Watch the Bachmann Campaign Distribute That Rolling Stone Article in Iowa
2012 Election, Journalism, Matt Taiibi, Michele Bachmann, Rolling Stone
Rep. Michele Bachmann
Abe Sauer, blogging at The Awl, contends that Rolling Stone’s recent hit-piece on Michele Bachmann by Matt Taibbi represents a classic example of leftie journalism taking deliberate aim at an opponent and then shooting itself in the foot.
The backlash against the lashing out against presidential candidate Michele Bachmann has already begun. Following the Palin blueprint, Bachmann plans on fully leveraging the negative publicity with her base: they see leftist attacks as a point of pride and an indication of strength. …
It’s forgivable that Rolling Stone’s take-down is at best re-reported and at worst poorly sourced. It’s less forgivable that it’s self-detonating. It’s a screed that warns America that Michele Bachmann is to be taken seriously—right before doing exactly the opposite.
The profile is the kind of battle-axing of Bachmann that is going to do great pageviews for the magazine but ultimately play right into her hand. It gives Bachmann legitimate evidence that the fabled leftist mainstream media is attacking her. Consequently, it will make her more popular with a base that looks for which conservative leader is being most reviled in the media, and then assumes that person is their best bet. (It’s not a coincidence that Tim Pawlenty has completely avoided harsh criticism from the MSM while at the same time being unable to gain traction with Tea Party-influenced primary voters.)
Not only is the profile unnecessarily mean, it’s sloppy. …
On the same day Taibbi’s story hit the web, The Blaze called it a “seemingly slanderous” piece that “attacks Bachmann’s faith.” Elsewhere it was called an “anti-Christian hit piece.” By tomorrow, it wouldn’t be surprising to see Bachmann’s own campaign distributing photocopies of it in Iowa.
But Bremer’s greatest complaint is Rolling Stone “smearing the town of Stillwater as some whites-only, wealthy gated community that propelled Bachmann to the national scene.” And Avidor said that “the smear of Stillwater is what sticks out for me.”
“I can’t believe he ever came here,” Bremer said. Actually, he didn’t: Taibbi confirmed to me that he never set foot in Minnesota for the piece.