Category Archive 'Architecture'
20 Jul 2020

Frescoes!

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I do hate it when a great image appears on Tumblr without any identification whatsoever. Especially when I like the rooms so much that I’m wondering if the place is possibly for sale…

07 Jul 2020

Left-wing Psycho Essay of the Week

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Street bridges over the Chicago River.

There are so many recent examples of prestigious establishment media outlets publishing absolutely bonkers essays that could only have been produced by people so impacted by toxic ideologies that they are not properly oriented toward reality and actually belong in mental hospitals that it’s become impossible to link, and marvel at, them all. So I’m simply going to try to pick the occasional particularly exceptionally deranged example.

This week’s winner has to be Leslie Kern for her “‘Upward-thrusting buildings ejaculating into the sky’ – do cities have to be so sexist?“:

Toxic masculinity is built into the fabric of our urban spaces, writes Leslie Kern, author of new book Feminist City. And the results aren’t just divisive – they can be lethal

Glass ceilings and phallic towers. Mean streets and dark alleys. Road names and statues of men. From the physical to the metaphorical, the city is filled with reminders of masculine power. And yet we rarely talk of the urban landscape as an active participant in gender inequality. A building, no matter how phallic, isn’t actually misogynist, is it? Surely a skyscraper isn’t responsible for sexual harassment, the wage gap, or even the glass ceiling, whether it has a literal one up top or not?

That said, our built environments can still reflect patterns of gender-based discrimination. To imagine the city and its structures as neutral places where complicated human social relations are staged is to ignore the simple fact that people built these places. As the feminist geographer Jane Darke has said: “Our cities are patriarchy written in stone, brick, glass and concrete.” In other words, cities reflect the norms of the societies that build them. And sexism is a deep-rooted norm.

As far back as 1977, an American poet and professor of architecture named Dolores Hayden wrote an article with the explosive headline “Skyscraper seduction, skyscraper rape”. Hayden tore into the male power fantasies embodied in this celebrated urban form. The office tower, she wrote, is one more addition “to the procession of phallic monuments in history – including poles, obelisks, spires, columns and watchtowers”, where architects un-ironically use the language of “base, shaft and tip” while drawing upward-thrusting buildings ejaculating light into the night sky.

If the sexism of the city began and ended with architectural symbolism, I would’ve happily written a grad school essay about this then turned my attention to more pressing matters. But society’s historical and ongoing ideas about the proper gender roles for men and women (organised along a narrow binary) are built right into our cities – and they still matter.

RTWT

All versions of Leftism seem to boil down to pathological self-absorption, leading to the concoction of the most far-fetched sort of grievances, flattering the leftist’s self-importance and providing leverage for his (or her) gaining power through the guilt and sympathy of the normal majority.

01 Jul 2020

Those McCloskeys Have One Helluva House

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When you learn more about it, and how much work they did restoring it, you wonder why Mark had not gotten himself an M2 Browning .50 caliber machine gun, just in case…

St. Louis Magazine, 2018 feature:

When attorneys Mark and Patty McCloskey bought their home in February of 1988, it was the color of cigarette ashes. Still dirty from the days when St. Louis lay under a blanket of coal smoke, the home’s Carthage marble facing “had quarter-inch-thick carbon on it in some places,” Mark says. The two Carrara marble urns out front, copies of a pair at the Vatican, had turned black, obscuring Neptune and his attending dolphins. The imported Caen limestone in the entry hall had been painted battleship gray, and the intricate wood carvings in the dining room (which, as Mark points out, are so detailed, you can see the birds’ individual claws), were smothered in layers of white and robin’s-egg blue. What had once been St. Louis’ most dazzling mansion now felt more like a haunted house. It didn’t help that the first time Mark and Patty turned the key in the door, the temperature had fallen to 4 below zero and the house didn’t have a functioning furnace. The prior owner had heated the house with 48 kerosene space heaters that had since been removed.

The McCloskeys joke that they were too young and naïve to know what they’d signed up for. But 30 years later, the house is as magnificent as it was when Edward and Anna Busch Faust held court here, meeting guests at the top of the grand staircase for afternoon tea or smoking cigars around the billiard table in the sub-basement.

Adolphus and Lilly Busch, the story goes, celebrated their 50th wedding anniversary by giving their children money to build houses. “August Sr. built Grant’s Farm,” Patty says. “Hugo Reisinger, who was married to one of the sisters [Edmee Busch Reisinger], built a big house on Fifth Avenue. Wilhelmina built a castle in Bavaria…”

And Anna and Edward—son of Tony Faust, Adolphus’ best friend—set out to build a Renaissance palazzo. “The goal was to build one of the most lavish and grand houses in the Midwest,” says Patty. …

The dining room is a re-creation of a residence chamber in the Palazzo Pitti in Florence, constructed in 1458 by Luca Pitti, though its more famous residents included the Medicis and Napoleon Bonaparte. It took six people an entire year to carefully remove multiple layers of paint glommed over the intricate woodwork. The ceiling murals, however, were in great shape: “The guy who owns St. Louis Architectural Bronze said that when he was an art student at Wash. U., he lived here for two years, restoring the ceiling,” Mark says. “This is all on canvas, and it had all fallen in. He put it back up and repainted the parts that needed to be repainted, and you can’t tell.” Across the way in the solarium are gorgeous reproductions of 16th-century stained-glass windows decorated with cartouches, putti, and stylized vegetation, copies of the famous ones in Michelangelo’s Laurentian Library in Florence. And beyond those glowing panes is one of the most remarkable parts of the house: the ballroom.

It’s 70 feet long and 45 feet wide, a reproduction of the second-floor reception hall at the 14th-century Palazzo Davanzati in Florence. “The glass in the windows is actually from there,” Patty says, “and the shutters, at least the ironwork, are probably original.” That’s because in 1916, the year the ballroom was built, most of the palace’s contents were sold off; the McCloskeys found two of the original chairs at auction, and they now sit in the entryway. (The matching table is on view at the Frick Collection in New York.)

One significant divergence from the original, Patty says, is the floor, which was Portuguese tile. This one was once described as “the most beautiful dance floor in America,” a flawless plain of glossy teak joined by small, carved pieces of ebony, made without a single nail. It also boasts a hidden trapdoor (“For theatrical entrances!” quips Mark). The other whimsical detail: The ceiling beams are equipped with confetti boxes. “You pull the rope, and they dump confetti,” Mark says. “Mrs. Faust said that at Christmas parties, they’d put fans on the top of the mantelpiece and dump confetti so you’d have snowstorms.”

RTWT

12 Jun 2020

Tempietto del Clitunno

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Tempietto del Clitunno (Clitunno Temple), Umbria, Italy

The temple is actually a small Christian chapel, built in the 7th century, probably by using the remains of some pre-existing Roman building.

Google Maps

Wikipedia

12 May 2020

Cantilevered

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An unidentified Tumblr image that showed up on Facebook today of a rather alarming structure presumably built in defiance of any local building codes somewhere in South America or India. Despite all that, I think it does possess a certain charisma. It looks old and reminds the viewer of some of the overhanging Medieval buildings that survive in a few ancient towns in Europe. the air conditioner sticking out provides just the perfect touch of insouciance.

11 May 2020

Kennel Room at Amalienburg Hunting Lodge

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The Amalienburg is an elaborate hunting lodge on the grounds of the Nymphenburg Palace Park, Munich, in southern Germany, designed by François de Cuvilliés in Rococo style and constructed between 1734 and 1739 for Elector Karl Albrecht and later Holy Roman Emperor Charles VII and his wife, Maria Amalia of Austria.

The interior was designed by Johann Baptist Zimmermann and Joachim Dietrich (1690–1753) in the Bavarian national colors of silver and blue.

04 Mar 2020

Lost Passageway Found in British House of Parliament

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10 Feb 2020

1700s Log Cabin Found Beneath Exterior of Abandoned Bar Building

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Formerly, an old bar known as KCs Corner.
Washingtonville, Pennsylvania, a small village in Montour County, was founded around the time of the Revolutionary War.

The former bar’s building was abandoned and condemned and the town council hired a contractor to take it down. However, demolition work revealed that, underneath the shabby modern exterior, there was a 1700s log cabin constructed of hand-hewn hickory logs.

There is some speculation that this cabin may actually be the colonial Fort Bosley, built to defend settlers against Indian raids, whose precise location has long been disputed, and which some people believe was destroyed by fire in 1826.

They are now planning to somehow preserve the cabin.

Cleveland 19 News story

Valley Girl Views feature

03 Mar 2019

We Are the Barbarians Living in the Ruins of a Superior Civilization

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Yale’s Brutalist Art and Architecture Building, designed by Paul Rudolph 1963.

“How did it ever happen that, when the dregs of the world had collected in western Europe, when Goth and Frank and Norman and Lombard had mingled with the rot of old Rome to form a patchwork of hybrid races, all of them notable for ferocity, hatred, stupidity, craftiness, lust, and brutality—how did it happen that, from all of this, there should come Gregorian chant, monasteries and cathedrals, the poems of Prudentius, the commentaries and histories of Bede, the Moralia of Gregory the Great, St. Augustine’s City of God, and his Trinity, the writings of Anselm, St. Bernard’s sermons on the Canticles, the poetry of Caedmon and Cynewulf and Langland and Dante, St. Thomas’ Summa, and the Oxoniense of Duns Scotus? How does it happen that even today a couple of ordinary French stonemasons, or a carpenter and his apprentice, can put up a dovecote or a barn that has more architectural perfection than the piles of eclectic stupidity that grow up at the cost of millions of dollars on the campuses of American universities?”

— Thomas Merton, “The Seven Story Mountain”.

HT: Vanderleun.

21 Feb 2019

“Snow is General”

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17 Feb 2019

Birmingham Then and Now

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22 Jan 2019

Nice Fireplace

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Josep Pascó Casa Casas-Carrbó, Barcelona 1902.

The former private home is now a luxury store. link

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