James Madison, Library of Congress, Lizzo, Racial Politics, Un Autre Jolie Cadeau de la Revolution Francaise
President Obama appointed the first black female Librarian of Congress who, naturally, is a fan of Rap music, and who therefore invited rapper/flautist “Lizzo” to sound a few notes on a rare and valuable crystal flute presented to President Madison in 1813.
The grotesquely obese Lizzo performed enthusiastically and indecently attired, accompanying her flute performance with the kind of sexually-explicit movements referred to in the lamentable popular culture of today as “twerking.”
NPR, as you might expect, was overjoyed:
As all iconic moments go these days, it started with a simple social media exchange. Librarian of Congress Carla Hayden tweeted out an invitation for Lizzo to visit the world’s largest flute collection, housed at the Library of Congress in D.C.
“@Lizzo we would love for you to come see it and even play a couple when you are in DC next week,” Hayden tweeted. “Like your song they are “Good as hell [with a winking face emoji].”
The singer responded with gusto.
IM COMING CARLA! AND IM PLAYIN THAT CRYSTAL FLUTE!!!!! <link>
— FOLLOW @YITTY (@lizzo) September 24, 2022
After making a stop at the Library of the Congress to tour the collection and practice on a few instruments, Lizzo’s dream became reality when she got the chance to play the historic flute on stage Tuesday night. …
“You never know what you’re going to see with the U.S. Capitol Police!” the agency tweeted Wednesday morning. …
Handlers brought the flute onstage at Lizzo’s concert. She carefully accepted the instrument and carried it to the standing microphone, saying “it’s like playing out of a wine glass, so be patient.”
She performed on the flute, adding a few of her signature moves, of course, as the audience wildly cheered, and then Lizzo gave back the historical flute and ran back to her mic.
“B***h, I just twerked and played James Madison’s crystal flute from the 1800s,” she shouted. “We just made history tonight!”…
Lizzo took the time to thank the Library of Congress for “preserving our history and making history freaking cool.”
I’m obviously a racist old fogey since I think placing a relic previously belonging to the Father of the Constitution in the hands of a popular entertainer of the lowest order who accompanies a performance with the kinds of dress and public behavior that for most of my own lifetime would have gotten her arrested is insulting to Mr. Madison, to the country’s history, and to decency and public morals. In a properly governed America, that librarian would be fired.
Today’s Jacobin “elite” culture, of course, absolutely delights in these kinds of revolutionary gestures. That culture systematically inverts all values. James Madison is an evil dead white man, who owned slaves. Lizzo is black and therefore the giant economy-size embodiment of everything great and admirable! For them, the profanation of Mr. Madison’s flute is “historic,” “an iconic moment,” and “freaking cool.” What an age we live in!
Seeing someone like Lizzo disporting herself pantsless on stage reminds me of the story of the crusty old New Englander who spied an unusually ill-favored woman in church one Sunday, and remarked, loudly, “My God! that must be the ugliest woman in six counties!” “Hush!” admonished his offended wife. “You know the poor thing can’t help it.” “Yes, but, she could, by golly, stay home!”