Watch collectors are clearly quite mad. I have a Rolex myself. Years ago, I ran into people in business who wore expensive watches and who checked out your wrist as a form of credentialing. If you didn’t wear a status watch, they figured you never made enough real money to blow some on a watch. I also got tired of lesser watches breaking and batteries wearing out, so I said: “By gosh, I’ll buy a Rolex, a permanent watch!” What I didn’t know is that every 5-6 years, you’ve got to send that Rolex somewhere to be cleaned and serviced. If you send it to Rolex proper, they’ll nail you about a thousand. I use other watch services.
Younger people often don’t even wear watches. If they need the time, they just look on their phone.
Here is the plot of Hamlet in a nutshell: The soldiers who meet the Ghost of Hamlet’s murdered father on the ramparts of Elsinore Castle were not posted there by accident: As they explain in the play’s opening lines, the King of Norway, young Fortinbras, will invade Denmark soon, and they are set as lookouts. The Ghost comes along and distracts them and young Hamlet, and the dramatis personae engage in various machinations until, at the end, all of them lay dead on the stage. Just as Hamlet expires, who should enter but Fortinbras, who asks: “Who’s in charge here? Uh, everybody’s dead. I guess I am.â€
Shakespeare’s audience doubtless rolled in the aisles. Fortinbras, the play’s shadow protagonist, typically is cut from modern productions (for example, the 1948 Laurence Olivier film version), which makes the rest of the action meaningless. Such is the atrophy of the modern sense of humor.
In our present version of Hamlet, the role of Fortinbras is played by Xi Jinping. China wants dominant position in what it calls the Fourth Industrial Revolution – the transformation of economic life by ubiquitous high-speed communications and artificial intelligence. Industrial robots that talk to each other and work out industrial processes without human input, mining robots operated via 5G by technicians with virtual reality visors, a global medical system powered by real-time uploads of the vital signs of a billion smartphone users and digitized health records, autonomous vehicles, e-commerce and e-finance links easing the retail transactions of billions of people will become standard over the next two decades.
Meanwhile, the United States has invested virtually nothing in the driver of this revolution, namely high-speed, infinite-capacity and zero-latency broadband. Less than 1% of all venture capital investments are now devoted to hardware. The American tech giants are content to invest in high-return, infinitely-scalable software and leave the physics to Asia. In 2015 America shipped about 30% of semiconductors worldwide, but barely 10% today.
No American company offers 5G manufacturing equipment, which has become a Chinese monopoly. Huawei dominates the market with a 30% market share, but its two largest competitors, Ericsson and Nokia, depend on a Chinese supply chain, offering equipment with the same components, but a Scandinavian label and a higher price. …
Fortinbras invaded Hamlet’s Denmark. His modern avatar Xi Jinping doesn’t covet Cleveland, but aims for a controlling position in the decisive technologies of the 21st century. The United States is busy with the twists and turns of a macabre political plot that serves as a distraction from the main thread of the plot. As I wrote on January 26, the Pentagon last week abandoned attempts to further restrict US component sales to Huawei, arguing (correctly) that they would hurt American tech companies more than they would hurt China. And now the United Kingdom has asked Washington, “What have you done for us lately?â€
The United States should cancel an aircraft carrier or two and announce a whatever-it-takes, Manhattan Project-style program to build out its own 5G capacity. Short of that, it has no choice but to reconcile itself to the mediocrity of its circumstances.
The Irish VP of the European Parliament, Mairead McGuiness, spitefully shuts down Nigel Farage’s microphone as he delivers his triumphant Farewell-to-the-EU speech on the eve of Brexit. Typical bad sportsmanship of Globalist elite types. And Farage and the rest of the British delegation gleefully walk out.
“We were told to leave with our British flags and that’s exactly what we did.”
Thomas Cole, The Course of Empire: Destruction, 1833-1836, New York Historical Society.
James Panero tells us that Yale imported a Cambridge bolshie to “decolonize” the History of Art Department.
Are we in our own revolutionary moment? Many of our leading institutions clearly believe so. Yale University has been working overtime to prove it is on the right side of history. ‘Problematic’ colleges have been renamed. ‘Offensive’ stained-glass windows have been knocked out. Only the leadership of an Ivy League school could spread such a poisonous rash. Heading the charge against the Dead White Male has been a progressive Yale bureaucracy that is, for the most part, pale and stale.
Now the task of dismantling Yale’s famous art history survey course has fallen to a scholar I respect, Tim Barringer. British-born, Barringer is the Paul Mellon Professor of the History of Art at Yale University and has been a leading curator at the Metropolitan Museum. He even mounted the Met’s exceptional 2018 exhibition on Thomas Cole.
Following a 2017 mandate to ‘decolonize’ Yale’s Department of English, Barringer is giving over the keys of Yale’s famous art survey course to the identity vandals. According to the Yale Daily News, instead of one class that will tell the story of art from ‘Renaissance to the Present’, new courses will, Barringer says, be devised to consider art in relation to a five-step history lesson, ‘questions of gender, class and race’, with further discussion of art’s ‘involvement with Western capitalism’. Of course, ‘climate change’ will also be a ‘key theme’.
Art doesn’t fare well in revolutionary times. Likewise, revolutionary sentiments are often revealed in the treatment of art. If only Professor Barringer had looked more carefully at another five-step history lesson, Thomas Cole’s ‘Course of Empire’ tableau (1833-36), he might have seen how civilizations burn down from decadence as well as assault.
That whirring sound you hear in the background is grand old Yale Art History professors, men like Sumner Crosby who taught the Gothic Cathedral course and Charles Seymour who taught the Italian Renaissance Art course, who fished for salmon together every summer on the Upsalquitch, spinning in their graves at 78 RPM.
Mark Goldblatt quotes himself from an NR article from 2002:
Elitism, to be sure, is as old as human society. But never in recorded history has a less cerebrally, morally, or spiritually elite Elite looked down their noses at the majority of their countrymen. The minimum requirement for membership in the intelligentsia used to be, well, intelligence. This is no longer the case. Rather, what is now required is the mere sense of your own superiority, the smirky confidence that flows from an undergraduate grasp of history, philosophy, and literature, and which can only be sustained by a maniacal deafness to counterarguments.”
Every retail store in Japan, from supermarkets and electronics stores to 100yen shops and secondhand thriftstores, have their own theme song and jingle which they play on repeat in their stores, and sometimes supermarkets have jingles for specific seasonal dinner plates in attempt to brainwash customers.
There is also a truck which circles through Shibuya and nearby areas blasting an annoying recording of women singing high pitched and off-key, advertising a website for female sex industry jobs, and they are unfortunately very effective in catching attention and memory.
The other day while the train was stopped I heard crows cawing nearby. It startled me because they sounded like tortured young Japanese men screaming in intense agony or pleasure.
Vincent van Gogh, The Starry Night, 1889, Museum of Modern Art.
If you drive a car, I’ll tax the street.
If you try to sit, I’ll tax your seat.
If you get too cold, I’ll tax the heat.
If you take a walk, I’ll tax your feet.
‘Cause I’m the taxman, yeah, I’m the taxman.
The taxman is at his very worst in New York State, as Red State reports:
New York State recently passed a law requiring citizens to obtain a permit if they wish to gaze at the stars in public parks. No, really. You read that right. In New York, you must pay for a license to look at the freaking stars.
The Free Thought Project first reported on the story, explaining that “If citizens of the state wish to look up at the sky and view the stars at one of New York’s public parks, they will first have to obtain a ‘Stargazing permit.’†The site pointed out that pollution in the sky makes it more difficult for New Yorkers in “highly populated areas†to see the sky at night, so they travel to remote areas, many of which are located in state parks.
The state is charging residents $35 to become a fully-licensed stargazer allowed to view the stars between January and December of the year. If you are not lucky enough to be a New York resident and you are just visiting, you will have to fork over $60 for the privilege of admiring your favorite constellation in the night sky. We were not able to find out how much it costs to wish upon a star, but we can be sure that it ain’t cheap. Okay, that last part was a joke — hopefully.
[Schweizer’s] real subject, however, is not this unsavory lot of so-called “progressive†politicians. Rather it is a truth of human psychology summed up in Milton Friedman’s observation that “Concentrated power is not rendered harmless by the good intentions of those who create it.â€
All the figures that Schweizer discusses are known as “progressives†of one stripe or another, from Bernie Sanders and Elizabeth Warren at the heavy-handed redistributionist, socialist end, to Joe Biden in the gabbling senile establishment middle. They all talk about helping the little guy. They are filled to the brim with “good intentions.†But the scare quotes are intended. What they are really all about is increasing the power of government, and hence their own power and perquisites, under cover of noble-sounding progressive nostrums.
This brings us to the core of Schweizer’s important book. “What makes so many people angry at Washington,†he notes, “is the fact that those with political power get to operate by a different set of rules than the rest of us.†That’s it in a nutshell.
As one compares the treatment accorded to Hillary Clinton, say, or Biden and his sons and brothers with the treatment accorded to General Mike Flynn or a host of other people outside the charmed circle of progressive piety, one is tempted to suggest a change to the inscription on the U.S. Supreme Court.“Equal Justice Under Law†is so out of date; “Unequal Justice Under Law†would be a more accurate slogan, one that accorded better with actual practice if not rhetoric.
Schweizer is right. Such people “use their own levers of power to protect their family and friends from the scales of justice; bail out their failing businesses; steer taxpayer money to them. When they misstep, they are excused or it is covered up. While those with little or no power have to pay for the consequences of their actions, the political class often does not. The power elite—the people who grease the wheels for themselves—are the most disconcerting and dangerous ones.â€
Despite the conspiracy of silence imposed by a compliant media on these facts, the truth is leaking out bit by Biden bit. It is one reason that we now have President Donald Trump, not President Hillary Clinton. It is a reason, too, that, come January 2021, President Trump will embark on his second term. We all owe Peter Schweizer an enormous debt of gratitude for his enormous and effective labors in bringing sunlight to these tenebrous and mephitic climes.
