Category Archive 'Racial Politics'
04 Jun 2018

If You Were Wondering Why Trump Won…

, , ,

01 Jun 2018

Life in America Today

, ,

27 Apr 2018

Stephen Foster Statue Removed in Pittsburgh

, , , , ,


The statue that formerly stood outside the Carnegie Library in Pittsburgh depicted the young Stephen Foster being inspired by an African American playing a banjo.

Nearly all the important American music of the 19th century was composed by Stephen Foster in the course of his brief lifetime. The music of the minstrel show comes essentially from Stephen Foster, and that music went right on into vaudeville and later Hollywood. A handful of Stephen Foster tunes remain staples even today. Try imagining the Kentucky Derby without “My Old Kentucky Home.”

No one played a greater role in integrating the music and culture of African Americans into the universal popular culture of the country. No one ever depicted the viewpoint and character of the African American with more sympathy and affection.

It was the music of Stephen Foster that made white entertainers don blackface in order to emulate with affection the humor, the rhetoric, and the distinctive character of the African American.

No one more important and influential to the culture of the United States ever came from Pittsburgh.

Who would imagine that in blue-collar, beer-drinking, steel-making Pittsburgh the Social Justice Warriors would be in power and able yesterday to pull down Stephen Foster’s statue put up in 1900 by a local committee headed –no less– by Andrew Mellon?

What a despicable time we live in, in which being some species of nincompoop seems to be an essential ingredient for promotion to a position of public responsibility and authority!

Some News Agency has the story.

The Second Reconstruction marches on, right over America.

18 Apr 2018

Starbucks Now a Free Homeless Facility

, ,


crypt‏ @nmgrm: the left is culturally dominant because of decadent subsistence patterns, the collapse of industrial agricultural civilization will serve to decolonize our minds from progressive ideas of history.

Ace is having loads of fun watching Starbucks’ management’s PC acrobatics:

23. Now Starbucks is saying this was all contrary to their policy and, presumably, anyone who wants to sit in their shops and not order anything and use the bathrooms has the right to do so as long as they like.

24. Starbucks, in other words, has just announced its stores are not stores primarily, but are now privately-funded shelters and bathroom facilities for the homeless. You don’t have to spend a slim dime in the store to sit as long as you please and use the bathrooms.

25. That’ll be great for Starbucks’ business. Their yuppie douchebag clientele love the homeless in the abstract, but we’ll see how much they appreciate their coffee shops being jammed with them, close-up-like, occupying most tables and chairs.

26. I don’t even want to defend Starbucks; I want them to have the full taste of Social Justice Warrior progressivism. If this is the company’s ideology, then they should live that ideology to the full.

RTWT

15 Apr 2018

“Civilizations”

, , , , , , , , , ,


The late Kenneth Clark.

The BBC has decided to attempt to rebut Kenneth Clark’s magisterial tour d’horizon of Western Art, the 13-part 1969 television series “Civilization.” This rejoinder on behalf of our contemporary Woke Multicultural Establishment begins appearing Tuesday evening in the United States on PBS.

Kenneth Clark singlehandedly took viewers from Greek Antiquity to the 20th Century, but correcting Clark’s Eurocentric emphasis on Dead White Great Men apparently requires three presenters: Classicist Mary Beard, the talented (but respectably progressive) historian Simon Schama, and (the Nigerian and therefore full-fledged representative of the viewpoint of persons and cultures of Color) David Olusoga.

Andrew Ferguson, at the Weekly Standard, has seen the series, and warns us what to expect:

[Civilizations] is kind of Clark-like —a catalogue of glorious creations followed by a vision of an art form in an advanced state of spiritual exhaustion. The difference is that the decline of an art form saddened Clark. Each of the episodes of Civilisations that I’ve seen ends with a celebratory profile of a contemporary artist. Invariably their work suffers in comparison with what’s gone before—how could it not?—but the moments serve a summary purpose.

The episode called “How Do We Look?” closes with Kehinde Wiley, the artist who recently completed the official presidential portrait of Barack Obama. The narrator describes Wiley as a practitioner of “the modern art of the body,” which “draws its power” from “challenging the tradition of classical art.” Of course he lives in Brooklyn but “he has traveled all over the world to explore the legacy of colonialism and the different ways we see.” Suddenly we see him in the Metropolitan Museum of Art, moving from masterpiece to masterpiece. A tinny ensemble plays Vivaldi—a fusty reminder of the distant past. “I love the history of art,” he tells the camera. “I love looking at these beautiful images. But I also recognize that there’s something quite sinister about their past.”

“Sinister” sounds judgmental, doesn’t it? So judgmental indeed that I don’t think even Clark used it at all in his Civilisation. But it nicely summarizes the attitude toward the West that viewers of the new Civilisations will find unavoidable, even if they’re confident enough to find it unpersuasive.

Next to life-enhancing, the most important word in Clark’s account of civilization was confidence. Several things came together to make a civilization, Clark said: a measure of material prosperity, a sense of history, a range of vision, and a feeling of permanence, of being situated in a particular moment between past and future, that makes it worthwhile to construct things meant to last.

“But far more,” he said, “it requires confidence—confidence in the society in which one lives, belief in its philosophy, belief in its laws, confidence in one’s own mental powers.” His program was an effort to persuade his audience that confidence in their inherited civilization was well-earned.

In the closing moments of the final episode of Civilisation, Clark intended to strike a note of optimism. “When I look at the world about me in the light of these programs, I don’t at all feel as though we are entering on a new period of barbarism,” he said. He shows us the campus of the then-new University of East Anglia. Apple-cheeked college students pop in and out of classrooms, labor over books—the baby boomers as Clark hoped they were in 1969. “These inheritors of all our catastrophes look cheerful enough. . . . In fact, I should doubt if so many people have ever been as well-fed, as well-read, as bright-minded, as curious, and as critical as the young are today.”

Watching at home, we can assume, was the 14-year-old Mary Beard, all a-tingle and raring to go to college herself, where she could use her curiosity and reading and bright-mindedness to prove the great man and his theory wrong.

RTWT

———————

A recent biography of Kenneth Clark and his “Civilization” series was recently discussed here.

08 Apr 2018

Black Florida Legislator Thanks God for Slavery

, , , ,


Florida Rep. Kimberly Daniels

Kimberly Daniels is a former prostitute who got religion, became a minister, and wound up elected to the Florida State House of Representatives from Jacksonville as a democrat.

She recently sponsored a bill which would require Florida public schools to post “In God We Trust” on their premises, which has outraged the militant secularist crowd.

Progressive Secular Humanist Michael Stone had a cow on the Patheos blog over a recent comment by Daniels thanking God for American Antebellum Slavery, because “if it wasn’t for slavery, I might be somewhere in Africa worshipping a tree.”

Personally, I found her comment refreshingly un-PC and a lot more intelligent than the standard bitching and moaning about 150-years-dead historical circumstances and events.

Rep. Daniels’ quip is obviously not precisely accurate, absent slavery, today’s individual African Americans simply would never would have been born. But if, like Rep. Daniels, they indulge in imagining themselves born with the same identical personhood in their ancestral African place of genetic origin, they obviously would find themselves living in extreme poverty and primitive circumstances, with a much shorter life expectancy, possibly exposed to the hazards of tribal or religious violence or even to a slave trade still operating in the 21st Century, and worshiping trees or worse.

Michael Stone barks: “The stupid, it burns.” Well, he ought to know, because he, not Rep. Daniels, is the stupid one.

The African American community would be a lot better off with more leaders and spokesmen like Kimberly Daniels than they are with Al Sharpton and Ta-Nehisi Coates.

26 Mar 2018

The NFL Uses an IQ Test — Who Ever Would Have Believed It?

, ,

I bet Kaepernick failed. From Steve Sailer:

When I was young, Sports Illustrated would run literary essays about marlin fishing with gentleman adventurers, but now they just run nine-part series on the NFL draft prospects of Baker Mayfield, the Heisman Trophy winning quarterback from Oklahoma.

    At some point during the NFL combine, between the MRIs and the 15-minute team interviews and the early-morning drug tests, almost every prospect takes a little-known test known as the AIQ, or Athletic Intelligence Quotient. Dr. Scott Goldman and Dr. Jim Bowman have spent the last 15 years developing the exam, administered on a touchscreen and intended to improve upon the methodology of the Wonderlic test, the longtime benchmark for intelligence testing at the combine still in use today.

    You’ve probably never heard of the AIQ, and that’s by design; two teams are under contract with Bowman and Goldman’s company—Athletic Intelligence Measures—and purchase the rookie data in full. (The company does not disclose the names of its clients.) About a half dozen additional teams each year buy portions of the data (typically, the test scores for the Top 100 prospects on their boards). The company has administered more than 4,000 tests across each of the major American sports leagues, and started administering the test at the combine in 2012.

    “Years ago, we discovered the Wonderlic was the only test that was used to measure intelligence at the combine, and that was based off a theory from 1934,” Goldman says. “It’s language-dependent, and it has socioeconomic and cultural biases. So we spent years looking at all the forms of intelligence and cognitive abilities that impact unsolvable puzzles.”

    They debuted the test with the NFL in 2012, testing on a limited basis at the combine, and for the last two years they’ve tested each prospect invited to the combine. Now that they’ve tested thousands of future pros, they’re beginning to see results.

    “I’m proud of this,” Goldman says. “We’ve found a statistically-significant correlation between our test and on-field performance, and this is the first test I’m aware of that has found that in the NFL. Players with a high AIQ tend to get on the field sooner and stay on the field longer.” …

    Goldman declined to confirm the performance of specific players, but did acknowledge a QB prospect this year scored in the Top 100 on the AIQ all-time—out of more than 4,000 tests—and is the second-highest scoring quarterback out of 63 who have taken the test since 2012. Two league sources, who asked for anonymity to discuss the testing results of a prospect, confirmed it was Mayfield.

13 Mar 2018

National Geographic Goes Gramscian: No More Brown-Skinned Boobs For You, Racists!

, , ,

The leftist nincompoops have captured another cultural landmark.

This month, Editor-in-Chief Susan Goldberg, accompanied by a specially-hired-for-the-occasion academic racial-grievances-mongerer with some Yale degrees, apologizes for the magazine’s traditional historic function: purveying photos of topless native girls in a respectable venue for men and boys to peruse while trapped waiting for their appointment in the doctor or dentist’s office.

Just listen to this crap:

[The black academic consultant] found… a long tradition of racism in the magazine’s coverage: in its text, its choice of subjects, and in its famed photography.

    “[U]ntil the 1970s National Geographic all but ignored people of color who lived in the United States, rarely acknowledging them beyond laborers or domestic workers,” writes Goldberg in the issue’s editor letter, where she discusses Mason’s findings. “Meanwhile it pictured ‘natives’ elsewhere as exotics, famously and frequently unclothed, happy hunters, noble savages—every type of cliché.”

Unlike magazines such as Life, “National Geographic did little to push its readers beyond the stereotypes ingrained in white American culture,” Goldberg says, noting that she is the first woman and first Jewish person to helm the magazine – “two groups that also once faced discrimination here.”

All of which strongly suggests that previous hiring policies were a lot wiser and better.

To assess the magazine’s coverage historically, [the racial grievance specialist] delved into old issues and read a couple of key critical studies. He also pored over photographers’ contact sheets, giving him a view of not just the photos that made it into print, but also the decisions that photographers and editors made.

He saw a number of problematic themes emerge.

    “The photography, like the articles, didn’t simply emphasize difference, but made difference … very exotic, very strange, and put difference into a hierarchy,” Mason tells NPR. “And that hierarchy was very clear: that the West, and especially the English-speaking world, was at the top of the hierarchy. And black and brown people were somewhere underneath.”

For much of its history, the pages of National Geographic depicted the Western world as dynamic, forward-moving and very rational. Meanwhile, [the professional race warrior complained], “the black and brown world was primitive and backwards and generally unchanging.”

How did the obviously true magically recently become “problematic”?

One trope that he noticed time and again was photographs showing native people apparently fascinated by Westerners’ technology.

“It’s not simply that cameras and jeeps and airplanes are present,” he says. “It’s the people of color looking at this technology in amusement or bewilderment.” The implication was that Western readers would find humor in such fascination with their everyday goods.

Then there’s how the magazine chose its subject matter. Mason explains that National Geographic had an explicit editorial policy of “nothing unpleasant,” so readers rarely saw war, famine or civic conflict.

So the depiction of insufficiently flattering reality in the old days was just plain wrong. People of color, even if living in the Stone Age techologically, ought to have been touched up editorially into sophisticated and superior Wakandas, and the old family magazine ought to have been delivering a steady ration of Marxist agitprop supporting Third World revolutionary movements in every issue. Right!

Left-wing idiots screw up everything they get their hands on. With the old National Geographic transformed into Whining-About-Discrimination-and-Bitching-About-Western-Civilization-While-Arguing-How-Not-Only-Equal-But-Downright-Superior-People-of-Color-Everywhere-Are Geographic, my prediction is that it’s going to be a lot less pleasant to read and circulation is going to tank.

Who the hell wants to read a bunch of Virtue Signalling sermons on Intersectionality and Oppression, the Evils of White Privilege, and the Historical Crimes of Europe and America, while waiting for one’s root canal? That sort of thing simply gratuitously deepens and extends the whole root canal experience.

08 Mar 2018

Too Alt-Right For Me

, , , , ,

Brett Stevens wants reparations with repatriation.

For a moment, step back from your preconceptions and view this world from the viewpoint of a minority group who were not the founders of a nation.

This place was not designed for you. None of its symbols, customs, values, imagery, or history fits you. In fact, the majority only makes it worse when they try to include you, because this does not negate the fact that you were brought here as labor, whether in chains or as a low-paid immigrant.

You can try to “assimilate,” as the moron conservatives argue, but that means giving up who you are and admitting that you are a conquered people. In fact, no matter what you do, you will feel like a conquered people, at least until you live in a land founded by your people, designed for your people, commanded by your people.

This applies to every group but the founding Western Europeans. [Emphasis added] If you are not English, German, Scots, Dutch, northern French, or Nordic, you are going to find that the founding group look different from you and their values and customs are alien to you. Their ways exclude the ways you need to live and behave.

As a result, you are always looking for compensation. Not because you feel injured, per se, because you are living better here than in your source nation. You want compensation because you feel left out, and you are always going to feel left out until your people are in control.

And those nice majority people? They seem friendly, but you know that everyone acts in their own best interests and wants to live among people like themselves. When they run off to a Whitopia, you know that even if you batter down the doors and get in, that place is Not For You.

You contemplate going back to your source nation. It might be a little rough, but there are great places to live in Africa, Asia, and the Middle East. Your middle classes now have the knowledge they picked up at trade schools and business schools to make an American/European-style first world nation within the third world.

RTWT

OK, grumpy old un-PC type that I am, the idea of writing a check and then waving bye-bye to Ta-Nehisi Coates has more than a little appeal. But, what do you know? Micks, Wops, Bohunks and Polacks, all the Roman Catholic ethnic groups are also not “founding Western Europeans” and are evidently hopelessly unassimilable, even us Lithuanians (unless we get to sneak in, just like those non-founding square-headed Scandinavians, under the “Nordic” quota, based on conspicuously large percentages of people with blue eyes and blond hair).

If I’m going back to Lithuania, my reparations had better be large enough to acquire and restore a decent manor house.

And, just think, Dutchies like Vanderleun get to stay!

20 Feb 2018

Deconstructing Whiteness at Yale

, , , ,


Claudia Rankine, genius!

Claudia Rankine is a professional aggrieved-African-American. In 2014, she received the National Book Award for poetry for Citizen: An American Lyric, a tract exposing America’s “systemic racism.”

Two years later, she was awarded the $625,000 MacArthur genius grant for her poetic efforts at making people “understand that whiteness is not inevitable, and that white dominance is not inevitable.”

So thoroughly committed to its own denunciation is the American Establishment, that Rankine is now teaching a combined English/African American Studies course at Yale.

Yale Course Catalog:

* ENGL 233B/AFAM 232B, CONSTRUCTIONS OF WHITENESS Claudia Rankine
An interdisciplinary approach to the study of whiteness. Discussion of whiteness as a culturally constructed and economically incorporated entity, which touches upon and assigns value to nearly every aspect of American life and culture. HU [meaning its a “Humanities” area course]
T 1:30 PM — 3:20 PM

The College Fix obtained a copy of the course syllabus, which explains that the goal of the class is to “create a lab for the construction of counternarratives around whiteness in any creative form: play, poem, memoir, etc.”

The class is divided into eight topics: Constructions of Whiteness, White Property, White Masculinity, White Femininity, White Speech, White Prosperity, White Spaces and White Imagination.

Readings include: Michael Kimmel’s “Angry White Men: American Masculinity at the End of an Era,” Richard Dyer’s “White: Essays on Race and Culture,” and Richard Delgado’s and Jean Stefanic’s “Critical White Studies: Looking Behind the Mirror,” Hazel Carby’s “White Woman, Listen!,” Juliana Spahr’s “My White Feminism,” and Professor Rankine’s own work, “The White Card.”

Obviously, if you are a normal person, you would think that the United States has for the last 60-odd years made constant and extravagant, even sometimes highly questionable, efforts to eliminate racism and to integrate and advance African-Americans.

It is painfully obvious that Ms. Rankine’s awards, recognition as a poet and “genius,” her opportunity to teach at Yale, and the very recognition of the nonsense and stupidity that she professionally spouts as some kind of serious discourse worthy of inclusion in the curriculum of a great university constitutes racial favoritism requiring the most extreme kind of intellectual and moral acrobatics on the part of the precise tippy-top of this society’s establishment.

But when you can get $625,000 genius awards, national literary prizes, an apartment in a Manhattan high rise, and a teaching gig at Yale, all for whining, complaining, and kicking your benefactor culture and society in the teeth, you are obviously going to bitch, and whine, and kick to a fare-thee-well.

Personally, I’d rather pay these kinds of people to sing about Jesus and play the banjo.

13 Feb 2018

Typical of Caliban

, , ,

Barack Hussein Obama’s presidential portrait, as you can see above, is characteristically incongruous when viewed among portraits of his predecessors.

And there just could be a concealed subtext to be found in his choice of artist. Not every president has himself painted by an artist best known for paintings of black women cutting off the heads of white people.

04 Jan 2018

Achilles is Now Black

, , , , ,

Arnaud Florac at Boulevard Voltaire

La BBC a tourné une série sur la guerre de Troie et va la diffuser sur Netflix. Pas très original. Du coup, la chaîne publique britannique s’est rattrapée sur le casting : Achille sera joué par un Noir, en l’occurrence l’acteur David Gyasi. Je crois qu’au tournant de cette année, nous en sommes rendus au stade de l’allégorie. Tout y est. …

Ainsi donc, en 2018, retenez bien : Achille est noir, avoir un enfant est l’affaire de deux mamans ou de deux papas, les réfugiés syriens sont nés à Kaboul, le féminisme s’arrête à l’entrée du XVIIIe arrondissement, coucher avec une fille de 11 ans n’est pas si grave mais draguer sa voisine fait de vous un porc. Je ne crois pas que Huxley, Orwell, Dick ou Bradbury y croiraient. Ça marche trop bien, trop vite. Pas besoin de brûler les livres comme dans Fahrenheit 451 : plus personne ne les lit (à part les futurs classiques : Papi débranche sa perf ou Maman couche avec la boulangère). Pas besoin d’organiser les deux minutes de la haine, comme dans 1984 : il y a Twitter, qui fait ça très bien. « Le mensonge, c’est la vérité » : pas compliqué à faire avaler, dans un monde comme celui-ci.

“The BBC has filmed a series on the Trojan War and will broadcast it on Netflix. Not very original. Suddenly, the British public channel has gone all up-to-date on its casting: Achilles will be played by a black, in this case the actor David Gyasi. I believe that at this New Year, we have reached the stage of allegory. Everything is there. …

So, in 2018, note well: Achilles is black, having a child is the business of two moms or two dads, Syrian refugees were born in Kabul, feminism stops at the entrance of the eighteenth arrondissement, sleeping with an 11 year old girl is not so awful but flirting with her neighbor makes you a pig. I do not think Huxley, Orwell, Dick or Bradbury would believe it. Things change so far, so fast. No need to burn the books as in Fahrenheit 451: no one reads them (except for such future classics as: ‘Papa disconnects his IV’ or ‘Mom sleeps with the baker’). No need to organize the two minutes of hate, as in 1984: there is Twitter, which does it very well. ‘The lie is the truth’: not complicated to swallow, in a world like this.”

Note: In the Iliad, Achilles has blonde hair («ξανθῆς δὲ κόμης ἕλε Πηλεΐωνα» = “she (Athena) grabbed Achilles by his blonde hair”; Iliad, 1.197). That’s probably the most persistent characteristic given for him and is repeated numerous times. The word “xanthē” (ξανθή) can be translated as “yellow”, “fair”, “golden”, “blonde”.

LLTC

15 Dec 2017

How the Left Won in Alabama

, , ,


They imported activists and students.

And they brought out the African American vote. mynbc.com:

U.S. senate elect Doug Jones won big with the African American vote.

According to the Washington post Jones got 96% of the African American vote.

93% of the men voted for him.

African American women led the vote at 98%

DeJuana Thompson helped organize a program called “Woke Vote.”

Organizers targeted hundreds of African American churches, businesses and college students at HBCUs (Historically Black College & Universities) statewide.

“We’re talking about making sure that every HBCU had a campus coordinator,” Thompson said. “We gave them buttons T-shirt’s some of the students did a study Jam for “Woke Vote” and they brought in people and they had to commit to vote when they came in the door.”

Other group partners also made a push to get votes from those in jail.

“We got over 3000 absentee ballots from inmates who still had the right to vote,” she said.

RTWT

30 Nov 2017

Brown University to Allow Students to ‘Self-Identify’ as Persons of Color

, ,


Brown students will obviously not be the first Americans to self-identify as “persons of color.”

Whether costumes and banjos will be issued remains a mystery, according to the College Fix.

Brown University is implementing a change to its graduate school application that will allow applicants to “self-identify” as persons of color. Multiple efforts by The College Fix to clarify the details of this change were ignored by campus officials.

The policy comes as a result of complaints made by graduate students on the Graduate School advisory board that international and Asian American students are not treated as members of historically underrepresented groups by the university, according to The Brown Daily Herald.

One graduate student, Lydia Kelow-Bennett, told The Herald that this decision has led to “institutional invisibility” for these students. Brown defines historically underrepresented groups as “American Indian, Alaskan Native, African American, Hispanic or Latinx and Native Hawaiian and/or Pacific Islander.” The school’s diversity initiatives are intended to benefit members of these groups.

Brown’s criteria for historical underrepresentation “caused some students to not receive invitations to certain events, such as a multicultural student dinner,” The Herald reported.

How allowing applicants to self-identify as persons of color will affect policy relating to the diversity initiatives, and whether the university will take any steps to verify applicants’ self-identification, remain unclear. The Fix reached out multiple times to Brown’s graduate admissions office to inquire into how Brown would ensure that applicants were telling the truth about their self-identified ethnicity. The office did not respond.

RTWT

Your are browsing
the Archives of Never Yet Melted in the 'Racial Politics' Category.

















Feeds
Entries (RSS)
Comments (RSS)
Feed Shark