Major newspapers are publishing the obituary of Bill Millen, who piped the 15th Lord Lovat‘s First Special Service Brigade ashore on Sword Beach on D Day and onward to the relief of the 2nd Battalion Oxfordshire and Buckinghamshire Light Infantry who had landed in the early hours of the morning by glider and captured Pegasus Bridge over the Caen Canal.

The Telegraph:

Bill Millin, who died on August 17 aged 88, was personal piper to Lord Lovat on D-Day and piped the invasion forces on to the shores of France; unarmed apart from the ceremonial dagger in his stocking, he played unflinchingly as men fell all around him.

Millin began his apparently suicidal serenade immediately upon jumping from the ramp of the landing craft into the icy water. As the Cameron tartan of his kilt floated to the surface he struck up with Hieland Laddie. He continued even as the man behind him was hit, dropped into the sea and sank.

Once ashore Millin did not run, but walked up and down the beach, blasting out a series of tunes. After Hieland Laddie, Lovat, the commander of 1st Special Service Brigade (1 SSB), raised his voice above the crackle of gunfire and the crump of mortar, and asked for another. Millin strode up and down the water’s edge playing The Road to the Isles.

Bodies of the fallen were drifting to and fro in the surf. Soldiers were trying to dig in and, when they heard the pipes, many of them waved and cheered — although one came up to Millin and called him a “mad bastard”.

WSJ:

His bagpipes, which were badly damaged by shrapnel a few days after D-Day were given a permanent home in the National War Museum of Scotland in 2001.

Hielan Laddie, played stepping off the landing craft: 1:11 video

Road to the Isles, played on Sword Beach: 1:05 video

All the Blue Bonnets Over the Border, played at Pegasus Bridge: 1:41 video

Bill Milan depicted piping in D Day movie The Longest Day (1962) 3:43 video

Scotland on Sunday:

They were once outlawed for being used as seditious weapons of war. Now, bagpipes have been blasted as an environmental menace.

Over-intensive logging means that the African wood used to make Scotland’s national instrument faces being wiped out.

Conservation groups are letting out skirls of protest, urging musicians and instrument manufacturers to make sure their pipes come from eco-friendly sources.

As part of the campaign, Scots are being asked to fund the planting of “bagpipe trees” in a bid to atone for the environmental damage.

Traditionally the chanter on the bottom of Highland pipes, which is used to create the melody, was made from native woods such as bog oak.

But Scottish mariners who travelled to Africa in the 18th century returned with supplies of African Blackwood, which proved to be far more resilient and produced a sweeter sound.

Since then the species, known as Mpingo in Swahili, has been a staple component of most quality pipes.

Conservation group Fauna & Flora International (FFI) said urgent action is needed to prevent the species being lost.

“With its beauty, fine grain, durable structure and natural oils no other wood looks – or sounds – the same as African Blackwood,” said its campaign co-ordinator Georgina Magin.

“But it has been heavily exploited for woodwind instruments like bagpipes and stocks are now seriously depleted.

“If woodlands and the valuable timbers they contain are managed unsustainably, species such as African Blackwood will become extinct.

“Already in northern Tanzania, where unsustainable logging occurs, Blackwood and other species are threatened with commercial extinction.

“This is a pivotal time for Blackwood, and musicians can play a crucial role in ensuring this unique timber remains available long into the future.”

It is believed that as much as 70% of Blackwood trees in Tanzania have already been felled. …

But pipe major and manufacturer David MacMurchie, who uses Blackwood, was less than impressed by the campaign.

“I for one am not going be made to feel guilty by a bunch of misguided environmental do-gooders,” he said. “I am sure that the communities in Africa use a hell of a lot more Blackwood than bagpipe manufacturers.

“It is unfair and misleading to try to blame it all on us.”

MacMurchie, a former member of the band of the Royal Scots Dragoon Guards, said he was happy to make pipes from plastic, but said the overwhelming public demand was for traditional wooden instruments.

Other alternative woods, such as ebony, are vulnerable to splitting and, in some areas, are themselves under threat.

Most pipe manufacturers believe that no other wood has the same durability and resonance as the Blackwood. The African tree takes 80 years to reach just 40cm in height.