"Song of the South" (1946), Our Corporate Overlords, Political Censorship, Political Correctness, Streaming Movies, The Cinema
Walt Disney’s “Song of the South” (1946).
As the Brave New World of 5G Streaming rapidly approaches, films on DVD are facing doom. Who wants to buy and store a gigantic pile of movies, when Amazon, Netflix, and other sites are a remote-click away and ready to stream your movie for you?
But, as Brian Watt points out, your monthly subscription fee is not going to be the only price you pay for convenience at the hands of Our Woke Corporate Overlords.
It should be apparent that the number of movies on discs are already beginning to disappear from brick-and-mortar retailers (Costco, Best Buy, Walmart) even as some brick-and-mortars themselves are beginning to disappear. If you accept the idea that the prerecorded disc market will disappear then you should have the same concerns about censorship that you already have about social media sites like Facebook, Twitter, and YouTube (Google) because streaming services like Netflix, Hulu, and soon Disney and Apple have already established their social justice/politically correct wokeness.
Depending on the continued rise and prevalence of SJW-tinged groupthink by those who run some of the largest media and tech companies, it seems highly likely, for example, that content that runs counter to a Left-leaning political agenda will eventually begin to fade away and be impossible to find in streaming libraries. As with the social media giants, their CEOs and ministers of information will talk a good game about how even-handed and fair they are to all content creators even as they quietly blacklist and censor filmmakers and keep their work from being seen. Amazon has recently curtailed its relationship with Woody Allen in its #MeToo wokeness and will no longer fund or release his new films. Just as others in the academic and social media domains (Brett and Eric Weinstein, Dave Rubin) have found, the authoritarian inclinations of their â€œliberalâ€ brethren can be quite disturbing, Woody perhaps at some point will admit that he and William F. Buckley may have had more in common than he realized.
There are several older Disney films that already run afoul of todayâ€™s SJW zeitgeist. Song of the South will likely never make it to Disneyâ€™s soon-to-be-available streaming service. Four years ago, a very woke writer for VH1 listed other Disney films she felt were racist including Peter Pan, Dumbo, Lady and the Tramp, Aladdin, The Little Mermaid, and even The Princess and the Frog.
Amos n’ Andy and Uncle Remus have been missing for quite a while. The jive-talking crows from “Dumbo” recently simply got erased, just like fallen members of the 1930s Politiburo.
How much longer will it be before James Cagney’s mysogyinistic grapefruit disappears from “Public Enemy,” and Sam Spade no longer slaps Joel Cairo around, telling him he’ll take it and like it?
John Wayne represents a tall-in-the-saddle affront to everything politically correct, from the full-throated patriotism of all those war movies, to the brawl with Victor McLaglen in “The Quiet Man,” to Maureen O’Hara’s spanking in “McClintock.” How long before the most objectionable John Wayne scenes are deleted and spectacles of white male oppression of Native Americans (“The Searchers” and “The Cavalry Trilogy” and of persons of color (“Sands of Iwo Jima and “The Alamo”) vanish from the catalogs?