Category Archive 'Ressentiment'
12 Jan 2024

The Gramscian Long March Has Completed Passing Through Yale’s Ancient Eight

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The portraits have apparently come down in this room inside a building on High Street in New Haven.

The revolution of the oppressed underclass population belonging to the nuclear center of America’s national elite is busy these days purging its predecessors and putting Replacement Theory into action, reports the Atlantic.

Yale’s Eulogia Society, better known as “Skull and Bones,” was founded by General William Huntington Russell, Y 1833, who was himself a radical abolitionist and friend and supporter of the madman and murderous terrorist John Brown. What can one say, other than noting that the Revolution has a notorious habit of devouring its own?

Secret societies have long been the purest distillation of what makes Yale Yale. They are famous for their mysterious rituals, their arcane symbols, and the imprint they’ve left on the broader culture. Skull and Bones shows up, variously, in The Great Gatsby (the 2013 film version), Gossip Girl, and The Simpsons. It is among the wealthiest, most exclusive, most well-connected groups at one of the wealthiest, most exclusive, most well-connected universities in the country. Contemplating their own rarefied status, members of Yale’s secret societies aren’t entirely sure what to do with it. They face the question roiling America’s elite campuses taken to its logical extreme: whether the modern social-justice politics advanced by college students can coexist with the staggering selectivity and privilege that benefit those same students.

Skull and Bones, the oldest of Yale’s senior societies, was formed in 1832. The other groups, composed mainly of Bones rejects, followed soon after. The Ancient Eight societies each own private buildings, known as tombs, where members meet twice weekly for dinner, debate, and “bios”—a ritual in which members share their life histories. Membership is for seniors only. Every spring, the current members “tap” a group of Yale juniors to take their place the following fall. The clubs were originally intended to prepare Yale men for leadership beyond the university. At this, they have found extraordinary success, producing a stream of C-suite executives, diplomats, and politicos. The reputation of society alumni as kingmakers and masters of the universe guaranteed that students would always be hungry to join.

Until they weren’t. In the 1960s, secret societies were criticized for elitism and discrimination. They faced pressure to disband. Instead, they adapted. Skull and Bones admitted its first Black member in 1965, and in 1975 tapped the head of Yale’s recently founded gay-student organization. The pattern repeated two decades later, as the societies feared they were becoming irrelevant by clinging to their all-male identity. In 1991, the Bonesmen tapped their first Boneswomen. (Alumni who didn’t want women in their secret society retaliated by changing the locks on the tomb.)

Today, many of the societies continue to resist students’ most progressive demands. When the Bones class of 2019 took down the portraits, some of their predecessors were aghast. It was “bad manners,” a former member of the Bones alumni board who graduated from Yale in the 1960s told me. (I interviewed 12 current or recent members for this article, along with several members from earlier generations; many of them requested anonymity, citing confidentiality agreements.) Given that the society’s former members were overwhelmingly white, he argued, it didn’t make sense to criticize Skull and Bones for accurately portraying its own legacy. “Their historical protest was silly,” he said. Still, the Bones board tried to appease students by putting up photographs of nonwhite alumni alongside the portraits. This year, the former board member told me, the board will unveil the society’s first portrait of a Black alumnus. Similarly, Berzelius agreed to rename the Colony Foundation. Elihu, however, is keeping its name.

Reports of alumni-student schisms within Yale’s secret societies are nearly as old as the societies themselves. Every decade or so, especially when a member of the Bush family runs for president (George H. W. Bush was also a member), opinion writers argue that left-wing students have trampled the values that sustained societies. That makes it easy to miss a much more significant shift within these groups. Picture a member of Skull and Bones, or any of the other Ancient Eight secret societies, and you’ll probably conjure a preppy white guy who summers on the Cape. In fact, in recent years, the demographics of Yale’s most elite organizations have been utterly transformed. In 2020, Skull and Bones had its first entirely nonwhite class. (Every year, the society admits around 15 rising seniors; selections must be unanimous, and members have final say.) Many of the societies now have only one or two students each year who aren’t from historically marginalized groups.

Today, the idea of Skull and Bones selecting someone whose dad was a Republican president seems inconceivable. The so-called tap lines—the tradition guaranteeing that the football captain and the student-body president would end up in Bones—are long gone, and few descendants of alumni members get in. Instead, the secret societies affirmatively select for students who are the first in their family to attend college, who come from a low-income background, or who are part of a minority group. This has created something of a diversity arms race. “People are, intentionally or not, thinking, ‘Does this cohort have too many white people?’” said Ale Canales, a member of the Berzelius class of 2020.

RTWT

31 Oct 2023

What Exactly Would Be Enough Then?

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Amusingly, Yaba Blay was born to Ghanian parents in New Orleans. If reparations are due for Slavery, her Ghanian ancestors undoubtedly owe a lot more than any white Americans. Naturally, she contributes to CNN. link

27 Oct 2023

Al-Right Comment of the Day

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30 Apr 2023

“Lo, the Poor Indian”

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Lo, the poor Indian! whose untutor’d mind
Sees God in clouds, or hears him in the wind;
His soul proud Science never taught to stray
Far as the solar walk or milky way;
Yet simple nature to his hope has giv’n,
Behind the cloud-topt hill, an humbler Heav’n,
Some safer world in depth of woods embraced,
Some happier island in the wat’ry waste,
Where slaves once more their native land behold,
No fiends torment, no Christians thirst for gold.

–Alexander Pope

Pope’s sentimental poem prompted Americans of the 18th and 19th centuries to refer mockingly to the prototypical alleged Amerindian underdog as “Lo, the poor Indian.”

Pekka Hämäläinen is a Finnish academic who has made a very successful career by treating various Stone Age North American tribes as “Empires,” equal to and effectively competitive with their European adversaries. He now occupies a chair in American History at Oxford.

Christopher J. Ferguson, in Quillette, does a nice job of debunking his latest, Indigenous Continent, in which Hämäläinen expands his grandiose appraisal of the magnificence of the Comanches to include other North American Superpowers, like the Sioux.

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American indians

The violent migration of Europeans to the New World was very much like violent migrations throughout history and across cultures, most likely including successive waves of North American Indians (though the history there is murky). Yet instead of understanding these events in the context of larger historical patterns, the Indian Wars are cast as a morality tale in the manner of Howard Zinn, in which the actions of the European settlers are represented as uniquely reprehensible. This fantasy may be an inversion of past jingoistic and racist caricatures of American Indians as “savages,” but it is not more historically accurate.

I thought about this a lot as I read Pekka Hämäläinen’s fascinating and controversial new history of North American Indians, Indigenous Continent. Told largely from the perspective of the natives, Hämäläinen covers the centuries from the arrival of Europeans in North America through to the final subjugation of the last tribes in the late 19th century. It’s a gripping history, but watching the author attempt to come to terms with the history he is telling also makes for fascinating psychological analysis.

Hämäläinen is clearly sympathetic to the Indians. Indeed, the Europeans in his story tend to be portrayed as dirty, bumbling idiots who are repeatedly outwitted until, well, they’re not. Hämäläinen leans into this interpretation a bit much, and as a psychologist, I was as intrigued by how he grapples with history as much as the historical evidence. His sympathy for the Indians is evidently in tension with his unwillingness to distort the facts. For this, I admire him, since history is often distorted to suit the needs of political and academic elites of any given period. But the author’s attempts to square the historical facts with the moral lessons he hopes to impart leads him into contradiction and incoherence.

On one page, Hämäläinen assures the reader that Indians were egalitarian, only to follow that assurance with numerous examples of how that was not true. This inconsistency surfaces early in the book, when Hämäläinen informs us that the Taino Indians encountered by Columbus were “hierarchical” and “stratified.” Elsewhere, we are told that Native Americans were generally respectful of women (the word “matrilineal” is asked to do some heavy lifting here), but we are also provided with specific examples of tribes keeping women as sex slaves, some of whom were brutally abused by tribe members.

Indeed, although the word “captive” makes a lot of appearances in the book, it is selectively employed. When Europeans take people unwillingly to harsh work environments, or to be sold to others, these victims are called “slaves.” But when American Indians do the same thing, Hämäläinen euphemistically describes those victims as “captives.” In fact, a number of tribes were energetic participants in the trade of other indigenous people, selling slaves to other tribes and to Europeans. Although Hämäläinen shows an admirable willingness to discuss such practices, his discomfort is palpable.

Rather than revealing the cultural chasm between indigenous people and Europeans, the historical record teaches us just how similar they were. Each vied for status and power, kept slaves, engaged in genocide against neighboring groups, mistreated women, indulged ethnocentrism, and so on. Tribes or confederations such as the Iroquois, Sioux, or Comanche were violent warrior cultures that recall the Spartans. This observation isn’t intended to denigrate Native Americans, it is simply evidence of our shared (if profoundly flawed) humanity.
Juan Jose, Pueblo (Santa Clara), 1898. Photo by Boston Public Library on Unsplash

What Europeans did to American Indians was often terrible, but Indians gave as good as they got, both to Europeans and each other. These stories are similar to those the world over—we are all equally capable of great horrors and cruelty and history provides few examples of morally unambiguous heroes. Embracing this universalist truth can help us to move past the morality tales so often told in the guise of history and discard a misbegotten and ultimately selfish indulgence in self-flagellation.

This has always been the problem with the Howard Zinn school of history. Zinn’s history of the US resembles a biography written by a bitter former spouse. In lieu of a nuanced and accurate historical account it offers a deliberate slander of our own culture. The result is at once self-indulgent and self-pitying. A balanced account must not flinch from examining our historical mistakes and misdeeds and those of others, but the modern approach to history has too often become a neurotic wallowing in half-truths of our own failures. The corresponding utopian fantasies of other cultures more closely resemble the morality play of a Tolkien novel than the more complex experiences of people who actually lived on Earth.

RTWT

12 Nov 2022

Coming America’s Way

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David Spicer, MIT Undergraduate Association President.

The Babbling Beaver (MIT’s conservative satire site) published a real news item, linking a student paper editorial vociferously denouncing a recent Administration report supporting Free Expression.

Its author, the current president of the MIT undergraduate student body is a spectacular specimen of avidly ambitious, power-seeking leftism, like a baby rattlesnake, already fully-equipped with potentially lethal levels of poisonous ressentiment.

This kid, unfortunately, will be heard from in larger contexts in years to come.

[T]he Freedom of Expression report fails to properly consider, let alone assign weight to, the many places speech can occur. Should speech look different in an academic versus residential setting, considering the primary purposes of such places differ? Residential settings serve as students’ ultimate retreat. Unlike speech in the classroom or on the campus grounds where students can stay or exit as they see fit, speech in residential settings inherently has a captive audience. I would not expect it to be acceptable to barge into President Reif’s Gray House anytime I wish to voice my speech, nor should students be expected to have their homes violated in the same manner. More work and discussion is imperative to understand the implications of free speech in different scenarios, taking into account the time, place, and manner of the speech.

Second, the Freedom of Expression report fails to safeguard students against the harms of power differentials. The report believes “empowering our students to be confident advocates who refuse to be silenced” is the appropriate response to speech that chills or silences the voices of marginalized minority groups. I will offer one personal example to illustrate my argument. In spring 2022, I took a required Course 17 class where my teaching assistant said hurtful things to my classmates and me. For example, when I spoke about my queer identity, said TA berated me, asking,“What makes you a minority?” Never in my Latinx, immigrant, genderqueer, gay, disabled, low-income life would I imagine having to defend myself against such an invalidating question. I did not feel comfortable with the remarks of this TA, so I reported the behavior to my professor and department chair and filed a report through the Institute Discrimination and Harassment Response Office (IDHR). The result? My department chair never followed up on the matter. My professor leaked the contents of my email to the TA without my consent. IDHR told me they could not take action on the case. As a student, I could not continue with the class. What protections would I, as a student, have in a scenario like this? Is this the new hallmark of a MIT education?

Real or not, I had a sincerely held perception that I was not and could not be treated fairly in this class. I use this example to show that this Freedom of Expression report would allow my TA to say such harmful comments and to create a hostile academic environment and fails to protect a student like me from the harms of power differentials. While I would like to consider myself an okay exemplar of a “confident advocate,” I did not achieve an acceptable outcome to my situation. I can only imagine how students without my level of comfort in advocating for myself would fare in such a situation. A belief that students should simply advocate in the face of such situations negligently fails to wrestle with the unsettling realities behind power differentials. Such a belief fails students.

26 Oct 2022

The Publishing Establishment Is All Woke These Days

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Go to a bookstore these days or read Lithhub or the latest New Yorker or Paris Review and you will soon begin to think that literature consists of the life narratives, fantasies, and collected grievances of female neurotics, homosexuals, and oppressed persons of color.

As Aristophanes, at The Federalist, describes: the publishing industry has overwhelmingly gone Woke.

Even big-name authors now admit the publishing industry has gotten intolerably woke and hostile to men — it’s time for readers to fight back.

Joyce Carol Oates is a fixture in American letters — she’s won the National Book Award, two O. Henry Awards, the National Humanities Medal, the Jerusalem Prize, and she’s been nominated for the Pulitzer five times. She taught at Princeton for 36 years, and is, of course, an outspoken Trump critic. A Google search for “Joyce Carol Oates” and “feminist” yields more than half a million results.

And even she thinks the publishing industry has become intolerably politically correct. On Twitter, she recently observed, the “category of straight white males is the only category remaining for villains & awful people in fiction & film & popular culture.” Oates isn’t alone in observing the problem — in June, ubiquitous author James Patterson, whose potboilers have sold more than 400 million copies, said white male writers now face “another form of racism” in the woke publishing industry, before he was bullied into backtracking on his comments.

Of course, if you’ve set foot in a large bookstore recently, what Patterson is saying has obvious merit. On a recent trip to Barnes & Noble, a friend actually took photos and counted up the books on the six new fiction shelves displayed up front. Male authors made up less than 25 percent of the nearly 200 books displayed in the front of the store, and obviously, the percentage of men who were white and/or heterosexual was notably smaller than that.

Oates and Patterson are only now saying what many men with literary ambitions have long known. Iowa Writers Workshop graduate Alex Perez recently gave a scorched-earth interview to the Hobart Literary Journal where he discussed how male-centric literature was being deliberately shut out of publishing. During the interview, he had some choice words for the woke and disproportionately female gatekeepers of the industry:

    These women, perhaps the least diverse collection of people on the planet, decide who is worthy or unworthy of literary representation. Their worldview trickles down to the small journals, too, which are mostly run by woke young women or bored middle-aged housewives. This explains why everything reads and sounds the same, from major publishing houses to vanity zines with a readership of fifteen. The progressive/woke orthodoxy is the ideology that controls the entire publishing apparatus.

Almost to prove his point, most of the editors of the Hobart Literary Journal resigned in protest over the decision to publish Perez’s interview. As for Perez, he’s mostly given up on his literary ambitions to write cultural and political commentary for publications that don’t neatly hew to center-left orthodoxies, such as Tablet.

The people running publishing have fully confused their profession with their secular religion. Perez isn’t just right that “everything reads and sounds the same,” but the greater crime is that when literature is culturally and politically homogenized, greatness becomes an outlier. The next Cormac McCarthy could be languishing because they were too busy greenlighting “Anti-Racist Baby.”

RTWT

HT: Karen L. Myers.

25 Sep 2022

The Yale Alumni Magazine Asks: “Tell Us Your Thoughts About This Article.”

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Judith Schiff 1937-2022, Chief Research Archivist, Sterling Library, Yale University.

OK.

The latest Yale Alumni Magazine arrived yesterday. Its key feature article this issue is a tribute to Judith Schiff who had contributed a popular “Old Yale” column to the alumni mag since 1987.

There is nothing wrong with the eulogy to the late archivist in itself. But there were all those little infuriating details that get the blood pressure of an elderly alumn seething.

In the midst of noting the admirable contribution those 219 “Old Yale” columns constituted over the long decades, Alumni Mag editor-in-chief Kathrin Day Lassila ’81 (the ever reliable source of left-wing self gratulation and cant) clocks in to gloat over persuading Ms. Schiff not to omit a pious condemnation of the Pro-Slavery views of John C. Calhoun, Class of 1804, in a column actually discussing Calhoun’s role in leading the House of Representatives in the direction of a Declaration of War against Britain in 1812.

Representatives of the Woke Left, like Ms. Lassila, never overlook any opportunity to point fingers in condemnation at, and to preen in moral superiority over, the errors of persons long dead. How can one possibly say enough about the spiritual magnificence and boundless generosity of members of today’s Community of Fashion in refraining from owning and trafficking in any slaves and their bravery in forthrightly denouncing an institution extinct for over a century and a half and absolutely lacking any current defenders?

Personal Tribute No. 1 comes from a member of the Class of 1971, a transfer who became one of the first female graduates of Yale College, and who “received the Yale Medal for projects highlighting Women and Minorities.” IMHO, there ought to be a much bigger medal for persuading whiny minority identity groups to go away and shut up for a change.

The Schiff article includes several warm personal tributes from Yale functionaries and factotums who were personally acquainted with the lady which are in themselves perfectly fine. However, the faithful reader discovers that Personal Tribute No. 2 is the product of the collaboration of one chap (M.A. 89) who is a “New Haven-based cultural organizer” (a term that inevitably tempts any right-thinking alumn to start reaching for his revolver) and another guy (’87, ’93MDiv) who is the Beinecke Library’s “director of community engagement.” What in hell is a Rare Book Library doing throwing away an annual full-time salary on paying somebody to “engage” the inner-city welfare/criminal class of New Haven? Are gang-bangers, coke dealers, hip-hoppers, and the ever-dwindling actual working class of a ruined rust-bucket small city supposed to have some sort of healthy and legitimate interest in the Gutenberg Bible, Shakespeare’s First Folio, or some really cool manuscripts in Carolingian Miniscule?

Tribute No. 5 is from a member of the Class of 1979, ’84MD, and an adjunct psychiatry prof at Yale, who (inevitably) wrote a book about Yale and the Jewish Question, who tells us Ms. Schiff was a terrific help in researching one whiny identity group issue after another after another. That, of course, is what research universities and research university libraries are really for.

And it goes on and on. “When Judy Schiff went to work at Yale there were no senior women teaching at Yale College and no women undergraduates. There were no women officers in the university.” begins Tribute No. 6.

In Woke University-land and Woke-Alumni-Magazine-land, the entire universe, the entire corpus of human learning, and the whole focus of history is centered upon the amour propre, the grievances, and the glories of the triumphant elite establishment representatives of the sacred ressentiment-based Identity Groups.

It’s not that most articles are bad in themselves. It’s the fact that the rancid, worm’s-eye-view perspective of leftist grievance politics permeates everything and is accompanied by an inevitable associated tone of orthodoxy and dogmatism.

The great minds running Yale these days, and editing its publications, obviously never read John Ruskin:

Of all the insolent, all the foolish persuasions that by any chance could enter and hold your empty little heart, this is the proudest and foolishest,–that you have been so much the darling of the Heavens, and favourite of the Fates, as to be born in the very nick of time, and in the punctual place, when and where pure Divine truth had been sifted from the errors of the Nations; and that your papa had been providentially disposed to buy a house in the convenient neighbourhood of the steeple under which that Immaculate and final verity would be beautifully proclaimed. Do not think it, child; it is not so.

Bang! All over America, you can hear the sound of one more issue of the Yale Alumni Mag flung from the hand of an older male alumn hitting the circular file.

24 Jul 2022

The Leftist Radicals Are Still “Waving the Bloody Shirt*” A Century And a Half Later

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1880 Frederick Burr Opper Cartoon from Puck, titled: The Bankrupt Outrage Mill (showing bloody shirts, lynchings, and other forms of racial violence).

* “Waving the Bloody Shirt” was a phrase used by their opponents to mock efforts by post-Civil-War left-wing radicals to sow national division and stir up animosity against the defeated South by invoking memories of the war, and particularly through painting emotional images of black victimhood.

Coleman Hughes quite brilliantly analyses the bizarre role of metaphor as identity underlying the contemporary psychodrama participated in by complaining blacks and pious white liberals.

Though the question seems naïve to some, it is in fact perfectly valid to ask why black people can get away with behavior that white people can’t. The progressive response to this question invariably contains some reference to history: blacks were taken from their homeland in chains, forced to work as chattel for 250 years, and then subjected to redlining, segregation, and lynchings for another century. In the face of such a brutal past, many would argue, it is simply ignorant to complain about what modern-day blacks can get away with.

Yet there we were—young black men born decades after anything that could rightly be called ‘oppression’ had ended—benefitting from a social license bequeathed to us by a history that we have only experienced through textbooks and folklore. And my white Hispanic friend (who could have had a tougher life than all of us, for all I know) paid the price. The underlying logic of using the past to justify racial double-standards in the present is rarely interrogated. What do slavery and Jim Crow have to do with modern-day blacks, who experienced neither? Do all black people have P.T.S.D from racism, as the Grammy and Emmy award-winning artist Donald Glover recently claimed? Is ancestral suffering actually transmitted to descendants? If so, how? What exactly are historical ‘ties’ made of?

We often speak and think in metaphors. For instance, life can have ups and downs and highs and lows, despite the fact that our joys and sorrows do not literally pull our bodies along a vertical axis. Similarly, modern-day black intellectuals often say things like, “We were brought here against our will,” despite the fact that they have never seen a slave ship in their lives, let alone been on one. When metaphors are made explicit—i.e., emotions are vertical, groups are individuals—it’s easy to see that they are just metaphors. Yet many black intellectuals carry on as if they were literal truths.

One such intellectual is Michael Eric Dyson, who recently shared the stage with Michelle Goldberg in a debate against Jordan Peterson and Stephen Fry. Though the debate was ostensibly about political correctness, it ranged everywhere from Marxism to ‘white privilege.’ Around halfway through the debate, Dyson said:

    If you have benefitted from 300 years of holding people in servitude, thinking that you did it all on your own…”Why can’t these people work harder?” Let me see…for 300 years you ain’t had no job! So the reality is for 300 years you hold people in the bands…you refuse to give them rights. Then all of a sudden, you ‘free’ them and say, “You’re now individuals.”

Taken literally, Dyson’s claims make no sense. No person has ever suffered 300 years of joblessness because no person has ever lived for 300 years. Of course, Dyson wasn’t speaking literally. His ‘you’ refers not to identifiable, living humans, but to groups of long-deceased individuals with whom he shares nothing in common except a location on the color wheel. But by appropriating a grievance whose rightful owners died long ago, and by slipping between the metaphorical and the literal, Dyson was able to portray himself as a member of an abstract oppressed class and Peterson as a member of an abstract oppressor class. In his reply, barely audible over Dyson’s sanctimonious harangue, Peterson put his finger on this rhetorical sleight-of-hand: “Who is this ‘you’ that you’re referring to?”

Many black progressives use the myth of collective, intergenerational transfers of suffering to exempt themselves from the rules of civil discourse.

RTWT

19 May 2022

Larry Tribe and the Current Supreme Court

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Larry Tribe.

Isaac Chotiner interviews the Left’s favorite law professor, Larry Tribe, for the New Yorker, seeking his response to the lamentable circumstance of the country finding itself with a conservative, Originalist majority on Supreme Court, an apparent majority perfectly prepared to reverse Roe v. wade.

Larry is obviously not happy.

How has your thinking about the Supreme Court as an institution changed over the past fifty years?

I would say that because I am part of the generation that grew up in the glow of Brown v. Board of Education and of the Warren and Brennan Court, and identified the Court really with making representative government work better through the reapportionment decisions and protecting minorities of various kinds. I saw the Court through rather rose-tinted glasses for a while. As I taught the Court for decades, I came to spend more time on the dark periods of the Court’s history, thinking about how the Court really preserved and protected corporate power and wealth more than it protected minorities through much of our history, and how it essentially gutted the efforts at Reconstruction, and I focussed more on cases like Dred Scott and Plessy v. Ferguson and Korematsu.

And in recent years, as the Court has turned back to its characteristic posture of protecting those who don’t need much protection from the political process but who already have lots of political power, I became more and more concerned about its anti-democratic and anti-human-rights record. I continued to want to make sense of the Court’s doctrines. I wrote a treatise that got very frequently cited around the world and that shaped my teaching about how the Court’s ideas in various areas could be pulled together. But then, after I had done the second edition of that treatise, and it became relied on by a lot of people, I decided [after the first volume] of the third edition, basically, to stop that project.

What were you arguing in the first two editions?

The first was the first effort in probably a hundred years to pull together all of constitutional law. And it led to a rebirth, or flowering, of lots of writing about constitutional law, and writing more focussed on methodology, with different forms of interpretation. I was very excited about that project, and [the second edition] continued it. Most of what I did was to see connections among different areas. I would be writing about commercial regulation, and I would see themes that popped up in areas of civil rights and civil liberties. Or I’d be writing about separation of powers, and I would see problems that arose elsewhere.

And I was always trying to find coherence, because my background in mathematics had led me to be very interested in the deep structures of things. I was working on a Ph.D. in algebraic topology when I rather abruptly shifted from mathematics to law. And so, in my treatise, I developed what I thought of as seven different models of constitutional law. I’m always fascinated by different perspectives and lenses and models. I’ve never thought of law and politics as strictly separate, and efforts by people like Steve Breyer to say that we shouldn’t concede that constitutional law is largely political have always seemed to me to be misleading. That said, I still saw efforts at consistency and concerns about avoiding hypocrisy from the Court. But those things began getting harder to take seriously.

And then Steve Breyer wrote me a long letter saying, “When are you going to finish the third edition of your treatise?” And I wrote him a letter back, which then was published in various places, saying, “I’m not going to keep doing it. And here’s why.” It was a letter that described how I thought constitutional law had really lost its coherence.

At one level, you’re saying something really changed with the Court. But earlier you said that the Court has always had some history of protecting the powerful and not protecting minority rights or the powerless. So did something change, or did the Court just have this brief period, after the Second World War, when you saw it as different before returning to its normal posture?

I think there’s always been a powerful ideological stream, but the ascendant ideology in the nineteen-sixties and seventies was one that I could easily identify with. It was the ideology that said the relatively powerless deserve protection, by an independent branch of government, from those who would trample on them.

Right. The Warren Court was also ideological; it just happened to be an ideology that you or I might agree with.

Exactly. No question. It was quite ideological. Justice Brennan had a project whose architecture was really driven by his sense of the purposes of the law, and those purposes were moral and political. No question about it. I’m not saying that somehow the liberal take on constitutional law is free of ideology. There was, however, an intellectually coherent effort to connect the ideology with the whole theory of what the Constitution was for and what the Court was for. Mainly, the Court is an anti-majoritarian branch, and it’s there to protect minorities and make sure that people are fairly represented. I could identify with that ideology. It made sense to me, and I could see elements of it in various areas of doctrine. But as that fell apart, and as the Court reverted to a very different ideology, one in which the Court was essentially there to protect propertied interests and to protect corporations and to keep the masses at bay—that’s an ideology, too, but it was not being elaborated in doctrine in a way that I found even coherent, let alone attractive.

Maybe I’m wrong about this, but I see more internal contradiction and inconsistency in the strands of doctrine of the people who came back into power with the Reagan Administration and the Federalist Society. I’m not the person to make sense of what they’re doing, because it doesn’t hang together for me. Even if I could play the role that I think I did play with a version that I find more morally attractive, it’s a project that I would regard as somewhat evil and wouldn’t want to take part in.

I’m not trying to paint the picture that says everything was pure logic and mathematics and apolitical and morally neutral in the good days of the Warren Era, and incoherent and ideologically driven in other times. I think that would be an unfair contrast. So I hope what I’ve said to you makes it a little clearer.

You wrote a rather striking piece in The New York Review of Books recently, called “Politicians in Robes,” where you take issue with Breyer essentially still believing that the Court can be apolitical. How should we view the Court now? I think that there is a tendency to say, “These guys are politicians, and they make partisan choices the way anyone else does.”

I guess I think citizens should look at the Court as an inherently political institution, which ideally would, however, offset the aspects of politics in which those who already have power accumulate more of it at the expense of ordinary people and people who are downtrodden or subordinated or subjugated. And people should be critical of the Court when it departs from that function, because then they should say to themselves, “Who are these guys, who essentially were not elected, are independent, are secure and protected? What’s the point of protecting them if they are simply protecting those in power already?” Their independence is of value precisely when they perform an important function: both making democracy work better and protecting those who can’t protect themselves effectively through the political process. People should say to themselves, “When they’re not performing that function, then we really ought not to respect their work and give it a lot of weight.”

Now you or I (unworthy reactionaries that we are) may be inclined to think that the Supreme Court’s job is to interpret the law correctly, strictly in accordance with the Constitution.

Professor Tribe, as we see above, has a completely different theory. In his view, the Supreme Court’s real purpose is to afflict the powerful and enforce, at any cost, the interests of minorities, the “downtrodden or subordinated or subjugated.”

Professor Tribe is indifferent, or actively hostile, to the actual text and meaning of the Constitution, it being obviously in his view the work of dead white males bent only upon protecting the interests of rich white men exactly like themselves.

Professor Tribe’s sympathy for, and emotional identification with, minorities, the poor, and the oppressed, his post-observant-Judaic reflexive Leftism, in his view, apparently rises to a level of significance more worthy of enforcement than the authentic meaning of the Constitution’s text or the intentions of the framers. Pardon me for finding this more than a little intellectually self-indulgent.

More than merely self-indulgent, personally, I tend to look upon the vice-like-grip of representatives of the Elite Gentry Left, like Professor Tribe, upon the cause of “the poor, minorities, and the oppressed,” to be in reality in the nature of a self-interested tactic.

It would obviously be unbecoming for rich fat cats comfortably ensconced in the most prestigious positions in Society to be found asking for greater powers, more privileges, more authority for themselves. The peasants might respond with indignation. But, when, you see, they point to a category of victims, defined specifically as less well off than everybody else, more miserable and more wronged than the rest of all you nobodies, and appoint themselves as the champions and protectors of these lepers and untouchables, it’s a whole new ballgame: the sky’s the limit what they can demand. It’s a very old con game, and a very effective one. That’s why so many play it.

12 May 2022

WaPo Editorial: “Rename George Washington U.!”

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The Washington Post follows the standard elite media policy of publishing (with apparent approval) the most outrageous and irrational expressions of Black racial chauvinism, insolence, and entitlement. The author was a senior of color.

Last year, George Washington University’s Cloyd Heck Marvin Center — named for a segregationist — was renamed the University Student Center in response to student calls for a name change. The name change streamlined with calls for racial justice in a modern era in which students across the country are demanding change. As our nation’s history of slavery, Jim Crow, red lining and other discriminatory policies toward African Americans has never been fully addressed or atoned for, these pleas for racial justice are a reflection of a shifting paradigm in American politics in which compromise and intolerance are no longer an option. However, the renaming of the University Student Center falls short in addressing the main issues of systemic racism and inequality still present on campus.

Racism has always been a problem at GW. At the university’s founding in 1821, enrollment was restricted to White men. In 1954, then-university president Marvin employed numerous efforts to preserve segregation, arguing for a “homogenous” group of White students. In 1987, Black students organized to demand more visibility in a predominantly Black city where Black students were outnumbered by huge majorities. Today, with Black enrollment at about 10 percent, Black students on campus continue to struggle for community. Despite alleged efforts by administration to enhance diversity, the admissions office continues to fail to ensure a student body with adequate minority representation.

Black professorship also remains low, especially in the university’s International Affairs program. Limited Black professors teaching African and African American courses and the continued neglect of Black academia and Black professorship create a campus culture in which European studies and White perspectives are favored over Black perspectives. No African languages are taught at the university, and calls for reforms are often ignored.

These problems are rooted in systemic racism, institutional inequality and white supremacy. There are at least four ways the university could achieve progress: Decolonized university curriculum, increased Black enrollment, the renaming of the university and the selection of an African American President.

In the university’s 200-year history, GW has never had an African American president. The search for a replacement for interim president Mark S. Wrighton is the perfect opportunity for the university to dissociate with its racist history by selecting a strong Black leader.

RTWT

The goal of Liberalism in combating segregation was presumably a color-blind America with good will toward all men. Liberalism more recently has metastasized into a depraved and rancid Leftism which masochistically endorses the grievance-based revision of American History, the cancellation of of our national heroes, and the limitless flattery of minority vanity and egotism to the point of the replacement of the majority population and the whole of Western Civilization. Couldn’t these people just commit suicide without bothering the rest of us if the burden of guilt they bear for history past is just too much?

28 Oct 2021

Yale Begins Three-Day Guilt Orgy Over 270-Years-Back Slavery

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Connecticut Hall on Yale’s Old Campus was completed in 1752.

Yale Officialdom ought to feel ashamed for its hypocrisy on Free Speech, its swooning embrace of Left-wing Intolerance and Mob Rule, its eagerness to climb onboard any form of fashionable irrationality and hysteria.

Yale should apologize for letting a mob of snowflakes hound the Master of Silliman and his wife out of office. Yale should apologize for renaming Calhoun College, for modifying the College Master title, and for naming one of two new colleges for a mentally-disordered radical nobody not a communist had ever heard of.

If we want to go back historically, Yale ought to be ashamed at supporting the Communist subjugation and enslavement of Indochina (which still persists) and the subsequent genocide in Cambodia. Yale should be ashamed for closing down the two ROTC programs, tearing down both their buildings, and selling the French 75mm Field Gun awarded to the Yale Artillery Battalion by the French Government in commemoration of their service in WWI for scrap. Yale ought to look at the history of Kingman Brewster saying that the Panthers couldn’t get a fair trial and being proven correct in an ironical sense when acquittals and a few slap on the wrist convictions were handed down by a New Haven jury to the accused unquestionably guilty of murder and torture.

But, no, Peter Salovey thinks we ought to feel simply awful over there being Negro slaves in Colonial New Haven almost three centuries ago. It also requires investigation, and regret, that Yale circa 1915 actually participated in a general era of National Reconciliation during a time in which the last combatants in the War Between the States were passing from the scene.

In the Gothic and Georgian lunatic asylum bordering New Haven’s Green, so thoroughly has the Left’s absolute obsession with Identity Group Victimhood taken possession of the inmates and staff that professional scholars no longer view certain particular aspects and periods of History with objectivity and detachment. Instead, they might as well adopt period costumes because they are fanatically determined to connect with that History as active partisans and they are equally determined to inflict injury upon and punish their long-deceased (and, at this point, essentially imaginary) opponents.

Yale News:

For the past year, Yale scholars, librarians, New Haven community members, and student researchers have been digging through Yale’s own past for a deeper understanding of the university’s historical relationship with slavery and its legacy.

During a three-day academic conference starting Oct. 28, experts from across Yale and the nation will discuss what they’ve learned so far, including new insights into the construction of Connecticut Hall, an iconic Old Campus structure built in part by enslaved Africans, and the “reconciliationist” approach to Yale’s Civil War memorial in Woolsey Hall. …

Salovey has described the “Yale & Slavery” project — part of an ongoing national discussion about racism and discrimination — as an urgent reckoning with the university’s history, and an important opportunity to analyze, understand, and publicly communicate it.

“Like many of America’s oldest institutions, Yale has seldom, if ever, recognized the labor, the experiences, and the contributions of enslaved people and their descendants to our university’s history or our present,” Salovey said. “For generations, we have looked away from what is in plain sight. But now we are acknowledging that slavery, the slave trade, and abolition are part of Yale’s history.

“It is important we shine a light into every concealed corner of our past, because moving forward requires an honest reckoning with our history, and because the purpose of our university is to create, preserve, and disseminate knowledge. The fundamental work we all share applies as much to Yale’s past as anyone’s.”

The conference is hosted by the Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition, part of the MacMillan Center at Yale. Founded in 1998, the Gilder Lehrman Center is the first such center in the world to study such international historical questions.

Topics during the conference will include the university’s 18th-century theological roots; the economics of slavery-created wealth; the place of Southern slaveholders at Yale during its first two centuries; medical and scientific legacies of race at Yale; forces of abolition at the university; the history of labor in building the campus; and why the inclusion of Confederate veterans was central to the purpose of the university’s Civil War memorial when it was created in 1915.

RTWT

10 Sep 2021

Liberal Artistic Patronage Meets Identity Group Entitlement

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Jill Louise Busby.

LithHub specializes in publishing and linking striking examples of exactly what’s wrong with contemporary pseudo-intellectual culture.

Yesterday’s email compendium prominently featured a book excerpt in which the above female person of color, reacts to having received a generously-funded writing residency at a posh country estate.

Ms. Busby clearly operates on the basis of a sense of artistic grandeur and identity group entitlement that upon encountering the patron/artist relationship causes her to react to her benefactors a lot differently from the way artists like Michelangelo, Shakespeare, and Bach did in the dear dead days of yore.

Busby does not sing her benefactors’ praises or dedicate a grand work to them. No, la Busby instead composes a carefully crafted personal response consisting of a full-throated outpouring of envy, snark, and contempt for her white liberal benefactors.

Previous classical literary representatives of underclass malice, envy, ingratitude, and insolence, Thersites, Caliban, Uriah Heep, never even came close to her.

That night, we are all welcomed to the coast by a man from the arts foundation. He smiles when he talks, apologizes for things that don’t matter. We offer back to him things he gave us in the first place—a seat, a plate of the catered food, a bottle of water. He says he just wants to get out of there and leave us to it, whatever it is, but he’ll see us on Saturday for the community Q&A.

“The people who live here are so happy to have you, and they’re very excited to hear all about your art,” he says.

Jill, we can’t wait to hear all about how our racism influences your art.
If you make us feel guilty enough, we’ll call you brave for your efforts.
You can’t make us love blackness, but you can make us love the way you use it.
How will you use it?

On the walls are childhood photos of the homeowner’s now-adult children. They spent their summers here, their growth spurts recorded on the door frame in permanent marker, meant to stay.

After he leaves, we convene in the yellow house for dinner. We sit around the dining room table with the curtains wide open on a window that belongs to them but is temporarily full of us instead: the screenwriter, the painter, the muralist, the illustrator, the actress, the performance artist, the mixed-media artist, and the essayist.

We squeeze in close, make just enough room for everyone to have a seat. We eat our catered food off their cobalt blue ceramic dishes, drink donated red wine out of their cups.

As it grows dark outside, the ocean view becomes implied, and we become less implied. We are reflected back to ourselves in the glass under the dim light of a low-hanging fixture, more easily seen by the neighbors walking their dogs or walking themselves around the neighborhood. We leave rings of donated red wine on their real-wood tabletop, talk and laugh so loudly that the porcelain teacups and family heirlooms rattle nervously in the cabinet, unused to so much vitality and bass.

We sit on display, swirl the wine, talk about what it means to be black artists (preservation).

They use us, steal our work, force us to compromise.
But how else can we get our art out into the world?
How else can our story be heard?
I mean, we have to do it, right?
Yeah, we have to do it.
It just sucks that we have to do it like this.
It does. It really does.
But it’s worth it.
Oh, it’s totally worth it.
All we have to do is take the cheese without disturbing the trap.
Easy.

We talk about what it’s like to be nice white liberals (speculation). To live in this town without having a real big special talent, influence, or fame. To live here not as a somebody but as an anybody.

RTWT

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