Poszli, znaleźli Dzieciątko w żłobie,
Z wszystkimi znaki danymi sobie.
Jako Bogu cześć Mu dali,
A witając zawołali,
Z wielkiej radości.
Ach, witaj Zbawco, z dawna żądany!
Tyle tysięcy lat wyglądany;
Na Ciebie króle, prorocy
Czekali, a TyÅ› tej nocy
Nam się objawił.
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Amidst the stillness of the night
Amidst the stillness of the night, a voice proclaims:
Arise ye shepherds – God is born to you!
Seize the moment,
Hasten to Bethlehem
To welcome the Lord.
They came, they found the child in the manger
With all the signs of honor
given by God ,
They shouted a greeting,
With great joy.
Welcome Savior, long desired!
Looked for for one thousand years
By kings and prophets
They waited, and you tonight
Revealed yourself to us.
Oh all the money that e’er I had
I spent it in good company
And all the harm that e’er I’ve done
alas, it was to none but me
For all I’ve done for want of wit
to memory now I can’t recall
So fill to me the parting glass
good night and joy be with you all
Oh all the comrades that e’er I’ve had
they are sorry for my going away
And all the sweethearts that e’er I’ve had
they would wish me one more day to stay
But since it falls unto my lot
that I should rise and you should not
I’ll gently rise and softly call
good night and joy be with you all
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Not a high quality recording, but the singer has a very nice voice. She is from Derry, currently residing in New York, and says her name is Sheena.
Gimme that old time religion department: the Times of India reports that Tekam Das, a Hindu priest in the province of Sind, on Tuesday sacrificed three daughters (all aged under six) and then himself to the goddess Kali.
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Technological tour de force: Eric Whitacre‘s Lux Aurumque 6:20 video of virtual choir performance, 185 performers from 12 countries recorded on 243 tracks.
A group calling itself L’Ópera para principiantes (“Opera For Beginners”), last November, placed singers among the stall vendors in the Central Market of Valencia, then started the music and astonished and delighted shoppers as professional performers emerged, one after the other, singing first Parigi, o cara, noi lasceremo (“Dearest, we’ll leave Paris”), the moving duet from the final act of Verdi’s La Traviata, then the famous chorus Libiamo ne’ lieti calici (“Brindisi — a drinking song”).
Lucas van Valckenborch, Winter Landscape, 1586. Kunsthistorisches Museum, Vienna.
Now winter nights enlarge
This number of their hours;
And clouds their storms discharge
Upon the airy towers.
Let now the chimneys blaze
And cups o’erflow with wine,
Let well-tuned words amaze
With harmony divine.
Now yellow waxen lights
Shall wait on honey love
While youthful revels, masques, and courtly sights
Sleep’s leaden spells remove.
This time doth well dispense
With lovers’ long discourse;
Much speech hath some defense,
Though beauty no remorse.
All do not all things well:
Some measures comely tread,
Some knotted riddles tell,
Some poems smoothly read.
The summer hath his joys,
And winter his delights;
Though love and all his pleasures are but toys
They shorten tedious nights.
Fjordman observes that the Chinese have a special enthusiasm for Western classical music while Muslims commonly care little for Western music or art. When Muslims look for inspiration to the West, their admiration is focused on weapons of mass destruction, the authoritarian state, socialism, and militaristic nationalism, in other words: fascism. The leading political movement in the post colonial Islamic world has been Ba’athism, a political movement specifically modeled on German National Socialism.
Despotism comes quite natural to Islamic culture. When confronted with the European tradition, many Muslims freely prefer Adolf Hitler to Rembrandt, Michelangelo or Beethoven. Westerners don’t force them to study Mein Kampf more passionately than Leonardo da Vinci’s Mona Lisa or Goethe’s Faust; they choose to do so themselves. Millions of (non-Muslim) Asians now study Mozart’s piano pieces. Muslims, on the other hand, like Mr. Hitler more, although he represents one of the most evil ideologies that have ever existed in Europe. The fact that they usually like the Austrian Mr. Hitler more than the Austrian Mr. Mozart speaks volumes about their culture. Koreans, Japanese, Chinese and Middle Eastern Muslims have been confronted with the same body of ideas, yet choose to appropriate radically different elements from it, based upon what is compatible with their own culture.
