Very bad teenage boys.

AP reports:

David Blaine set a new world record Wednesday for breath-holding — 17 minutes and 4 seconds — fulfilling what he said was “a lifelong dream.”

The feat was broadcast live during “The Oprah Winfrey Show” and the studio audience cheered as divers pulled the 35-year-old magician from a water-filled sphere 8 feet in diameter. Less than two years ago, Blaine went into convulsions during a similar attempt.

“A lifelong dream,” a relaxed-looking Blaine told Winfrey immediately after setting the record. “I can’t believe that I did that.”

While still underwater, Blaine worried his heart rate might be too high, saying he “actually started to doubt that I was going to make it” as a result. A lower heart rate helps minimize oxygen consumption.

The previous record was 16 minutes and 32 seconds, set Feb. 10 by Switzerland’s Peter Colat, according to Guinness World Records.

Before he entered the sphere, Blaine inhaled pure oxygen through a mask to saturate his blood with oxygen and flush out carbon dioxide. Guinness says up to 30 minutes of so-called “oxygen hyperventilation” is allowed under its guidelines.

Since he’s a professional magician, it seems more than possible that this alleged record may really have been a trick.

Gin, a dancing border collie, wows the judges on the Britain’s Got Talent television program.

4:08 video

Hat tip to Karen L. Myers.

ABC News:

PINELLAS COUNTY, FL (Clearwater/Tampa area)– An Eastlake Woodlands woman made a beeline for the door when she saw what was next to her refrigerator Monday night.

According to deputies, 69-year-old Sandra Frosti heard a noise coming from her kitchen. When she went to check what it was, she saw the head of a large alligator.

Frosti called 911, “There’s an alligator in my kitchen!” she explained. The emergency operator reportedly suggested it might be an Iguana. Frosti suggested otherwise and left the house.

Deputies showed up at the home a short time later and then called a trapper.

Deputies believe the 8-foot 8-inch (2.64 meter) gator was after the family cat. It apparently broke through the back porch screen door, entered the home through an open sliding glass door, and then made its way in through the living room, down the hall, and into the kitchen.

The gator was slightly injured as it was being trapped, when a plate was knocked to the ground cutting the alligator.

video

Other saurian attempts at trespass:

posting 29 May 2007

posting – 25 June 2006

Artist scamp hard at work

A new report from the Oldest College Daily advises the well-and-truly-grossed-out news-reporting and news-reading worlds that Aliza Schvarts (Y’08)’s miscarriages-as-art project was merely a naughty undergraduate joke intended to spark conversation and debate.

Aliza Shvarts ’08 was never impregnated. She never miscarried. The sweeping outrage on blogs across the country was apparently for naught — at least according to the University.

As the news of her supposed senior art project chronicling a year of self-induced miscarriages was greeted with widespread shock on campus and elsewhere, the Davenport College senior traded barbs with Yale officials on Thursday over a project she described as an exhibit documenting a nine-month process during which she claimed to have artificially inseminated herself “as often as possible” while periodically inducing miscarriages.

But while Shvarts stood by her project and claimed that administrators had backed her before the planned exhibition attracted national condemnation, the University dismissed it as nothing more than a piece of fiction.

“The entire project is an art piece, a creative fiction designed to draw attention to the ambiguity surrounding form and function of a woman’s body,” Yale spokeswoman Helaine Klasky said in a written statement Thursday afternoon.

Klasky said Shvarts told Yale College Dean Peter Salovey and two other senior officials Thursday that she neither impregnated herself nor induced any miscarriages. Rather, the entire episode, including a press release describing the exhibition released Wednesday, was nothing more than “performance art,” Klasky said.

“She is an artist and has the right to express herself through performance art,” Klasky said. “Had these acts been real, they would have violated basic ethical standards and raised serious mental and physical health concerns.”

But in an interview later Thursday afternoon, Shvarts defended her work and called the University’s statement “ultimately inaccurate.” She reiterated that she engaged in the nine-month process she publicized on Wednesday in a press release that was first reported in the News: repeatedly using a needleless syringe to insert semen into herself, then taking abortifacient herbs at the end of her menstrual cycle to induce bleeding. Thursday evening, in a tour of her art studio, she shared with the News video footage she claimed depicted her attempts at self-induced miscarriages.

“No one can say with 100-percent certainty that anything in the piece did or did not happen,” Shvarts said, adding that she does not know whether she was ever pregnant. “The nature of the piece is that it did not consist of certainties.”

Told of Shvarts’ comments, the University fired back. In a statement issued just before midnight on Thursday, Klasky told the News that Shvarts had vowed that if the University revealed her admission, “she would deny it.”

“Her denial is part of her performance,” Klasky wrote in an e-mail message. “We are disappointed that she would deliberately lie to the press in the name of art.”

Yale’s response to the supposed exhibition came at the end of a day of widespread shock. The blogosphere erupted in stunned indignation over Shvarts’ detailed description in Thursday’s News of her supposed exhibition, which she said would include the display of blood she preserved from her nine-month endeavor.

As more news outlets posted their stories online early Friday morning, Shvarts responded to the University’s second statement, asserting that her project was, in her words, “University-sanctioned.”

“I’m not going to absolve them by saying it was some sort of hoax when it wasn’t,” she said. “I started out with the University on board with what I was doing, and because of the media frenzy they’ve been trying to dissociate with me. Ultimately I want to get back to a point where they renew their support because ultimately this was something they supported.”

It was a media frenzy that Shvarts triggered herself. The article in Thursday’s News was prompted by a press release Shvarts circulated on Wednesday in which she discussed — in graphic detail — what she called a cycle of self-insemination followed by “repeated self-induced miscarriages.”

The Drudge Report linked to the News’s story early Thursday, overloading the newspaper’s Web site with traffic and attracting the attention of news outlets across the country. The article generated more press inquiries from the University than any matter since the controversy surrounding Yale’s admission of former Taliban diplomat Rahmatullah Hashemi flared up in 2006, according to a Yale official.

In an interview for the article in Thursday’s News, Shvarts explained that the goal of her exhibition was to spark conversation and debate about the relationship between art and the human body. She said her endeavor was not conceived with any “shock value” in mind.

“I hope it inspires some sort of discourse,” Shvarts said. “Sure, some people will be upset with the message and will not agree with it, but it’s not the intention of the piece to scandalize anyone.”

Shvarts said her project would take the form of a large cube suspended from the ceiling of a room in the gallery of Holcombe T. Green Jr. Hall. Shvarts said she would wrap hundreds of feet of plastic sheeting around the cube, with blood from her self-induced miscarriages lining the sheeting.

Recorded videos of her experiencing her miscarriages would be projected onto the four sides of the cube, Shvarts said.

And while some news stories late Thursday dismissed Shvarts’s exhibition as a wholesale hoax, the Davenport senior showed elements of her planned exhibition to News reporters, including footage from tapes she plans to play at the exhibit. The tapes depict Shvarts, sometimes naked, sometimes clothed, alone in a shower stall bleeding into a cup. It was all part of a project that Shvarts said had the backing of the dean of her residential college and at least two faculty members within the School of Art.

Davenport College Dean Craig Harwood — whom Shvarts said supported the project — and Shvarts’s thesis adviser, School of Art lecturer Pia Lindman, could not be reached for comment Thursday. The director of undergraduate studies in the School of Art, Henk van Assen, referred a request for comment to Yale’s Office of Public Affairs.

Which denoument makes a lot of sense. The whole business did sound just a little too far out there in a variety of ways to receive academic approval. And it’s true, we all gaped and marveled, but accepted the story at face value.

Does this prove that news organizations and bloggers are unbecomingly credulous? I don’t think so. The alleged miscarriage project was not all that far removed from any number of real examples of purported art featuring unlikely materials of organic origin, in some cases personally provided by the artist.

Aliza Schvarts’ alleged art project made news on the basis of its man-bites-dog outrageous character, but these days the relationship of major universities and the arts to perversity and shock is so warm and intimate that it all had a distinct air of plausibility.

Despite the unfortunate aesthetic and moral aspects of her prank, my own disposition is to smile and extend congratulations to Aliza Schvarts for successfully pulling so many legs. What is undergraduate life for, if not for shocking and outraging the adult bourgeois world?

Well done, Aliza.

Her taste may be questionable, but she demonstrated admirable quantities of imagination, flair, and enterprise. The world should keep an eye out for this girl. What an advertising campaign manager she is liable to make!

The Yale Daily News (fallback link, thoughtfully provided during the Oldest College Daily’s site maintenance) reports on a student art project which will inevitably receive wide coverage.

Beginning next Tuesday, (Aliza) Shvarts (’08) will be displaying her senior art project, a documentation of a nine-month process during which she artificially inseminated herself “as often as possible” while periodically taking abortifacient drugs to induce miscarriages. Her exhibition will feature video recordings of these forced miscarriages as well as preserved collections of the blood from the process.

The goal in creating the art exhibition, Shvarts said, was to spark conversation and debate on the relationship between art and the human body. But her project has already provoked more than just debate, inciting, for instance, outcry at a forum for fellow senior art majors held last week. And when told about Shvarts’ project, students on both ends of the abortion debate have expressed shock – saying the project does everything from violate moral code to trivialize abortion.

But Shvarts insists her concept was not designed for “shock value.”

“I hope it inspires some sort of discourse,” Shvarts said. “Sure, some people will be upset with the message and will not agree with it, but it’s not the intention of the piece to scandalize anyone.”

The “fabricators,” or donors, of the sperm were not paid for their services, but Shvarts required them to periodically take tests for sexually transmitted diseases. She said she was not concerned about any medical effects the forced miscarriages may have had on her body. The abortifacient drugs she took were legal and herbal, she said, and she did not feel the need to consult a doctor about her repeated miscarriages.

Shvarts declined to specify the number of sperm donors she used, as well as the number of times she inseminated herself. …

The display of Schvarts’ project will feature a large cube suspended from the ceiling of a room in the gallery of Green Hall. Schvarts will wrap hundreds of feet of plastic sheeting around this cube; lined between layers of the sheeting will be the blood from Schvarts’ self-induced miscarriages mixed with Vaseline in order to prevent the blood from drying and to extend the blood throughout the plastic sheeting.

Schvarts will then project recorded videos onto the four sides of the cube. These videos, captured on a VHS camcorder, will show her experiencing miscarriages in her bathrooom tub, she said. Similar videos will be projected onto the walls of the room.

School of Art lecturer Pia Lindman, Schvarts? senior-project advisor, could not be reached for comment Wednesday night. …

The official reception for the Undergraduate Senior Art Show will be from 6 p.m. to 8 p.m. on April 25. The exhibition will be on public display from April 22 to May 1. The art exhibition is set to premiere alongside the projects of other art seniors this Tuesday, April 22 at the gallery of Holcombe T. Green Jr. Hall on Chapel Street.

The establishment art world’s recent movement in the personal biological products direction at least represents a self-correcting problem. “Art works” consisting of human or animal waste or blood tend to develop “preservation issues” as their chosen media naturally breakdown or wind up being consumed by microorganisms.

Rodion Medvedev picks the 13 “most irresponsible” self defense gadgets.

How about a flashlight which doubles as a single-shot .410 shotgun? The catch is: It fires out the rear, so that when you are using it as a flashlight, the business end of the shotgun is pointing in your direction.

Some of us thought that the Obama video was pretty weird, but that was before we saw this McCain Girls 2:34 video. Wow!

Hat tip to Matt Yglesias.

Human feet wash ashore on Vancouver Island, British Columbia.

AFP reports a survey demonstrating that the beneficiaries of Labour’s education system are having increasing difficulty recognizing which famous names are historical personages and which are only characters in books.

Britons are losing their grip on reality, according to a poll out Monday which showed that nearly a quarter think Winston Churchill was a myth while the majority reckon Sherlock Holmes was real.

The survey found that 47 percent thought the 12th century English king Richard the Lionheart was a myth.

And 23 percent thought World War II prime minister Churchill was made up. The same percentage thought Crimean War nurse Florence Nightingale did not actually exist.

Three percent thought Charles Dickens, one of Britain’s most famous writers, is a work of fiction himself.

Indian political leader Mahatma Gandhi and Battle of Waterloo victor the Duke of Wellington also appeared in the top 10 of people thought to be myths.

Meanwhile, 58 percent thought Sir Arthur Conan Doyle’s fictional detective Holmes actually existed; 33 percent thought the same of W. E. Johns’ fictional pilot and adventurer Biggles.

UKTV Gold television surveyed 3,000 people.

Reuters reporting from Helsinki:

A hospital patient in Finland found a mouse head among the steamed vegetables on his plate.

“Understandably, he lost his appetite,” said Sakari Kela, chief administrator at the Northern Karelia Central Hospital.

The health of the patient in Joensuu, eastern Finland, had not been compromised by the dead rodent, Kela said Saturday.

The severed head most likely originated in a bag of Belgian vegetables. The body has not been found and being “a Belgian mouse, the rest of it could be anywhere in Europe,” Kela said.

Hat tip to Karen L. Myers.

A lot of tennis-players grunt with effort upon striking the ball, but the fetching 6′ 2″ (188 cm.) Maria Sharapova produces a veritable kiai, which the Melbourne Herald Sun measured at “71.5dB — louder than a vacuum cleaner (70dB) and approaching the level of a power drill (80dB).”

Little do they know in Melbourne that, at Wimbleton in 2005, Sharapova was measured reaching 101 db, almost as loud as a police siren!