Digby admires a country western song. He thinks that “Gretchen Wilson and Merle Haggard’s song “Politically Uncorrect” perfectly captures the sense of exceptionalism and specialness of southern culture.”

I’m for the low man on the totem pole
And I’m for the underdog God bless his soul
And I’m for the guys still pulling third shift
And the single mom raisin’ her kids
I’m for the preachers who stay on their knees
And I’m for the sinner who finally believes
And I’m for the farmer with dirt on his hands
And the soldiers who fight for this land

Chorus:

And I’m for the Bible and I’m for the flag
And I’m for the working man, me and ol’ hag
I’m just one of many
Who can’t get no respect
Politically uncorrect

(Merle Haggard)
I guess my opinion is all out of style

(Gretchen Wilson)
Aw, but don’t get me started cause I can get riled
And I’ll make a fight for the forefathers plan

(Merle Haggard)
And the world already knows where I stand

Repeat Chorus

(Merle Haggard)
Nothing wrong with the Bible, nothing wrong with the flag

(Gretchen Wilson)
Nothing wrong with the working man me & ol’ hag
We’re just some of many who can’t get no respect
Politically uncorrect

And Digby wishes his own camp enjoyed an equivalently strong cultural identity:

The non-southern Party appears to exist mainly as a repository of opposition to conservative policies. Is that true?

Perhaps the big question is this: If you could write a country song about Blue State identity, what would the lyrics say?

That sounds like an invitation, doesn’t it?