Category Archive 'George Washington'
23 Nov 2023

A Proclamation

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As published in the Massachusetts Centinel, Wednesday, October 14, 1789

25 Dec 2022

“The Most American Christmas Ever”

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Don Surber commemorates “the Most American Christmas” of all time.

The old farmer was there with Washington when he crossed a frozen Delaware River in blizzard-like conditions on Christmas 1776. And so the photographer took a daguerreotype photo of Conrad Heyer in 1852, who 103 years early was the first European child born in Waldoboro, Maine. At 24, he had enlisted in the Continental Army and spent 1776 with Washington, whose rag-tag army went from victory in Boston to defeat in New York to a daring raid and stunning victory in the Battle of Trenton, New Jersey.

The New Market Press reported on July 25, 2013, “According to the Maine Historical Society, Heyer may be the earliest born human being ever photographed. He is also the only U.S. veteran to be photographed who crossed the Delaware River alongside George Washington in December 1776.”

There is some dispute as to whether he was the earliest born person to be photographed. Three claims of earlier birth have been made, including a slave who would have been 115 when photographed.

But there is no dispute about Heyer’s service to our country. He was a farm boy who became one of thousands of patriots who took up arms to force the best army in the world to leave the colonies so that Founding Fathers could set up a government that protected our rights.

On December 25, 1776, Heyer participated in the Most American Christmas Ever when Washington crossed the Delaware River, raided Trenton and caught 1,400 Hessian troops — who fought for the British — napping.

Heyer and the rest of the Yankee troops gathered at the river around 6 p.m. on that Christmas day for what was to be three crossings of the river. The plan was to ferry 5,400 troops and equipment but bad weather forced them to cancel the second and third crossings.

You can be darned sure that Washington was in the first crossing, along with his logistics magician Henry Knox who would serve as President Washington’s secretary of war. They named a lot of things after Knox and for good reason. He might not have been able to pull off the impossible, but the improbable was a piece of cake for him.

RTWT


Conrad Heyer in 1852, aet. 103.

24 Nov 2022

A Proclamation

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As published in the Massachusetts Centinel, Wednesday, October 14, 1789

25 Nov 2021

A Proclamation

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As published in the Massachusetts Centinel, Wednesday, October 14, 1789

25 Dec 2020

Americans!

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26 Nov 2020

A Proclamation

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As published in the Massachusetts Centinel, Wednesday, October 14, 1789

28 Nov 2019

A Proclamation

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As published in the Massachusetts Centinel, Wednesday, October 14, 1789

30 Jun 2019

The Irony is Exquisite

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Washington with slaves picking cotton.

At the height of the New Deal, government contracts for “works of art” by Bohemian radicals to decorate public buldings were passed out like salted peanuts.

One prominent beneficiary of all this public largesse was the very left-wing Russian muralist Victor Arnautoff who got to paint an endless series of “socially conscious” works taking pokes at both American history and the contemporary American scene all over the San Francisco Bay area.

Arnautoff started off as a Tsarist officer and fought for the Whites before fleeing into exile in the United States, but once in the New World, he fell in with the Mexican communist painter Diego Rivera, became Rivera’s assistant, and converted to Communism himself. He was investigated by HUAC in the 1950s in connection with a caricature he drew of Richard Nixon. Arnautoff in retirement returned to Russia to live out the end of his life, happily, under Communism.

Franklin Delano Roosevelt’s WPA naturally chose Arnautoff to decorate San Francisco’s George Washington High School. Araunoff’s series of Washington murals came out precisely as everything the left-wing heart could desire. Bari Weiss describes it, in the New York Times:

    [His] “Life of Washington,” does not show the clichéd image of our first president kneeling in prayer at Valley Forge. Instead, the 13-panel, 1,600-square-foot mural, which was painted in 1936 in the just-built George Washington High School, depicts his slaves picking cotton in the fields of Mount Vernon and a group of colonizers walking past the corpse of a Native American.

There is a happy ending though. The ultra-leftwing SF School Board is so stupid that they have voted to spend $600,000 of the tax-payer’s dollars, not to cover up, but actually to destroy the communist series of paintings. Not because they are pretty crappy paintings abusing the Father of Our Country and treasonously siding with Stone Age Savages against the pioneers, but because the left-wing dimbulbs out there feel threatened and offended by these dreadful images which they interpret (erroneously) as glorifying Colonialism.

Here we have a case of Life not resembling Art, but rather approximating with perfection a satire based on extreme exaggeration.

You go, SF School Board! Trash that obnoxious Communist Colonialist bunch of paintings!


Evil, ruthless white settlers (one equipped with a pick to violate the landscape) advance past the body of the noble Indian they killed.

22 Nov 2018

A Proclamation

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As published in the Massachusetts Centinel, Wednesday, October 14, 1789

23 Nov 2017

A Proclamation

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As published in the Massachusetts Centinel, Wednesday, October 14, 1789

21 Nov 2017

Painting of Washington’s Tent by L’Enfant Discovered

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Washington Post:

Philip Mead was online late one night in May, looking for possible artifacts from the American Revolution, when a painting up for auction caught his eye and got his heart racing.

The chief historian at the American Revolution Museum had spied an unsigned watercolor from 1782. It was a panorama of an army encampment, and to his expert eye seemed to feature the only known wartime depiction of the tent George Washington used as his command center during the Revolutionary War.

The tent is the marquee exhibit at the museum, which opened in April. And, thanks to Mead’s sharp eye, the museum now owns the painting that will anchor an exhibition next year.

Mead said the discovery seemed almost “too good to be true.”

“I’ve had this level of excitement only a handful of times in my 30 years of looking for this stuff,” Mead said.

When Mead saw the painting, he immediately emailed the image to Scott Stephenson, the museum’s vice president of collections, exhibitions and programming.

“My heart leapt into my throat when I realized what this painting was,” Stephenson said.

They had to quickly line up donors to bid on the piece, which was going up for auction just days after they spotted it. They were concerned maybe they weren’t the only people to spot the rare work, and they weren’t 100 percent sure the painting was exactly what they had hoped.

“Our motto is you must kiss every frog in case it is a prince,” Stephenson said.

In this case, it was a prince.

With only one other bidder, they landed the painting easily, for $12,000. Once in hand, the museum’s curatorial team was able to conclude the painting shows the Continental Army’s fall encampment at Verplanck’s Point, New York, and was created by Pierre L’Enfant, the French-born engineer best known for laying out the nation’s capital.

Before he created the blueprint for Washington, D.C., L’Enfant served in the Continental Army. He was wounded at the Siege of Savannah, taken prisoner at the surrender of Charleston and upon his release went back to serve George Washington for the remainder of the war.

The painting depicts hundreds of military tents arrayed across a rolling Hudson Valley landscape. Perched on a hilltop rising about the scene on the painting’s left side is Washington’s field headquarters, including the telltale tent.

RTWT

31 Oct 2017

That Witches Coven Down in Alexandria

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Zman unloads on the SJW female nutcases who recently decided it would be necessary to tear down memorials to Washington and Lee in the church they once attended.

These churches are big on the “all are welcome” stuff. They hang banners outside their empty churches with this slogan, usually decorated with rainbows. My suggestion is the alt-right toughs should take pics of themselves dressed as Hitler, posing in front of these stupid signs. That would make for a hilarious social media campaign. The fact is, the only people welcome in these hell holes are Progressive nutters and sexual deviants. As is always the case with The Cult, the opposite of what they say is usually the truth.

If you have any doubts about any of this, take a look at the roster of clergy running this church. The rector has two last names, suggesting she is keeping her options open. A good rule of thumb is that a woman with two last names is a nut. That’s probably why she hired a tranny as a youth counselor. Her second in command is a former actress, a profession known to attract the stable and virtuous. Two more women fill out the priestly class of this old church. It’s not hard to see why they are waging jihad on George.

That’s the thing with these churches. They are run by social justice warriors who see the church as a vehicle to inflict Progressive morality on their congregations. You can be sure that no one in the church gave a damn about George Washington. These hens spend all day clucking about what they read in the New York Times or heard on NPR. They came up with the idea of evicting the father of the country, because they wanted attention. It is virtue signalling, but their idea of virtue originates outside the Episcopal Church.

Of course, this was always the end point of the Rebel Flag burning and statue toppling. It is the thing everyone knew all along. It may have started as a tantrum by Cloud People aimed at the Dirt People, but it was going to end as a orgy of self-abnegation. These people hate their own kind. They hate their ancestors. The reason is, they hate themselves and the way to erase themselves is to erase their past. Progressives dream of the day when they no longer exist and any memory of them is gone too.

He’s perfectly right on this one. Once you start putting in charge of your famous churches revolutionary activists who have already decided that they are entitled to overthrow two thousand years of ecclesiastical tradition (and the judgment of all the saints and doctors of the church past) in order to gratify their own amour propre by donning clerical robes and usurping a position never previously occupied by members of their sex, you can’t be surprised that the same historically-illiterate, limitlessly self-infatuated progressives will proceed on to further acts of destructive sacrilege.

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