Zhang Yimou as China’s Vincente Minelli?

Shane Danielson argues that Zhang Yimou’s Chinese martial arts films should be viewed as successors to the Hollywood musicals, featuring the same massive budgets, and similar attractive men and women performing show-stopping ensemble numbers against aesthetically-gilded backgrounds.

He makes the case for his perspective in this essay occasioned by the release of Curse of the Golden Flower (Man cheng jin dai huang jin jia -2006).

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