“The cruel seas, remember, took him in November.”

England, 1592

A brooch depicting the Grimaldi arms, which being the arms of a Prince are displayed beneath a mitre crown on a mantle of ermine, Fusily (or lozengy) argent and gules. The supporters (two monks wielding swords) refer to the conquest of Monaco in 1297, when François Grimaldi entered the city with soldiers dressed as monks, with swords hidden under their cassocks. The collar surrounding the shield is the Order of St. Charles, a Monaguesque order founded in 1858. The Grimaldi motto is Deo Juvante “With God’s help”.

Vintage News:

One of the most mysterious and celebrated treasures from Anglo-Saxon England, the Alfred Jewel is believed to be more than 1,000 years old. It was discovered in 1693 in a field at North Petherton, Somerset.

Made of enamel and quartz, this remarkable jewel was made in the reign of Alfred the Great with an inscription “AELFRED MEC HEHT GEWYRCAN” which means “Alfred ordered me made.” It is an unusual example of Anglo-Saxon jewelry because it begs all kinds of questions about where the materials came from.

The two-and-a-half-inch long jewel made of filigreed gold has an image of a man, which many historians believe is a picture of Christ. Shaped like a teardrop, it was once believed that this jewel was a pendant worn around the neck. However, this would mean that the image of Christ would be permanently hung upside-down.

Another theory is that it might have been the centerpiece of a royal crown but the setting seemed inappropriate for that purpose. According to Webster, the back of the jewel is a flat gold plate which is engraved with either a plant motif or an image of the Tree of Life.

Over the years, many suggestions have been made about the function of this jewel. The most common is that it was a pointer to use for reading manuscripts. It is assumed that it may have been Alfred’s gift to the abbey, which he founded at Athelney in 878 after his defeat of the Vikings.

A description of the jewel was first published in the Philosophical Transactions of the Royal Society in 1698. Colonel Nathaniel Palmer bequeathed the jewel to Oxford University and it was on display in the Ashmolean Museum in Oxford. In 2015, after 297 years away, the Alfred jewel was put on display for one month at the Museum of Somerset, Taunton Castle.

Vintage News had a feature article on a major historic find.

The Middleham Jewel is a late 15th-cenutry diamond-shaped gold pendant made by the finest medieval goldsmiths in London. It was found in 1985 near the Middleham Castle in North Yorkshire which was the childhood home of Richard III.

It is a remarkable piece of jewelry because of the engraving of the two scenes of the Trinity and Nativity.

There is a blue sapphire stone set on the front face which is connected with the Virgin Mary and it was believed that the jewel was made to assist childbirth. Another belief is that the jewel was providing protection against illness curing headaches and poor eyesight. Also, the sapphire may represent heaven or have acted as aid to prayer.

The circle of the sun surrounding the sapphire is in the shape of the letter “o” and it’s connected with the Greek word ”omega” which symbolizes the end, the completion. There are holes on the side of the jewel which indicate that there was a frame around it, possibly once decorated with pearls.

On the front side, there is a scene of the Trinity, including the Crucifixion of Jesus and there is a Latin inscription which was a common recitation by the priest in mass. There is one particular word ‘ananizapta’ for which it was believed that it is a magic word, intended to protect people from drunkenness or epilepsy.

On the back side of the jewel, there is an engraving of the Nativity, with fifteen saints around the Lamb of God. Only a few of the saints can be identified as St George, Catherine of Alexandria, St Peter, St Barbara, St Anne, Dorothea of Caesarea and St Margaret of Antioch.

There is evidence from the late 15-th century that this kind of jewel was worn by noble ladies. It may have been owned by Richard III’s wife, Anne Neville, his mother or his mother-in-law because they all spent time at Middleham.

When it was first found, the jewel was declared lost and was sold at Sotheby’s in 1986. In 1992, with support from many fundraisers, it was acquired by the Yorkshire Museum. There is a replica of the Middleham Jewel at Middleham and the original can be seen in the Yorkshire Museum.

Brooch with Heracles knot and butterfly pendant, 300-100 B.C. Gold, Almandine, Emerald, Glass. Greece. Museum für Angewandte Kunst, Cologne. (Photo: Martin Kilmas.)

The marriage-knot or knot of Hercules, a strong knot created by two intertwined ropes, originated as a healing charm in ancient Egypt, but is best known for its use in ancient Greece and Rome as a protective amulet, most notably as a wedding symbol, incorporated into the protective girdles worn by brides, which were ceremonially untied by the new groom. This custom is the likely origin of the phrase “tying the knot.”

This remarkable object was clearly made as a wedding present for a bride.

A ROMAN GOLD AND GARNET WINGED THUNDERBOLT PENDANT
CIRCA 1ST CENTURY A.D.

From Christie’s.

René Lalique, Serpents brooch, 1898-1899.

One of my European Facebook friends forwarded a photo of the above piece of jewelry, which I, at least, failed to recognize as Lalique.

My curiosity is strong, so I captured the picture and ran it through a search program (Tineye), thereby identifying its source as Odisea2008.com, a Spanish-language web-site regularly purveying images of art.

(I never actually studied Spanish, but for the convenience of my Anglophone readers, I have combined my own feeble efforts with Google translator to produce a readable (reasonably accurate, I hope) version of Odisea2008’s accompanying text.)

RENÉ LALIQUE, AN ARTISTIC GENIUS

In 2008, the Lalique Company was merged into the Pochet Group of Art and Fragrance Companies and Saint-Germain Finance. The aim of its president and CEO, Silvio Denz is to strengthen the brand name in the world market and to increase its production capacity of glassware. Collections of jewelry and perfume bottles continue to be developed in parallel with traditional stained glass activity. Reissues of old works and contemporary creations are still produced in Wingen-sur-Moder by master glassmakers, where several of the best workers in France perpetuate the cult of excellence.