable than they were intellectually stimulating. The typical Antonioni film featured spare dialogue and minimal and problematic plotting, brilliantly photographed in scenes triumphantly composed with the same assurance and monumentality as the frescos of Giotto or Mantegna.
The Rediff news service aptly observed: Cinema has been orphaned twice — in just 24 hours.
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