Matt Drudge had fun today headlining the above photo of Barack Obama and the roguish Nicholas Sarkozy oggling the assets of 16 year old Brazilian Mayora Tavares, one of an international group of teenagers attending the G8 Summit.

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UPDATE 7/11:

Several voices on the left (examples: 1, 2, 3, 4) say, Nah! Obama was innocent.

This video provides a better view of the incident. Was President Obama really only helping another young lady descend? Or did his eyes travel a bit, too? You be the judge.

0:42 video

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Ann Althouse relishes the semiotics of girl watching.

(T)he Sarkozy ass-gawking stance says: I admire but I must not act. And Obama is caught at the moment of as-yet-unconstrained pursuit.

Sarkozy holds his arms against his chest in a closed — but not tightly closed — position. The head is turned but upright. He is smiling, but the index finger lying against his lip blocks the edge of the smile from the point of view of anyone standing in front of him, though if the woman were to turn around, she would see it easily. His hand is tipped upward at a jaunty — one is tempted to say phallic — angle. The foot closest to the woman is planted firmly on the ground in the don’t-go-that-way position, yet the other foot angles toward the object of desire. Still, the angled foot remains flat on the floor, and, at a shoulder’s distance from the other foot, it the whole figure of the man a solid immobility.

Now, swivel your eyes over to Obama’s feet. The foot closest to the woman, like Sarkozy’s, is planted and aimed forward, but the other steps off in the direction of the woman, bending the knee upward into a bit of a crotch-squeeze and forming the base of a dramatic tilt of the entire body into a flexible S-shape that leans toward the woman. Obama’s arms hang free, emphasizing the tilt, and either gravity or will causes the left arm to hang inches away from the torso. See how much lower the right hand is than the left? His neck is craned out and around so that the line of sight is directly at the ass. His mouth is open as if to say: That’s what I want.

AND: Yes, I have seen the video, and I stand by my analysis of the still photograph.

MacRanger doesn’t buy the innocent theory either.

(PowerPoint needed for this one. Be patient. It’s a big download.)

A classmate passed along to me this PowerPoint slideshow (originally titled: CarreterasAfganistan1) of 58 photos of military operations in Afghanistan. Good 4th of July viewing featuring remarkable photos of US forces operating in spectacular terrain.

I wish I could properly credit these, but the slideshow was evidently one of those virally-distributed emails which arrives anonymously. The file and and some credits offer the clue that it came originally from a Spanish-language source.

Just by good luck, the International Space Station happened to be passing over Sarychev Peak on Matua Island in the Kuril Islands on June 12th at the perfect time to allow astronauts to photograph its volcanic eruption.

NASA Earth Observatory

Hat tip to Karen L. Myers.

We had so many hunts during the past season that Karen is still catching up on photo essays from months ago.

She just finished this collection of photos from the Blue Ridge Hunt’s December 30th meet at the Monastery at Cool Spring (site of the July 17-18, 1864 battle between Jubal Early’s Army of the Valley District and Horatio Wright’s Union 6th Corps). Two of my own amusing photos of eager hounds peering out of the hound trailer made her cut.

The Wolver Beagles (Middleburg, Virginia) set out Friday morning in the Three Couple Trial

Over the weekend, Karen was photographing all three days of the Spring Beagle Trials held at the Institute Farm in Aldie. She already has posted her photo essay for Day 1 on her brand new commercial web-site.

Shodo, the art of Japanese calligraphy, reaches its fullest artistic development in Sosho (“grass script”) ideograms produced in free and hasty movements with the intention of deliberately embodying a philosophic concept in the kinesthetic action of creation.

The Japanese artist Shinichi Maruyama (b. 1968) combines Sosho calligraphy with photography in an art form referred to as Kusho (“sky writing”), capturing ink and water in mid-air at speeds of 1/7500 of a second .

His first American exhibition of 23 photographs of Kusho images was recently held at Bruce Silverstein‘s Gallery on West 24th Street in New York.

Chris Ro published a number of Maruyama’s images.

Beth S. Gersh-Nesic reviewed the exhibition and profiled the artist.

From Elliot Glaser via Andrew Sullivan.

Sondra K. offers photographic evidence of the Change.

Thunderstorm in Norway – Willy Marthinussen

Louis-Jacques-Mandé Daguerre (1787-1851), View of the boulevard du Temple, taken 1838 or 1839

The on-line image (released by the government of France) is a bit small (click on photo above for larger image), but shows distantly a man standing being served by a bootblack. To my eye, the most exotic aspects of the scene are all the fairy-tale style chimney pots and the paired allées of trees on each side of the street.

When Louis Jacques-Mande Daguerre made his daguerreotype of the Boulevard du Temple in 1838, the exposure time was so long (probably between 10 and 20 minutes) he was unable to capture the hurrying figures and the moving traffic in this busy Paris Street. Only a man who had to remain still while his shoes were polished by a boot-black, was completely captured on Daguerre’s silvered copper plate. Although, as a contemporary noted at the time, the boulevard in question was “constantly filled with a moving throng of pedestrians and carriages”, the street in Daguerre’s early photograph appeared to be completely deserted “except for an individual who was having his boots brushed.” In fact, the shoeshine man himself must also be included as one of the first human figures to be depicted in photography. But as a German magazine of 1839 observed, the man “having his boots polished . . . must have held himself extremely still for he can be very clearly seen, in contrast the shoeshine man, whose ceaseless movement causes him to appear completely blurred and imprecise.”

Nicholas Jenkins analyzes the photo best, locating the shot, identifying the time of day, and explaining why we can’t see the bootblack.

According to the Gernsheims in L. J. M. Daguerre: The History of the Diorama and the Daguerreotype, Daguerre took the images from his laboratory-eyrie in the 350-seat Diorama Building, which stood at 4, rue Sanson, at the intersection with the rue des Marais, and which from the back looked out roughly southwards, high over the rooftops, towards boulevard du Temple.

Read the whole thing.

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From Listverse via Andrew Sullivan.

My wife plays (among many instruments) the Swedish nyckelharpa (literally “key harp,” a folk instrument bowed like a violin, with a set of resonant strings whose pitch is alterable by keys).

Fark took the unfamiliar form of the antique nyckelharpa in the photo above as an occasion for attempts at identification via Photoshop. Karen and I both found the results hilarious.

The Brokers With Hands on Their Faces Blog offers an amusing and eloquent chronicle of human reactions to the abundant bad news in these difficult economic times. Some of these people look to me like they’re suffering enough to deserve those large-figure bonuses they won’t be getting this year.

Pripyat, Ukraine

For Halloween, Web Urbanist has photographs of 24 abandoned towns and cities round the world.

Centralia, Pennsylvania, just down the road from my own Pennsylvania hometown makes the list. Someone burning trash in a stripping pit near the town in 1962 managed to set fire to a vein of coal. The subterranean fire gradually encroached on residences, and in the mid-1980s the federal government ultimately gave Centralians new houses in order to induce them to move away from the hazard. Some diehards angling for larger payoffs refused to move and remain in residence today. When I was a kid, we used to find it terribly amusing to see smoke rising from the ground of Centralia’s cemetery.