You’re going to need a bigger dress. https://t.co/QcrQDSbarS

— James Woods (@RealJamesWoods) June 24, 2022

Via John Steele Gordon.

“When a Republican is in the White House, the media want to be Woodward and Bernstein. When a Democrat is in the White House, they want to be Monica Lewinsky.”

i have an intern joke and it… nevermind. https://t.co/SCHRGYVIJV

— Monica Lewinsky (@MonicaLewinsky) July 24, 2020

The Onion: Bill Clinton Still Waiting For Personal Apology From Monica Lewinsky For Using Power As Intern To Exploit Him Sexually.

Secret Service memoir portrays a Hillary unknown to the public.

The New York Daily News served up some pretty juicy tidbits from the new Secret Service tell-all, Gary J. Byrne’s Crisis of Character.

Apparently, Hillary wasn’t the only woman publicly humiliated by Bill Clinton’s philanderings.

[Bill Clinton’s] relationship [with former Vice President Mondale’s daughter Eleanor] really set Lewinsky off, making her jealous and reckless, he writes.

On Dec. 6, 1997, the former intern arrived at the White House gate under the pretense of visiting with the president’s personal secretary. The Secret Service officers guarding the gate understood the special relationship the two had and that Lewinsky had arrived to see the president.

Only this time, Lewinsky was denied entry, according to Byrne, who was stationed elsewhere when she appeared but heard her arrival on his service radio.

“The president is still with another appointment,” Clinton secretary Betty Currie told the gate officer, who relayed the message to Lewinsky.

“Monica, however, still regarded herself quite favorably as the president’s singular mistress. So now she was pissed off. She pressed the officer about the delay and wanted to know why she was left standing in his security booth. He lashed back,” writes Byrne, who was later told of the exchange by a colleague.

“You have to wait. He’s with his other piece of a–. Wait till he’s finished,” the officer told her.

It was clear to all, including Lewinsky, that the president was “screwing with Eleanor in the Oval Office.”

Irate, Lewinsky responded with an unseemly gesture, toward her body, “What’s he want with her when he has this?”

Meanwhile, as Hillary campaigns for the presidency with an emphasis on Gun Control, Byrne’s new Secret Service memoir reveals what no one would ever had guessed: Hillary likes shooting guns and can handle a Thompson sub-machine gun. (!)

What if [the first lady] ran into the president with Monica or with another mistress? Would I have to protect the president from his irate wife — or even from a mistress?” Byrne writes.

And dealing with the first lady’s anger was no small matter, according to Byrne, who describes her as a self-centered, tantrum-throwing, physical abuser.

She also knew how to handle a gun. Byrne found Hillary Clinton took a “surprising liking to firearms, especially a Thompson submachine gun, an original and an American classic, Al Capone’s legendary ‘Chicago typewriter.’”

Sometime after Bill’s 1998 impeachment, and long after Byrne left the White House, the Clintons came by a Secret Service training center and Byrne saw “Mrs. Clinton let loose a spray of man-stopping .45 -caliber rounds into the paper, dirt, and berms of our outdoor one-way range.” Smiling, she fired her next shots “right into the target’s crotch.”

Byrne says the Secret Service discussed the potential for “domestic violence” between the Clintons and worried frequently about how to protect the president from his volcanic — and occasionally violent — wife.

The Philadelphia Daily News learns a secret about Bill Clinton’s presidential portrait from the artist Nelson Shanks.

The reality is he’s probably the most famous liar of all time. He and his administration did some very good things, of course, but I could never get this Monica thing completely out of my mind and it is subtly incorporated in the painting.

If you look at the left-hand side of it there’s a mantle in the Oval Office and I put a shadow coming into the painting and it does two things. It actually literally represents a shadow from a blue dress that I had on a mannequin, that I had there while I was painting it, but not when he was there. It is also a bit of a metaphor in that it represents a shadow on the office he held, or on him.

And so the Clintons hate the portrait. They want it removed from the National Portrait Gallery.

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