LOS ANGELES—Shedding new light on the tragic ending to his critically acclaimed portrait of the animal activist, filmmaker Werner Herzog told reporters Wednesday that he killed and ate Timothy Treadwell in 2003. “I should finally say that during the filming of my documentary Grizzly Man, I mauled Timothy Treadwell to death and then devoured his remains,†said Herzog, admitting after 15 years that it was in fact he and not the grizzly bears of Katmai National Park who sunk his teeth into Treadwell’s neck, ripped out his jugular, and feasted on his organs. “Timothy and his girlfriend Amie Huguenard were setting up camp by a salmon stream when I approached them, aggressively batted them around, and then tore them limb-from-limb while they screamed. His judgment was perhaps clouded by his optimistic view of nature, which, in the end, sadly led to me picking his bones clean.†Herzog went on to say that the most tragic part of the story was that, after years of integration, Treadwell felt he had finally gained his trust.
David M. Villalobos, a 25-year-old realtor from Mahopac, New York, yesterday jumped 17′ from a Bronx Zoo monorail into the Siberian tiger pen. After his rescue, Villalobos informed police that he “wanted to be one with the tiger.”
Mr. Villalobos describes himself on Facebook as “a Messenger of the Return of the Divine Mother.” He listed under his Religious Views: “Mother Earth.” Villalobos goes on to tell his readers: “Fear is irrelevant, there is no greater bliss than living in My Divine Light and in the Womb of My Unconditional Love.”
It seems clear that the combination of the exploitation by the entertainment industry of charismatic predators in nature films and the sentimental emotionalism of the modern cult of Nature worship with some regularity impact impressionable people so strongly as to produce a mental disorder we might refer to as Theraphilia, “the passionate love of, and self identification with, large, dangerous animals.”
The victim of Theraphilia becomes obsessed with some large predator, and gets so carried away with admiration and affection that he comes to believe that one of the most dangerous killers in the wild is going to love him back. He insists on getting himself into the immediate proximity of his favored critter, talking to it, and trying to touch and pet it, and he eventually winds up, as the famous Timothy Treadwell did, as the main course for lunch.
It’s not likely that any individual seriously afflicted with this pattern of delusion is going to be cured. The victims derive too much emotional gratification, and place too much personal dependency, on their fantasy. The real root of the problem is cultural. It is extremely profitable to purvey misleading, sentimentalist natural images and story lines, both commercially and in the course of fund raising for environmentalism and preservation. Consequently, contemporary culture will inevitably continue to be awash with feel-good images and stories peddling anthropomorphic notions of animal behavior, all laying the foundation for uncritical self-identification and emotional involvement with animals by neurotics.
The LA Times finds that Italians have better political scandals.
Reporting from Rome — The governor made off to a monastery after having affairs with transsexuals, but not before the cops videotaped a tryst, all flesh and white powder, and offered to sell copies to a magazine owned by the prime minister, who, at the time, was rumored to be entangled with an underage Neapolitan model.
Then one of the transsexuals, a Brazilian named Brenda, turned up naked and dead, her laptop computer submerged under a running tap. Oh, yeah, and the drug dealer who supplied cocaine to the governor and Brenda would meet his own demise. It’s an odd coincidence.
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Glenn Reynolds explains why the federal government has come to resemble Schlitz beer.
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Leo Grin, at Big Hollywood has a four part essay on Werner Herzog, Timothy Treadwell, and “Grizzly Man” (2005). Pt1, Pt2, Pt3, Pt4.
Big Hollywood is promising more in-depth reviews of significant conservative films.
