It is always impressive to see just how thoroughly and competently the professional apparatchiks of the left-wing commentariat do a take-down on a genuinely threatening adversary. The same kind of pretentious culture mavens who will happily queue up for tickets to a six hour opera by Stockhausen, and who have no difficulty in parsing the subtle symbolism of the latest Abbas Kiarostami movie, we are being told today, were supposedly baffled by Clint Eastwood’s little skit.
Since last night, the anti-Eastwood quips have been flying like snowflakes in a blizzard of negative commentary. What you see going on, of course, is the customary effort of the establishment media to write history its own way.
Bias and political manipulation aside, today’s massive hit job on Eastwood, I thought, constituted a revealing commentary on the dimness and superficiality of the American elite and its culture. Most societies respect the elderly. One might suppose that elite members of a nation as highly educated and sophisticated as the United States would be perfectly well aware that most men of Clint Eastwood’s age are, in fact, already deceased. That very, very smart people would be conscious that a fellow 82 years of age (if lucky enough to be above ground) is usually bent, shriveled, wrinkled, bloated, palsied, confused and barely able to navigate. Clint Eastwood actually looked damned good. He was slender and still handsome and stood tall and straight.
With characteristic self-deprecating modesty, Clint Eastwood deliberately chose merely to ad lib an informal conversation with an imaginary Barack Obama. Eastwood’s performance was by intention spontaneous and un-professionally-polished. It could doubtless have been smoother and more crafted and artfully designed, but Clint Eastwood (being an ordinary American and a Republican) decided to just wing it and went with authenticity. Non-snobbish-members-of-the-leftwing-pseudo-intellectual-community-of-fashion naturally recognized that it was no easy thing for an 82-year-old guy to stand up that long, or to concentrate well enough to extemporize such a performance, and we all thought Eastwood did really well. He performed smoothly enough, and delivered several nifty and very telling lines with an impact that was highly effectively underlined by his obvious modesty and sincerity. We recognized, and admired, his disinclination toward indulging in insult and open animosity and could see that his criticism of President Obama was deliberately being understated. We liked Clint Eastwood’s performance very much, and thought it was fitting and a real indication of the rightness of our cause that a man like him was on our side.
I thought myself that it demonstrated beautifully the way the American left’s commentary emanates from Planet Asshole that, when an elderly celebrity is courageous enough to speak in public honestly, displaying openly some of the deficits of old age, the pseudo-intelligentsia scratches its head in confusion and demands aloud: “What’s wrong with that guy? Doesn’t he understand that you’re supposed to be completely smooth, polished, perfect, and… young?” There are no old men in the country of the left.